Sean O'Brien

Once Again Assembled Here

John Seymour

Chaz Brenchley

Julia Darling

Chrissie Glazebrook

Margaret Wilkinson

Kevin Cadwallender

Linda France

The Book of Newcastle

An anthology of post-war poems, including works by Philip Larkin and Seamus Heaney, and by more recent names, such as Kathleen Jamie and Ciaran Carson. This book also provides a paragraph about each of the 75 poets represented.

Poetry in Britain and Ireland After 1945

The Firebox

Stephen Maxwell has just retired from a lifetime spent teaching history at his alma mater. As he writes the official history of Blake's, a minor public school steeped in military tradition, he also reveals how, forty years ago, a secret conflict dating from the Second World War re-enacted itself among staff and pupils, when fascism once more made its presence felt in the school and the city, with violent and nightmarish results.

Sara Maitland

Simon Ings

Sarah Schofield

Toby Litt

Gregory Norminton

Justina Robson

Jane Rogers

Jane Feaver

Adam Marek

Dilys Rose

K.J. Orr

Annie Kirby

Simon van Booy

Programmable memories, fatherless reproduction, nano-tech implants, amphibian-powered scar treatment, full body modification, brain-scanning lie-detectors, inter-species reproduction, self-determining synthetic ‘green goo’… Which of these would you wager is pure science fiction, and which currently being developed in the lab? Such is the speed and excitement of today’s bio-medical research – sprinting from the starting gun that was the Human Genome Project – it’s sometimes hard to tell. In a unique collaboration, fourteen short story writers have been invited to explore the increasingly grey area between the fantastical and that which is already within our reach. Closely collaborating with scientists and ethicists working at the forefronts of their respective fields, each writer has been tasked with predicting some of the potential ‘ethical side-effects’ of this ground-breaking work. Not all progress, after all, is progressive. And dark forces are afoot that threaten to hi-jack what many declared would be ‘the century of biology’. 'Fascinating reading.' - Financial Times 'An exhilarating read.' - The Short Review Toby Litt's Bio-Punk story 'Call it ''The Bug'' Because I Have No Time to Think of a Better Title' short-listed for the 2013 Sunday Times EFG Private Bank Short Story Award.

Bio-Punk

Adam Roberts

Frank Cottrell-Boyce

Lucy Caldwell

Julian Gough

Claire Dean

Stuart Evers

Robin Yassin-Kassab

Martyn Bedford

Zoe Lambert

Joanna Quinn

Andy Hedgecock

Dinesh Allirajah

Computers are changing. Soon the silicon chip will seem like a clunky antique amid the bounty of more exotic processes on offer. Robots are changing too; material evolution and swarm intelligence are creating a new generation of devices that will diverge and disperse into a balanced ecosystem of humans and ‘robjects’ (robotic objects). Somewhere in between, we humans will have to change also… in the way we interact with technology, the roles we adopt in an increasingly ‘intelligent’ environment, and how we interface with each other. The driving motors behind many of these changes will be artificial life (A-Life) and unconventional computing. How exactly they will impact on our world is still an open question. But in the spirit of collective intelligence, this anthology brings together 38 scientists and authors, working in pairs, to imagine what life (and A-Life) will look like in the year 2070. Every kind of technology is imagined: from lie-detection glasses to military swarmbots, brain-interfacing implants to synthetically ‘grown’ skyscrapers, revolution-inciting computer games to synthetically engineered haute cuisine. All artificial life is here. Featuring scientific contributions from: Martyn Amos, J. Mark Bishop, Seth Bullock, Stephen Dunne, James Dyke, Christian Jantzen, Francesco Mondada, James D. O'Shea, Andrew Philippides, Lenka Pitonakova, Steen Rasmussen, Thomas S. Ray, Micah Rosenkind, James Snowdon, Susan Stepney, Germán Terrazas, Andrew Vardy and Alan Winfield. Supported by TRUCE (Training and Research in Unconventional Computation in Europe).

Stories From an A-Life Future

Beta-Life

Don Paterson

From Auden, Larkin, Hardy and MacNeice to the American Blues and the Industrial Revolution, this anthology takes us on a round journey trip through locomotive poetry.

