Simon Kemp

Libby Saxton

&ltI>Seeing Things explores all matters visual within the field of French studies. It brings together writings on French literature, philosophy and the visual arts, both from established critics and the new generation of young academics. From post-Freudian psychoanalysis through postmodernist theory to cognitive science, questions of vision have gained an unprecedented prominence in contemporary discourse. &ltI>Seeing Things looks at the intersections of these questions with the concerns of Romance studies, and discovers fertile new territory in the crossover. Whether investigating the correspondences between photography and the novel, philosophy and perception, or time and film, the studies included here offer a radical exploration of western culture's kaleidoscope of images.

Vision, Perception, and Interpretation in French Studies

Seeing Things

This book examines contemporary French literature in the light of a widely-held critical notion that it exists 'in the wake' of a period in which avant-garde experimental literature and postmodern writing-about-writing held sway.

The Return to the Story

French Fiction into the Twenty-First Century

"My thought is me: that is why I cannot stop. I exist because I think... and I can’t stop myself from thinking." – Jean-Paul Sartre, Nausea Writing the Mind: Representing Consciousness from Proust to Darrieussecq explores the works of seven ground-breaking thinkers and novelists of recent history to compare and contrast the varying representations of the conscious and the unconscious mind. Grounding his study in the writings of philosophers like Jean-Paul Sartre and Marcel Proust, Simon Kemp explores the non-literary influences of science, faith and philosophy as presented in their works, demonstrates how writers learn from and sometimes deviate from preceding generations, and how they agree or disagree with their peers. Kemp’s elegant study also charts the rise and wane of Freudian influence on literature through the twentieth century, and the emergence of cognitive and neo-Darwinian ideas at the dawn of the twenty-first. In the work of these seven writers, we discover radically different understandings of how consciousness and the unconscious mind are constituted, which are the most salient characteristics of mental life, and even what it is that defines a mind at all.

Representing Consciousness from Proust to the Present

Writing the Mind

Crime fiction is a popular target for literary pastiche in France. From the nouveau roman and the Oulipo group to the current avant-garde, writers have seized on the genre to exploit it for their own ends, toying with its traditional plots and characters, and exploring its preoccupations with perception, reason and truth. In the first full-length study of the phenomenon, Simon Kemp's investigation centres on four major writers of the twentieth century, Alain Robbe-Grillet (b. 1922), Michel Butor (b. 1926), Georges Perec (193682) and Jean Echenoz (b. 1947). Out of their varied encounters with the genre, from deconstruction of the classic detective story to homage to the roman noir, Kemp elucidates the complex relationship between the pasticheur and his target, which demands an entirely new assessment of pastiche as a literary form.

Defective Inspectors: Crime-fiction Pastiche in Late Twentieth-century French Literature

Oxford Literature Companions provide the support needed to get a deeper understanding of the AS/A Level set texts. This guide for L'�tranger is ideal for use in the classroom or for independent revision, providing insight into characters, theme and language,with activities in French that prompt a closer analysis of the text.

Oxford Literature Companions: L'étranger

Get to grips with set texts and be fully prepared for the AS/A Level exam with the Modern Languages Oxford Literature Companions. The Companions are written by experienced lecturers, teachers and examiners and provide comprehensive coverage of characters, themes, plot, language and context with activities in French to consolidate your knowledge of the text. There are also extensive sections on exam preparation and response planning, with a bank of annotated sample answers and practice questions. This guide covers L'étranger by Albert Camus. Modern Languages Oxford Literature Companions are also available for selected Spanish and German set texts.

This book examines contemporary French literature in the light of a widely-held critical notion that it exists ‘in the wake’ of a period in which avant-garde experimental literature and postmodern writing-about-writing held sway. It looks at five notable current writers, namely Annie Ernaux, Pascal Quignard, Marie Darrieussecq, Jean Echenoz and Patrick Modiano in the context of the broader literary scene, to discover how far they continue to pursue the ideas of the previous generation, and how far they have turned their back on them.

Peter E. Earl

Presents over 100 specially commissioned entries on important topics in consumer research and economic psychology from behaviourism and brand loyalty to trust and the psychology of tourism. Leading scholars in the fields provide stimulating insights into the area as well as summarising existing knowledge.

Simon Kemp

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