Aidan Dodson

Serena Cant

While a large number of books have dealt with the navies and war at sea during the World Wars, the immediate aftermaths have generally received only minimal coverage. However, the fates of defeated navies are of enormous interest from a number of perspectives. These include the relative priorities of the victorious powers, acquisition and testing of ex-enemy materiel and the intended future capabilities of those ex-enemy navies that were to be allowed to continue to exist. This new book traces the histories of navies and ships of the defeated powers from the months leading up to the relevant armistices or surrenders through to the final execution of the appropriate post-war settlements. In doing so, it discusses the way in which the victorious powers reached their final demands, how these were implemented, and to what effect. The later histories of ships that saw subsequent service, either in their original navies or in those navies which acquired them, are also described. In doing this, much use is made of material drawn from archival, and in some cases archaeological, sources, some of which has never previously been used. Through these, a wide range of long-standing myths are busted, and some badly distorted modern views and assessments of events in the wake of the conflicts put right. The fascinating narrative will be accompanied by tabulated lists of all major navy-built (and certain significant ex-mercantile) enemy ships in commission at the relevant date of the armistice or surrender, or whose hulks were specifically listed for attention in post-Second World War allied agreements. These will include key dates in their careers and their ultimate fates. This highly original book, drawing on archaeological evidence as well as archival sources, and including numerous photographs will become an essential reference tool for all those interested in the naval history of the two World Wars.

The Fate of Enemy Fleets after the Two World Wars

Spoils of War

An extensive history of enemy fleets following both World Wars, featuring never-before-seen archival and archaeological materials. Spoils of War traces the histories of navies and ships of the defeated powers from the months leading up to the relevant armistices or surrenders to the final execution of the appropriate post-war settlements. In doing so, it discusses the way in which the victorious powers reached their final demands, how these were implemented, and to what effect. The later histories of ships that saw subsequent service, either in their original navies or in those navies which acquired them, are also described. Much use is made of archival materials, and in some cases archaeological, sources, some of which have never previously been used. Ultimately, a wide range of long-standing myths are busted, and some badly distorted modern views are set right. The fascinating narrative is accompanied by lists of all major navy-built (and certain significant ex-mercantile) enemy ships in commission at the relevant date of the armistice or surrender, or whose hulks were specifically listed for attention in post-Second World War allied agreements. These include key dates in their careers and their ultimate fates. This original book, featuring numerous photographs, is sure to become an essential reference tool for all those interested in the naval history of the two World Wars. Praise for Spoils of War “Most highly recommended.” —Firetrench “For those who need to finally know the ultimate fate of the often gallant ships that strove against the Allies in both world wars, this is the book.” —Julian Stockwin, author of the Thomas Kydd series

Johannes Vermeer (1632-1675) is recognized as one of the foremost painters of the Dutch Golden Age. This period witnessed an explosion of artistic activity in which an unprecedented number of painters depicted an increasingly diverse range of subjects. Vermeer's subjects are absolutely typical of the Golden Age, yet his vision is supremely distinctive. Vermeer and his World begins with a comprehensive introduction to Vermeer and his paintings: from his early life and influences, key themes and inspirations to his artistic vision and technique. A virtual gallery presents an illustrated timeline of Vermeer's entire oeuvre in chronological order. Individual chapters showcase all 36 works attributed to Vermeer in giant size accompanied by an informative commentary on the historical context, explanations of key themes and box features on how particular paintings have influenced and inspired other works. The book also contains an envelope with ten pull-out prints of Vermeer's best-known work reproduced at actual size. Diana and her Companions; A Lady Writing; Christ in the House of Martha and Mary; Girl with a Pearl Earring; Officer and Laughing Girl; Girl with a Red Hat; The Procuress; The Art of Painting; A Maid Asleep; Study of a Young Woman; Young Woman Reading a Letter by an Open Window; Girl with a Flute; The Little Street; Mistress and Maid; The Milkmaid; The Astronomer; Girl Interrupted in her Music; The Geographer; The Glass of Wine; The Love Letter; The Girl with a Glass of Wine; The Lacemaker; Woman in Blue Reading a Letter; The Guitar Player; The Music Lesson; A Young Woman Seated at the Virginals; Young Woman with a Water Pitcher; Allegory of Faith; Woman with a Lute; Lady Writing a Letter with her Maid; Woman with a Pearl Necklace; A Lady Standing at a Virginal; Woman Holding a Balance; A Lady Seated at a Virginal; The Concert.

Serena Cant

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