Sergeĭ Dovlatov

Chemodan

Sergei Dovlatov

A Russian Family

Ours 

Maloe sobranie sochineniĭ

Based on Dovlatov's actual experience of being a prison guard in Soviet Russia in the 1960s, and full of comic and humane detail, The Zone depicts the absurd day-to- day life of a camp in an insightful and unusual way, challenging commonly held perceptions of the relations between incarcerators and the incarcerated. A priceless chronicle of its time which highlights universal themes, Dovlatov's genre-defying novel also provides moments of high entertainment and humour, rendered in his characteristically sharp, concise and sardonic style.

The Zone

Several years after emigrating from the USSR, the author discovers the battered suitcase he had brought with him gathering dust at the back of a wardrobe. As he opens the suitcase, the seemingly undistinguished items he finds inside take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them. A poplin shirt evokes the bittersweet story of courtship and marriage, a pair of boots calls up the hilarious conclusion to an official banquet, two pea-green crepe socks bring back memories of his partly successful attempt to become a black-market ra.

The Suitcase

The Compromise

Голос

"Written in Sergei Dovlatov's unique voice and unmatched style, The Zone is a satirical novelization of Dovlatov's time as a prison guard for the Soviet Army in the early 1960s. Snapshots of the prison are juxtaposed with the narrator's letters to Igor Markovich of Hermitage Press in which he urges Igor to publish the very book we're reading. As Igor receives portions of the prison camp manuscript, so too does the reader. Arguably Dovlatov's most significant work, The Zone illuminates the twisted absurdity of the life of a prison guard: "Almost any prisoner would have been suited to the role of a guard. Almost any guard deserved a prison term." Full of Dovlatov's trademark dark humor and dry wit, The Zone's narrator is an extension of his author, and the book fittingly begins with the following disclaimer: "The names, events, and dates given here are all real. I invented only those details that were not essential. Therefore, any resemblance between the characters in this book and living people is intentional and malicious. And all fictionalizing was unexpected and accidental." What follows is a complex novel that captures two sides of Dovlatov: the writer and the man"--

Sergeĭ Dovlatov

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