Shane McCrae

An unforgettable memoir by an award-winning poet about being kidnapped from his Black father and raised by his white supremacist grandparents. When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him. For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. But despite elaborate fabrications and unreliable memories, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world. A revelatory account of a singularly American childhood that hauntingly echoes the larger story of race in our country, Pulling the Chariot of the Sun is written with the virtuosity and heart of one of the finest poets writing today. And it is also a powerful reflection on what is broken in America—but also what might heal and make it whole again.

A Memoir of a Kidnapping

Pulling the Chariot of the Sun

Poems about captivity, escape, and the possibility of freedom - Finalist for the 2017 National Book Award for Poetry

In the Language of My Captor

Spanning religious, historical, and political themes, a new collection from the award-winning poet I think now more than half Of life is death but I can’t die Enough for all the life I see In Sometimes I Never Suffered, his seventh collection of poems, Shane McCrae remains “a shrewd composer of American stories” (Dan Chiasson, The New Yorker). Here, an angel, hastily thrown together by his fellow residents of Heaven, plummets to Earth in his first moments of consciousness. Jim Limber, the adopted mixed-race son of Jefferson Davis, wanders through the afterlife, reckoning with the nuances of America’s, as well as his own, racial history. Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time’s manifold potential to mend.

Poems

Sometimes I Never Suffered

Poetry. African American Studies. MULE is highly lyrical, obsessively incantatory, audaciously formal, and actually a very personal, very autobiographical book. In it, the author addresses his at the time failing second marriage (which he is no longer in), his son's autism, his own racial identity, and some of his beliefs about God. "Some books come down like gods dying to transform us out of our empty, shattered lives. MULE is such a book. Never shying away from sudden confusions of pain and beauty, Shane McCrae's questions are not why so much pain? why so much beauty? but, instead, how can they remake us? McCrae's is a living, breathing poetry made of wisdom and wrenching song."—Katie Ford

Mule

An incisive new collection of poetry on political and contemporary themes I’m made of murderers I’m made Of nobodies and immigrants and the poor and a whole / Family the mother’s liver and her lungs In The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book’s four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy in this country, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.

The Gilded Auction Block

Cain Named the Animal

Poetry. African American Studies. In Shane McCrae's IN CANAAN, he inhabits the personae of the escaped slave Margaret Garner, who, in the mid-1800s, murdered one of her daughters in order to keep her from returning to slavery. "I couldn't stop/Hurting her because it hurt," writes McCrae in the voice of Garner, "Before that night I never had the chance to love / Anyone/ she was the first person I loved." McCrae composes in broken forms and shattered fragments, retelling a harrowing historical story through the imagined first-person point of view of its tortured and terrified heroine.

In Canaan

Poetry. African American Studies. "Probably the real story of race in the United States (like all real stories) can only be written by a poet. And Shane McCrae has done it. BLOOD is an epic that spans three centuries. BLOOD is so formally innovative that you don't quite understand how it achieves its effects. BLOOD is so utterly clear it makes you cry. BLOOD is almost impossibly empathetic. Moving from sequences based on slave narratives and Federal Writers Project oral histories to monologues by white racists to autobiography and the poet's family history, BLOOD is beautiful and significant, subtle and blunt. It asks to be read and reread. We need this book."—Kathleen Ossip

Blood

The poems in Nonfiction are simultaneously poems and essays, formal and free, fiction and nonfiction, and all are music.

Nonfiction

Poetry. African American Studies. The follow up to 2013's BLOOD (Coldfront's book of the year), FORGIVENESS FORGIVENESS is a visceral poetry collection that troubles the intersections of race, abuse, memory and history. Concerned with how the visibility of blackness can become an individual burden, FORGIVENESS FORGIVENESS traces the lingering fallout of an identity informed by traumatic artifacts and events—how the story of a story can be revised. FORGIVENESS FORGIVENESS complicates the idea of family as nurturer and destroyer. A physical and haunting work of cathartic healing. "Shane McCrae's FORGIVENESS FORGIVENESS is song that writes wrongs until they ring with generosity. When the poet turns to trauma and difficulty for subject matter, he returns to us with an unflinching devotion to hope, to possibility—bearing wisdom, sustenance. McCrae has again transmuted a legacy of violence into one of love because 'the promise / is / New life.'"—Heidi Lynn Staples

Forgiveness Forgiveness

Anelectric inquiry into faith, race, and poverty in America by a poet of “remarkableurgency and empathy” (Publishers Weekly).

The Animal Too Big to Kill

Spanning religious, historical, and political themes, a new collection from the award-winning poet I think now more than half Of life is death but I can’t die Enough for all the life I see In Sometimes I Never Suffered, his seventh collection of poems, Shane McCrae remains “a shrewd composer of American stories” (Dan Chiasson, The New Yorker). Here, an angel, hastily thrown together by his fellow residents of Heaven, plummets to Earth in his first moments of consciousness. Jim Limber, the adopted mixed-race son of Jefferson Davis, wanders through the afterlife, reckoning with the nuances of America’s racial history, as well as his own. Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time’s manifold potential to mend.

Shane McCrae

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