Simon Baker

This is the story of the greatest empire the world has ever known. Simon Baker charts the rise and fall of the world's first superpower, focusing on six momentous turning points that shaped Roman history. Welcome to Rome as you've never seen it before - awesome and splendid, gritty and squalid. From the conquest of the Mediterranean beginning in the third century BC to the destruction of the Roman Empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion. At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries. The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.

The Rise and Fall of an Empire

Ancient Rome

Retracing Captain Cook's Endeavor Voyage

The Ship

Eski Roma

Shoair Mavlian

A native Londoner, McCullin (b.1935) began to take photographs in the 1950s documenting his surroundings and local community, including the gangs in his local area. In 1958 his photograph The Guvnors, a portrait of a notorious Finsbury Park gang who were involved in the murder of a police officer was published in the Observer, launching his career as a photojournalist. He went onto become one of the best known war correspondents in the country. McCullin is best known as a photojournalist and war correspondent, recognised for his iconic images taken on assignment in Vietnam, Cyprus, Lebanon, and Biafra. However he also has consistently engaged with social documentary practice in Britain, repeatedly visiting cities such as Bradford and Liverpool, and London's East End, documenting the poverty experienced throughout the country. McCullin also has a long an ongoing engagement with landscape photography both in Somerset and Scotland and more specific ongoing projects such as `Southern Frontiers' documenting the physical remains of the Roman Empire in the north African landscape over the long term. This book will celebrate the breadth of McCullin's practice over the decades. Also illustrated will be colour material taken while on assignment for the Sunday Times magazine which has rarely been seen or published. Ephemeral material including original magazines, contact sheets and photographic equipment will also be featured.

Don McCullin

Brett Lashua

Troy D. Glover

This book centralizes powerful leisure stories that may otherwise be understood as myths—sometimes recognized, often less so—that circulate in the field of leisure studies and beyond. In everyday use, a myth perpetuates a popularly held belief that is false or untrue. However, in social and cultural theories, myths are more complex as partial truths that privilege particular versions of a shared social reality. We see myth as having an “absent presence” in leisure studies, and want to know what myths are, what they do, and how they circulate and shape people’s leisure lives. Myths can do more than obfuscate; they often animate people’s lives, motivate collective action, and inspire change. As the chapters in this edited volume explore in further detail, leisure myths and mythmaking involve complex relations in the gaps between reality and imagination—from the shared myths of musical legends to myths of placemaking and communities, as well as from origin myths of sport practices to fantasy and festivals, to the importance of storytelling as mythmaking in tourism. In different ways, each of these chapters alerts the readers to the “absent presence” of myths and mythmaking in leisure research. The chapters in this book were originally published as a special issue of Leisure Sciences.

Leisure Myths and Mythmaking

Emmanuelle de L'Ecotais

The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London's Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations. Beginning with the works of cubism and vorticism, the catalogue then highlights the key contributions of Bauhaus, constructivist and surrealist artists of the 1920's and 1930's. It then moves into the `subjective photography' of the 1940's and 1950's, exploring the global scope of this movement through works by artists from Latin America and Asia, before considering the impacts of photography of abstract expressionism, op art and minimalism in Europe and the US.0Bringing together iconic as well as rarely seen works, Photography and Abstract Art explores the development of photography in relation to abstract art, tracing the key moments of innovation in new techniques and practice.00Exhibition: Tate Modern, London, UK (03.05.-16.09.2018).

100 Years of Photography and Abstract Art

Shape of Light

From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography. In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect. The immediate trauma of war can be seen in the eyes of Don McCullin's Shell-shocked US Marine 1968, while the destruction of buildings and landscapes are documented by Simon Norfolk's Afghanistan: Chronotopia 2001. Different conflicts will also reappear from multiple points in time throughout the exhibition. The Second World War for example is addressed in Jerzy Lewczynski's 1960 photographs of the Wolf's Lair / Adolf Hitler's War Headquarters, Shomei Tomatsu's images of objects found in Nagasaki, Kikuji Kawada's epic project The Map made in Hiroshima in the 1960s, Michael Schmidt's Berlin streetscapes from 1980 and Nick Waplington's 1993 close-ups of cell walls from a Prisoner of War camp in Wales. The exhibition is staged to coincide with the 2014 centenary and concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.--Tate website.