Poetry of the Railway

Train Songs

Sean O’Brien is widely acknowledged as one of the most gifted English poets now writing, and as a leading poet-critic. Cousin Coat collects the best of O’Brien’s work to date; long-time O’Brien aficionados will be grateful to have so much of the early work available again, while recent converts will be delighted to find that O’Brien’s boisterous wit, intelligence and astonishing technical fluency were as much in evidence at the outset of his career as they are now. While some of O’Brien’s mises en scène and dramatis personae have remained constant over the years – the urban dystopia, the train, the rain, the underground, the canal, the lugubrious procession of conductors, policemen, head teachers and detectives – their shadows have deepened with O’Brien’s sense of their historicity and mythic power. His imaginative landscape has become impressively varied: as well as blackly paranoid fantasy and scabrous political critique, O’Brien’s work now encompasses English pastoral, comic set-piece and metaphysical lyric, and shows a growing fascination with song-form and dramatic verse. Cousin Coat represents the best introduction to one of the most significant English poets of the last thirty years. ‘The bard of urban Britain’ The Times ‘A collection which holds numerous satisfactions for anyone with a sense of humour and a political consciousness’ Guardian on Ghost Train ‘The most invigorating new book of poems I’ve read this year’ Sunday Telegraph on Downriver

Selected Poems 1976¿2001

Cousin Coat

Picador's second collection from one of the finest English poets of the last fifty years

Picador Classic

The Drowned Book

Sheltering from an air raid in an empty underground station, a young woman encounters a strangely out-of-place vessel passing along the platform... A librarian cataloguing the manuscripts of a recently deceased horror writer notices one particular box, relating to his most mystical work, has disappeared... A young academic takes up residency in the former home of an obscure, Dutch poet in order to better understand the strange rumours surrounding his demise... Sean O’Brien’s stories are all lit with the unmistakable hue of the Victorian gothic: from the rantings of a deranged psychiatric patient, to the apparition of demons swarming into a remote, rural railway station; solemn oaths are broken and need atoning for; minor transgressions are met with outlandish curses. Often we join O’Brien’s protagonists attempting to take time out from their troubles, but removing themselves from their normal lives only lets the supernatural in, and before they know it personal demons find very literal ones to conspire with.

Quartier Perdu

Holly and Ivy

Chain-smoking alcoholics, warring academics, gothic stalkers and aspiring writers are just some of the visitors that browse the mysterious library at the heart of Sean O’Brien’s fiction debut. Idlers and idolisers alike can be referenced, in body or in text, among the crepuscular alcoves and dim staircases of this seemingly unassuming building. The secret to a family curse, a dog-eared first edition of Stevens’ Harmonium, the gruesome fate of a feminist literary theorist – all are available to simply take down from the shelf, as are the catalogue of genres and subject areas that O’Brien himself effortlessly deploys: from gothic horror to English pastoral, Critical Theory to Cold War noir. Take a walk between these shelves. Crack the spine and the blow the dust off lives unlived because, so far, they’re unread. Become, if you dare, as trapped as them… “Sean O'Brien, like Graham Greene, creates his own instantly recognisable fictional landscape, where crime, mystery and disillusion lurk by the waters of the Tyne or Humber. His stories glint with black comedy and touches of the macabre and surreal. In O'Brien country you may hear the hoot of a train pulling out of the city, but you'll never be on it, because your place is here in the kingdom of backstreet pubs, tired, desirable girls and drowned men. Nothing is ever as it seems: it is much more frightening than that… First-class stories from one of our finest writers.” - Helen Dunmore “Sean O'Brien does for libraries what Ursula Andress did for bikinis. Read and rejoice!” - Val McDermid

The Silence Room

'He's one of the best players I've ever played with. As a forward, I'd say he's the best.' Johnny Sexton Seán O'Brien does not come from a traditional rugby background. He grew up on a farm in Tullow, far from the rugby hotbeds of Limerick and Cork or the fee-paying schools of Dublin. But as he made his way up through the ranks, it soon became clear that he was a very special player and a very special personality. Now, Seán O'Brien tells the remarkable and unlikely story of his rise to the highest levels of world rugby, and of a decade of success with Leinster, Ireland and the British and Irish Lions.

Fuel

Birtley Aris

'Night Train' is a collaboration between acclaimed poet Sean O'Brien and artist Birtley Aris. This beautifully produced book is presented as a poet-artist's sketch-cum-notebook, in which the text as well as the artwork is hand drawn.

