Simon Garfield

A North American edition of an internationally best-selling work by the award-winning author of The Cheese Monkeys documents the history of typefaces from the early days of Gutenberg to the modern applications of digital fonts, tracing the impact of font usage in business and pop culture while explaining what favorite fonts reveal about personality.

A Book about Fonts

Just My Type

An ode to the dwindling art of letter writing explores its potential salvation in the digital age, chronicling the history of letter writing as reflected by love letters, chain mail and business correspondence while surveying the role that letters have played as literary devices for several centuries. 50,000 first printing.

A Celebration of the Lost Art of Letter Writing

To the Letter

Relates how English chemist William Perkin's accidental discovery of the color mauve--and a method to mass-produce it--created new interest in the industrial applications of chemistry research.

How One Man Invented a Color that Changed the World

Mauve

Bir Font Kitabi

Tam Benim Tipim

A witty and entertaining journey through time from the bestselling author of Just My Type and On the Map

How the World Became Obsessed with Time

Timekeepers

Sei proprio il mio typo. La vita segreta dei caratteri tipografici

Yazismanin Hayli Ilginc Tarihi

Mektup

Sei proprio il mio typo. La vita segreta delle font

Maps fascinate us. They chart our understanding of the world and they log our progress, but above all they tell our stories. From the early sketches of philosophers and explorers through to Google Maps and beyond, Simon Garfield examines how maps both relate and realign our history. With a historical sweep ranging from Ptolemy to Twitter, Garfield explores the legendary, impassable (and non-existent) mountains of Kong, the role of cartography in combatting cholera, the 17th-century Dutch craze for Atlases, the Norse discovery of America, how a Venetian monk mapped the world from his cell and the Muppets' knack of instant map-travel. Along the way are pocket maps of dragons, Mars, murders and more, with plenty of illustrations and prints to signpost the route. From the bestselling and widely-adored author of Just My Type, On The Map is a witty and irrepressible examination of where we've been, how we got there and where we're going.

Why the world looks the way it does

On The Map

Bestselling, award-winning writer Simon Garfield returns with an enthralling investigation of humans’ peculiar fascination with small things—and what small things tell us about our larger world. “[Simon Garfield is] an exuberant truffle-hound of the recondite and delightful factoid.” —Sunday Times (London) Simon Garfield writes books that shine a light on aspects of the everyday world in order to reveal the charms and eccentricities hiding in plain sight around us. After beguiling fans with books about everything from typography to time, from historic maps to the color mauve, he’s found his most delightful topic yet: miniatures. Tiny Eiffel Towers. Platoons of brave toy soldiers. A doll’s house created for a Queen. Diminutive crime scenes crafted to catch a killer. Model villages and miniscule railways. These are just a few of the objects you will discover in the pages of In Miniature. Bringing together history, psychology, art, and obsession, Garfield explores what fuels the strong appeal of miniature objects among collectors, modelers, and fans. The toys we enjoy as children invest us with a rare power at a young age, conferring on us a taste of adult-sized authority. For some, the desire to play with small things becomes a desire to make small things. We live in a vast and uncertain world, and controlling just a tiny, scaled-down part of it restores our sense of order and worth. As it explores flea circuses, microscopic food, ancient tombs, and the Vegas Strip, In Miniature changes the way we perceive our surroundings, encouraging all of us to find greatness in the smallest of things.

How Small Things Illuminate the World

In Miniature

Saatler

Kasifler, Dahi Haritacilar ve Hic Var Olmamis Daglar

Harita Üzerine

Un apasionante recorrido desde los primeros bocetos de filósofos y exploradores hasta Google Maps. Los mapas nos fascinan. Plasman lo que conocemos del mundo y registran nuestros progresos pero, sobre todo, cuentan nuestra historia. Imagine un mundo sin ellos. ¿Cómo viajaríamos? ¿Podríamos reclamar la propiedad de una tierra? ¿Hasta dónde se extenderían los países? ¿Sobre qué discutirían hombres y mujeres en el coche? Remontándose a los primeros dibujos de filósofos y exploradores hasta llegar a Google Maps y el GPS, Simon Garfield examina la singular manera en la que los mapas reflejan lo mejor y lo peor de lo que nos hace humanos: el descubrimiento y la curiosidad, el conflicto y la destrucción. Este libro, ingenioso y lleno de anécdotas, constituye un rico mosaico de historias fascinantes: desde la búsqueda del globo terráqueo perfecto o las dificultades de cartografiar África y la Antártida hasta la confección de los intrigantes mapas de tesoros ocultos, los sublimes mappae mundi medievales, el bautizo de América, los orígenes de las primeras guías de viaje o los fraudes más sorprendentes

