Simon Callow

“A splendidly entertaining, definitive work.”—Entertainment Weekly In this first installment of his masterful biography, Simon Callow captures the chameleonic genius of Orson Welles as only an actor/director deeply rooted in the entertainment industry could. Here is Welles’s prodigious childhood; his youth in New York, with its fraught partnership with John Houseman and the groundbreaking triumph of his all-black Macbeth; the pioneering radio work that culminated in the notorious 1938 broadcast of War of the Worlds; and finally, his work in Hollywood, including an authoritative account of the making of Citizen Kane. Rich in detail and insight, this is far and away the definitive look at Orson Welles—a figure even more extraordinary than the myths that have surrounded him.

Orson Welles, Volume 1: The Road to Xanadu

Traces Welles' portentous childhood; his youth in New York, where he worked with director John Houseman; his notorious radio career; and the making of "Citizen Kane"

The Road to Xanadu

Orson Welles

A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of Citizen Kane. Vivid, vastly entertaining, this is the definitive Welles biography.

In DICKENS, acclaimed actor and writer Simon Callow offers a fresh perspective on one of the greatest novelists in the English language, bringing to life Dickens the man in this highly entertaining biography. Though most famous for his great novels of the industrial age, Dickens was one of the first 'celebrity' authors, attracting thousands of fans to his readings both in Britain and across the Atlantic. Not only did he give voice to his vast cast of characters; he was also a dazzling mimic and raconteur, and he wrote, stage-managed and acted in plays for the public. From his early years as a child entertainer in Portsmouth pubs to his reluctant retirement from 'these garish lights', he remained fanatical about the stage. Just months before his death he pointed at a theatre and declared, 'That's what I should have done with my life!' In this short and lively study, Callow reveals an original genius, and offers a compelling insight into a life that was driven as much by performance and showmanship as by literary endeavour. Rather than a dry academic study, here is an accessible introduction to an exuberant and irrepressible talent, whose extraordinary wit and personality crackle off the page.

Charles Dickens

Margaret Drabble

Melvyn Bragg

Tony Robinson

Pete Townshend

Tracey Emin

Great writers, artists, musicians and thinkers in British life say what Europe means to them: an outpouring of love and sadness. With pieces from Frank Cottrell Boyce, Melvyn Bragg, Margaret Drabble, Alan Hollinghurst, Will Hutton, Holly Johnson, Penelope Lively, Jonathan Meades, Deborah Moggach, Alan Moore, Jackie Morris, Cathy Rentzenbrink, Chris Riddle, Tony Robinson, Pete Townshend, Kate Williams, Michael Wood and many more... As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. Contributing essays that contain some of their finest writings and perspectives very different to the ones given in news outlets. The creative community here has its say on Brexit. Novelists, artists, comedians, historians, biographers, nature writers, film writers, travel writers, people young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling. There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, many hopeful. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate. They show how Europe has helped us to expand our emotional, intellectual and artistic bandwidth, and hopefully will continue to do just that. Contributors include: Mary Beard, Jeffrey Boakye, Melvyn Bragg, Simon Callow, B. Catling, Shami Chakrabarti, Chris Cleave, Frank Cottrell Boyce, William Dalrymple, Lindsey Davis, Margaret Drabble, Tracey Emin, Michel Faber, Sebastian Faulks, Neil Gaiman, Evelyn Glennie, Alan Hollinghurst, Will Hutton, Holly Johnson, Ruth Jones, A.L. Kennedy, Hermione Lee, Prue Leith, Roger Lewis, Penelope Lively, Richard Mabey, Jonathan Meades, Andrew Miller, Deborah Moggach, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Irenosen Okojie, Onjali Q. Raúf, Chris Riddell, Tony Robinson, J.K. Rowling, Rhik Samadder, Isy Suttie, Sandi Toksvig, Pete Townshend, Kate Williams and Michael Wood.

An Outpouring of Love and Sadness from Our Writers, Thinkers and Artists

A Love Letter to Europe

Simon Callow, the celebrated author of Orson Welles, delivers a dazzling, swift, and accessible biography of the musical titan Richard Wagner and his profoundly problematic legacy--a fresh take for seasoned acolytes and the perfect introduction for new fans. Richard Wagner's music dramas have never been more popular or more divisive. His ten masterpieces, created against the backdrop of a continent in severe political and cultural upheaval, constitute an unmatched body of work. A man who spent most of his life in abject poverty, inspiring both critical derision and hysterical hero-worship, Wagner was a walking contradiction: belligerent, flirtatious, disciplined, capricious, demanding, visionary, and poisonously anti-Semitic. Acclaimed biographer Simon Callow evokes the intellectual and artistic climate in which Wagner lived and takes us through his most iconic works, from his pivotal successes in The Flying Dutchman and Lohengrin, to the musical paradigm shift contained in Tristan and Isolde, to the apogee of his achievements in The Ring of the Nibelung and Parsifal, which debuted at Bayreuth shortly before his death. Being Wagner brings to life this towering figure, creator of the most sublime and most controversial body of work ever known.

