Shanthi Sekaran

Two mothers are bound together by their love for one boy.

Lucky Boy

Critically acclaimed author Shanthi Sekaran makes her middle grade debut with this timely and stunning novel in which a young boy and his friends must rescue his grandmother from a relocation camp after their country's descent into xenophobia. Perfect for fans of The Night Diary and Front Desk. Before his grandmother moved from India to the island of Mariposa, Muki Krishnan's life was good. But now? He has to share his bedroom with Paati, his grandmother, who snores like a bulldozer and wakes him up at dawn to do yoga. Paati's arrival coincides with even bigger changes in Mariposa. The president divides citizens into Butterflies--families who have lived in Mariposa for three generations--and Moths, who, like Muki's family, are more recent immigrants. The changes are small at first. But then Muki and his friends find a camp being built to imprison Moths before sending them away. Soon after, his Paati is captured and taken there. While devising Paati's escape, Muki discovers that a secret rebellion is underway, and as he digs deeper, he realizes that rescuing Paati will be the fight of his life.

The Samosa Rebellion

Boomi's Boombox

In 1974, the young and callow Englishman George Armitage goes to Madras in the hopes of returning with at least the beginning of his Ph.D. dissertation. Instead, he comes home with a bride named Viji, an Indian woman he barely knows. This seemingly unlikely pair eventually wind up in Sacramento, where they buy a ranch house and give birth to triplets. In this new American world of shag carpets and pudding pops, Viji seeks consolation in her prayer room, which she visits frequently to gossip, sass, and seek advice from the framed portraits of her dead relatives. It is here where Viji feels most herself and where these deceased family members feel "as real to her as she'd been to them.” The relative calm of Viji's California existence is interrupted when George's father shows up on their doorstep, unexpected and unannounced. So when Viji's sister sends an out-of-the-blue invitation to visit India, she prepares for her first trip home in nearly eleven years, not knowing for sure if she'll ever return to the States. The Prayer Room re-examines the meaning of family — the people who live down the hall and the people who exist only in our memories.

A Novel

The Prayer Room

Barry Gifford

Lucy Jane Bledsoe

Jim Nisbet

Susan Dunlap

Sixteen storytellers shed light on the darkness that lurks in the California city in this fun collection of crime tales. Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all-new stories, each one set in a distinct neighborhood or location within the respective city. With stories by: Barry Gifford, Jim Nisbet, Lexi Pandell, Lucy Jane Bledsoe, Mara Faye Lethem, Thomas Burchfield, Shanthi Sekaran, Nick Mamatas, Kimn Neilson, Jason S. Ridler, Susan Dunlap, J.M. Curet, Summer Brenner, Michael David Lukas, Aya de León, and Owen Hill. Praise for Berkeley Noir “Each story evokes the dark side of a Berkeley neighborhood and pays tribute both to the city's history as a haven for outcasts and as a literary metropolis. If you race through it, consider picking up San Francisco Noir and Oakland Noir.” —Diablo Magazine, a Top Ticket choice “In “Lucky Day,” Thomas Burchfield reveals the evil that can come when a well-meaning aide breaks his boss’s cardinal rule never to allow patrons into the library early. A worried mom from Holloway wangles her son a prized place in the Berkeley school district in Aya de León’s “Frederick Douglass Elementary.” . . . . J.M. Curet’s “Wifebeater Tank Top,” the tale with the firmest criminal pedigree, is the most violent, but its poetic language and come-from-nowhere ending make it the best.” —Kirkus Reviews “The 16 stories set in Berkeley, Calif., in this above average Akashic noir anthology offer little actual noir but a heaping helping of crime, with almost every entry featuring at least a murder or kidnapping . . . . Readers will be glad that many of these tales are fun in a way that traditional noir isn’t.” —Publishers Weekly

Shanthi Sekaran

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