En el mapa. De cómo el mundo adquirió su aspecto

Precis min typ

This is a book about Kendo Nagasaki, Mick McManus, Les Kellett, Klondyke Kate and Dr Death - men and women who used to fight each other every night for pride and money. Margaret Thatcher once wrote adoringly to Big Daddy, and Frank Sinatra told Giant Haystacks that British wrestlers were the best entertainers in the world. The Duke of Edinburgh attended the live shows, expressing a preference for Johnny Kwango, who specialized in head-butts. Millions would watch this curious pursuit on television every Saturday afternoon. Many said it was a fake, yet many more didn't seem to mind. But then Big Daddy had a stroke, the commentator started making sexploitation films and a plumber from Wolverhampton made an unexpected housecall on Kendo Nagasaki. They took it off the television shortly after wrestlers started dying during the bouts. These days, those who are left like to talk. 'Brilliant. Read The Wrestling. If you don't enjoy it I'll pull Giant Haystack's beard.' Independent 'Masterful, funny . . . Packed with English eccentricity by the bucket-load, Garfield has fashioned a brilliant, barmy book from the most unpromising raw material.' FHM

The Wrestling

In 1993, BBC Radio One gained a new controller. Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio One's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done?In the middle of this crisis, Radio One bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a touching, exciting and often hilarious portrait of a much loved national institution as it battles back from the brink of calamity.

The True Adventures of Radio 1

The Nation's Favourite

Desde que las tipografías se mudaron a la barra de herramientas del ordenador todos comenzamos a tener una opinión sobre ellas. Hoy es imposible ignorar su poder, su omnipresencia en las marcas que nos rodean o el carácter que imprimen a nuestros textos. Y si no, ¿por qué despierta tantas antipatías el uso de Comic Sans? ¿A qué se debió el revuelo causado cuando Ikea fue infiel a Futura con Verdana? ¿Por qué Obama decidió optar por la Gotham como su distintivo gráfico? ¿Qué hace que una tipografía «funcione»? Este divertido libro, profusamente ilustrado, cuenta la historia de más de doscientas fuentes desde su nacimiento ?y en algunos casos hasta su muerte? a través de anécdotas sobre su empleo, sus creadores y sus usuarios. Garfield explica los fenómenos que hay detrás del dominio de fuentes como Helvética o Times New Roman o del odio hacia otras como Papyrus. Es mi tipo tiene todas las respuestas para quienes alguna vez se preguntaron qué tienen en común EasyJet y los Beach Boys, cuál es la tipografía favorita de Hollywood o si, como las personas, algunas fuentes son de Marte y otras son de Venus.

Es mi tipo

stručné dějiny typografie v esejích

Ten můj font

L'arte perduta di scrivere le lettere e come ritrovarla

** With a new introduction by Russell T Davies ** A new edition of the award-winning, ground-breaking account of the early AIDS crisis in Britain. "A remarkable journalistic achievement." -- Time Out "Powerful . . . Indispensable." -- Observer "Superb." -- London Review of Books Winner of the Somerset Maugham Prize How does a country control a virus that is killing increasing numbers of people? How does a government contain an epidemic spread by sex, drug use and blood products? And how does a population react when told that everyone is at risk from infection? By 1986, when the British Government woke up to the problem of AIDS, it estimated that 30,000 people had already been infected with HIV. Why was it so slow to act? Would the situation have been different if most of those affected had not been gay men? Award-winning journalist Simon Garfield presents a story of political intrigue, of panic and hysteria, of wasted opportunities and of a medical battle conducted against seemingly impossible odds. Including interviews with key figures in the fight against the virus as well as those facing personal devastation and prejudice, The End of Innocence is an important and powerful story, compellingly told. Features a new afterword by the author.

Simon Garfield

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