The Story of the Most Provocative Composer Who Ever Lived

Being Wagner

Hello Americans

Traces Welles' portentous childhood; his youth in New York, where he worked with director John Houseman; his notorious radio career; and the making of "Citizen Kane."

Simon Callow leads a two-day class on Restoration comedy with a group of British actors, including Gail McFarlane, Harry Meacher, Pamela Moiseiwitsch and Michael Stroud. It deals with The relapse by John Vanbrugh and shows practical acting techniques.

Acting in Restoration Comedy

Being Wagner: The Triumph of the Will

A short biography of Charles Dickens by acclaimed actor and writer Simon Callow that offers a fresh perspective on one of the greatest novelists in the English language in a lively, highly readable account. "It has all the gusto that a popular biography of Dickens—a man who “could do nothing by halves”—should possess. . . . The best biography for Dickens newcomers and a wonderful read for all."—Library Journal Dickens was one of the first true celebrity authors. Thousands of fans in Britain and America eagerly awaited each new installment of his stories and flocked to see him on his legendary speaking tours. Not only did he create an incredible cast of characters on the page, but he was also a dazzling mimic and storyteller, and he wrote, stage-managed, and acted in plays for the public. Throughout his life, from his childhood performances in pubs to his legendarily powerful reading tours, Dickens was fanatical about the stage. Callow reveals Dickens’s genius on and off the page and offers a compelling insight into a life that was driven as much by performance and showmanship as by literature.

Charles Dickens and the Great Theatre of the World

Simon Callow traces his life as a stage actor, from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of 'Amadeus'.

Being an Actor

The creator of the Hunchback of Notre Dame, Henry VIII and Captain Bligh, Charles Laughton's career spans 50 films and 40 stage roles. This entralling biography follows him from his parents' hotel in Scarborough to his climactic assumption of the role of King Lear in Statford at the end of his life. Along the way we meet a galaxy of Hollywood greats - from Korda, Hitchcock and Billy WIlder to Gregory Peck, Robert Mitchum and Marilyn Monroe. We also discover a hugely talented and complex man - a legend in his own lifetime who nonetheless counted himself a failure.

A Difficult Actor

Charles Laughton

William Shakespeare

A selection of Shakespeare's work focusing on the theme of love. From the passion of the sonnets, the poignant balcony scene in Romeo and Juliet to the bewitched love scene between Titania and Bottom in A Midsummer Night's Dream, this anthology cuts across age and class, taboo and prohibition.

Shakespeare on Love

In One-Man Band, the third volume in his epic survey of Orson Welles' life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another - theatre, radio, film, television, even, at one point, ballet - in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles' self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?

One Man Band

In One-Man Band, the third volume in his epic survey of Orson Welles life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another theatre, radio, film, television, even, at one point, ballet in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles? "

Traces the life and career of the legendary director, discussing the making of "Citizen Kane," his contributions to such films as "The Magnificent Ambersons" and "The Lady from Shanghai," and his efforts in radio comedy, spectacular theater, and newspaper politics.

One-Man Band

One of literature's most flamboyant personalities, Oscar Wilde's social observation and elegant writing style made him one of the most popular literary figures of his day. This book looks at his life and career, examining his affair with Lord Alfred Douglas and his subsequent exile and death.

Oscar Wilde and His Circle

“Unfailingly intelligent and well written . . . Vivid and three-dimensional.”—Variety The first volume of Simon Callow's magisterial biography of Orson Welles was praised as a "splendidly entertaining, definitive work" by Entertainment Weekly. Now, this eagerly anticipated second volume examines the years following Citizen Kane up to the time of Macbeth, in which Welles's Hollywood film career unraveled. In close and colorful detail, Callow offers a scrupulous analysis of the factors involved, revealing the immense and sometimes self-defeating complexities of Welles's temperament as well as some of the monstrous personalities with whom he had to contend.

Orson Welles, Volume 2: Hello Americans

In One-Man Band, the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another – theatre, radio, film, television, even, at one point, ballet – in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles’ self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?

Simon Callow

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