Douglas Brode

Shea T. Brode

This collection of essays looks at the spinoffs of Star Trek and examines themes found in and among those various manifestations.

Franchising the Final Frontier

The Star Trek Universe

Disney continues to be one of the dominant forces of popular culture, not only in America, but worldwide. The company’s various films have drawn a mix of admiration and disdain. This collection of essays consider how films produced by Disney represent the best and worst the studio has offered over its nine decade history.

Pedagogical Perspectives on Commercial Cinema

Debating Disney

Focusing on twenty-first century Western films, including all major releases since the turn of the century, the essays in this volume cover a broad range of aesthetic and thematic aspects explored in these films, including gender and race. As diverse contributors focus on the individual subgenres of the traditional Western (the gunfighter, the Cavalry vs. Native American conflict, the role of women in Westerns, etc.), they share an understanding of the twenty-first century Western may be understood as a genre in itself. They argue that the films discussed here reimagine certain aspects of the more conventional Western and often reverse the ideology contained within them while employing certain forms and clichés that have become synonymous internationally with Westerns. The result is a contemporary sensibility that might be referred to as the postmodern Western.

New Riders of the Cinematic Stage

The Twenty-First-Century Western

Cynthia J. Miller

In The American Civil War on Film and TV: Blue and Gray in Black and White and Color, Douglas Brode, Shea T. Brode, and Cynthia J. Miller bring together nineteen essays by a diverse array of scholars to explore issues of morality, race, gender, nation, and history in films and television shows featuring the American Civil War.

Blue and Gray in Black and White and Color

The American Civil War on Film and TV

This collection of essays examine how the Disney studio has re-interpreted—for better or worse—classic literature into films both treasured and disdained. The films discussed in this volume include Bambi, The Hunchback of Notre Dame, Peter Pan, Sleeping Beauty, Snow White and the Seven Dwarfs, and Tarzan.

Shea T. Brode

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