Conflict, Time, Photography

Sandra S. Phillips

"Catalogue published in conjunction with an exhibition held at the Tate Modern, London, May 28 to October 3, 2010; San Francisco Museum of Modern Art, October 30, 2010 to April 17, 2011; and Walker Art Center, Minneapolis, May 21 to September 11, 2011."

Voyeurism, Surveillance, and the Camera Since 1870

Exposed

Newell Harbin

Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian."

RADICAL EYE MODERNIST PHOTOGRA

Dawn Ades

Hayward Gallery

An exploration of the unsettling collisions of art and culture in Georges Bataille's revolutionary journal and a new consideration of twentieth-century masterpieces by Picasso, Miró, Dalí, and others against the canvas of their renegade times. In the Paris art world of the 1920s, Georges Bataille and his journal DOCUMENTS represented a dissident branch of surrealism. Bataille—poet, philosopher, writer, and self-styled "enemy within" surrealism—used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dalí, Miró, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London

Georges Bataille and DOCUMENTS

Undercover Surrealism

Francesco Zanot

Erik Kessels

The Many Lives of Erik Kessels presents the highly anticipated first illustrated survey of this pioneering and influential curator, editor, and artist whose varied experiments with photography and photographic archives have allowed us to reconsider the medium's vernacular and narrative possibilities in today's inundated image landscape. People consume photographs, says Kessels, they don't look at them anymore. This volume is a primer on how to look--and how to better understand the hybrid practice of this artist who defies categorization. Including more than twenty of the artist's series and features essays by Simon Baker, Hans Aarsman, and curator Francesco Zanot, The Many Lives of Erik Kessels is published in conjunction with a major midcareer retrospective at CAMERA-Centro Italiano per la Fotografia in Turin, Italy.

The Many Lives of Erik Kessels

Rebecca Morse

Darius Himes

Elizabeth Avedon

Chris Littlewood

A stunning careerretrospective of Mona Kuhn,one of the leading figures incontemporary artphotography.

Mona Kuhn: Works

Accompanying an exhibition at Tate Liverpool of iconic British photographer, Don McCullin (b.1935), this exquisitely produced book includes his work from the mid-1950s to the present. Highlighting all areas of McCullin's output, it reflects his long career as a conflict photographer, social documentary practice, travel assignments and his more recent engagement with landscape. This new edition to accompany Tate Liverpool's exhibition features newly-printed images of Liverpool and the North of England taken in the 1960s and 70s.A native Londoner, McCullin began to take photographs in the 1950s documenting his surroundings and local community, including the gangs in his neighbourhood. In 1958 his photograph The Guvnors - a portrait of a notorious Finsbury Park gang who were involved in the murder of a police officer - was published in the Observer, launching his career as a photojournalist. He went on to become one of the best-known war correspondents in the country.

Don Mccullin (Tate Liverpool Updated Edition)

Ancient Rome: The Rise and Fall of an Empire

This book is a new account of the surrealist movement in France between the two world wars. It examines the uses that surrealist artists and writers made of ideas and images associated with the French Revolution, describing a complex relationship between surrealism's avant-garde revolt and its powerful sense of history and heritage. Focusing on both texts and images by key figures such as Louis Aragon, Georges Bataille, Jacques-André Boiffard, André Breton, Robert Desnos, Max Ernst, Max Morise, and Man Ray, this book situates surrealist material in the wider context of the literary and visual arts of the period through the theme of revolution. It raises important questions about the politics of representing French history, literary and political memorial spaces, monumental representations of the past and critical responses to them, imaginary portraiture and revolutionary spectatorship. The study shows that a full understanding of surrealism requires a detailed account of its attitude to revolution, and that understanding this surrealist concept of revolution means accounting for the complex historical imagination at its heart.

Simon Baker

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