Night Train

Shireen Hunter

Examines the relations between Islam and the West, paying particular attention to the various schools of Islamic political thought and the Islamic world view.

Clash of Civilizations Or Peaceful Coexistence?

The Future of Islam and the West

A welcome addition to Oxford's contemporary poetry list, Sean O'Brien presents his third, and most powerful, book of poems yet. Angry, painful, and politically aware, O'Brien's poems soar by virtue of their energetic rhythms, astute syntax, and fine sense of the possibilities of parody. Sean O'Brien's work has won much admiration among contemporary poets; HMS Glasshouse will surely confirm that reputation.

HMS Glasshouse

Frank Cottrell Boyce

Brian Aldiss

Wojciech Orlinski

Jacek Dukaj

Ian Watson

Trevor Hoyle

Annie Clarkson

Piotr Szulkin

We know Stanislaw Lem, whether or not we consciously know that we do. He may only be recognised in the West as the author of the twice-filmed novel, Solaris, but the influence of his other work is legion. From computer games (The Sims was inspired by one of his short stories), to films (the red and blue pills of The Matrix owe much to his Futurological Congress); from the space comedies of Red Dwarf to the metaphysical satires of Douglas Adams... the presence of this masterly Polish writer can be traced far and wide. Nor was his genius confined to fiction. Lem's essays and pseudo-essays borne out of the military industrial tensions of the Cold War have outlived their original context and speak to the most current developments in virtual reality, nanotechnology, and artificial intelligence. To celebrate his name, as well as his vision, this anthology brings together writers, critics and scientists who continue to grapple with his concerns. British and Polish novelists join screenwriters, poets, computer engineers, and artists, to celebrate and explore Lem's legacy through short stories and essays - two literary forms that, as Lem knew well, can blend together to create something altogether new. As one of the barriers to Lem's fame was language, this book also features specially commissioned translations: three stories never to have appeared in English before. Lem was always ahead of us. It's time we caught up.

Lemistry

It Says Here is Sean O’Brien’s follow-up to his celebrated collection Europa, and has a vision as rich and wide-ranging as its predecessor. Set against shorter, ruthlessly focused pieces – vicious and scabrous political sketches and satires charting the growth of extremism and the disintegration of democracy – are meditations on the imaginative life, dream and remembrance, time and recurrence. There are elegies for friends and fellow poets; paranoiac, brooding pastorals; other poems lay bare the maddening trials of a historically literate mind as it attempts to navigate a world gone post-content, post-intellectual, and at times post-memory. At the centre of the book is the long poem Hammersmith, a shadowy, cinematic dream-vision of England during and since the Second World War. Here, O’Brien charts a psychogeographic journey through the English countryside and the haunted precincts of London, mapping a labyrinth of love, madness and lost history. The result is a stirring, illuminating document of a time of immense societal flux and upheaval by one of our finest poets and most insightful cultural commentators. 'In both technical mastery and his belief in the seriousness of the poetic art, O’Brien is WH Auden’s true inheritor.' Irish Times

It Says Here

Jean Sprackland

Tim Cooke

Ellipsis is a new set of books celebrating the 'short story sequence' - that interlocking daisy-chain of narrative produced when stories knit together to form a continuum of character or theme. An out-of-season seaside town, a library stocked with memories, a man slowly going mad... Starting in the hotels and suburbs of a down-at-heel coastal town, Jean Sprackland's stories follow a cast of rootless characters, young men and women clinging to tokens of the past, whose lives are so lacking in ballast they become as unstable as the dunes themselves. Tim Cooke invites us into a very different space: the derelict rooms and vandalised stairwells of an inner city tower-block. From there, each story draws a claustrophobic spiral round the next, following various characters (or is it the same person?) desperate to flee their demons. Sean O'Brien's stories also spiral outwards - not from a state of mind but a setting: an ornate, vaulted lending library, an edifice from another age, where unlikely users and chance items found in stock lead to quite different lamentations for the past.

Ellipsis 1

Stephen Baxter

Martin Edwards

What makes for a good short story? Being short, you might think the story's structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldn't be made up of, what it should and shouldn't do. Here ,15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories don't have closure, argues one contributor, 'because life doesn't have closure'; 'plot must be written with the denouement constantly in view,' quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthorne's 'Twice Told Tales' to Kafka's modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.

Short Story Writers on Short Story Writers

Morphologies

Sean O'Brien

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