Edgar Allan Poe

Simon Marsden

A selection of tales and poems, visually interpreted with photographs by Simon Marsden, capturing the world as Poe envisaged it.

A Selection of Edgar Allan Poe's Stories and Poems, with Photographs and an Introduction

Visions of Poe

eine Reise zu mysteriösen Orten auf den Britischen Inseln

Im Reich der Geister

Auf den Spuren des Unheimlichen von Irland nach Transsilvanien.

Geistersuche. Sonderausgabe.

Timo Koivurova

This book examines 'The Espoo Convention on Environmental Impact Assessment in a Transboundary Context', which celebrates the twentieth anniversary of its adoption in 2011, and its 'Kiev Protocol on Strategic Environmental Assessment' which came into force in July 2010. In addition to contributing to international environmental law, the Convention has prompted significant changes to European environmental law. The chapters in this collection explain the role of transboundary environmental impact assessment in international and European law, and explore the relationship between international and European law in the context of potential application of the Convention. They also examine examples of the Convention in practice, and consider the potential application of the Protocol. While the focus of the book is on the situation in the European Union, reference is made to the relationship between EU and non-EU member states, notably in connection with important cases in the Arctic, the Danube Delta and the Baltic Sea.

The Espoo Convention and its Kiev Protocol on Strategic Environmental Assessment

Transboundary Environmental Impact Assessment in the European Union

Churches and Churches of England

Memento Mori

Elizabeth Brandon

A comprehensive overview of treaty implementation and compliance concerning transboundary environmental governance in Asia is provided in this timely book. Recent United Nations Economic Commission for Europe (UNECE) membership by Asian states in the C

Practice and Prospects with the UNECE Agreements

Transboundary Environmental Governance in Asia

Simple stone gravestones, richly carved table tombs and glowing stained glass memorial windows: the quintessence of the English churchyard and its memorials has been beautifully captured by photographer Simon Marsden who presents the results of his recent tour of the country in this new book. The atmospheric illustrations are accompanied by a lively and informative text, as well as excerpts of prose and poetry.--From publisher description.

Churches and Churchyards of England : a Personal Selection

Sir Simon Marsden is the kind of man you'd want around a campfire—his deep and resonant voice conveys the perfect combination of gallantry and intrigue that makes a good ghost story get under your skin. And what ghost stories he has! In pursuit of his lifelong passion, he has traversed the globe capturing images of the supernatural in his signature, atmosphere-charged photographs. His latest work documents fifty haunted sites in France, from the burial place of Paris's finest in the Père Lachaise cemetery, to the Sun King's Château de Versailles, and from the eerie abbey of the Mont St. Michel to the châteaux that dot the harsh landscape of the Pyrenees. France is rich in lore surrounding the Knights Templar, and Marsden has featured their stories prominently in this collection of indelible images. Each mysterious site has a tale behind it that is brought to life not only by Marsden's spectacular photography but also by his narrative that is worthy of a suspense novel. The personal experiences of this spellbinding storyteller will inspire fellow ghosthunters and convince the staunchest skeptic to reconsider the supernatural world.

A Journey through Haunted France

Ghosthunter

Atmosphere-charged, black-and-white images in the photographer's signature style are paired with the haunted tales behind each depicted French site, in a volume that describes the ghost stories of such subjects as the PŠre Lachaise cemetery, the Sun King's Chƒteau de Versailles, and the abbey of the Mont St. Michel.

A Journey Through Haunted France

During the course of a year-long journey from Britain through Europe to Transylvania, professional ghosthunter Simon Marsden has sought out and captured on film a host of locations with ghostly and ghoulish associations. In addition to his startlingly atmospheric black and white photographs, Marsden retells the 'ghost-lore' and ancient supernatural legends of each region.

Journal of a Ghosthunter

Susan Kelleher

Val Horsler

Available for the first time in paperback This Spectred Isle presents the 'other side' of a collection of intriguing English Heritage sites. Here you will find the legends and the mysteries, the tales of the unexplained, and the shivery unknown - the fascinating stories that bring the past to life and cloth the ruins. The stories follow a journey from the tip of Cornwall at St Michael's Mount, ending in the far north-east at Lindisfarne Priory on Holy Island and a trip through time from the prehistoric through to the ghosts of the Second World War.

A Journey Through Haunted England

This Spectred Isle

Informed by international law, international relations and environment management scholarship, this interdisciplinary analysis of environmental regimes in Asian subregions proposes a new regime for the Himalayas and Tibetan Plateau based on China’s cooperation with its south Asian neighbors.

China and the Third Pole

Environmental Regimes in Asian Subregions

This highly topical book considers the important question of how best to protect the environment of the Third Pole – the area comprising the Hindu Kush Himalayas and Tibetan Plateau – using the tool of international law. Following detailed analysis of the weaknesses in the current legal protections according to comparative legal theory, Simon Marsden recommends three potential options for implementation by policy and lawmakers.

Transplanting International Law

Protecting the Third Pole

The walls of Clifford's Tower bleed. Thomas, Earl of Lancaster stalks Dunstanburgh Castle carrying the mangled head which Edward II's bungling executioner took eleven strokes to sever. The Rollright Stones possess a strange force that can fling you to the ground and confuse the mind. The brooding towers of Reculver echo with the cries of a baby sacrificed by the Romans. Whether you are a believer in ghosts or not a visit to an historic site is bound to be enhanced by the stories that cling to it. And this journey through England focuses on the 'other side' of the picture. Guidebooks will tell you about the architecture, the history, the people who lived and worked and died in these historic places. But here you will find the legends and the mysteries, the tales of the unexplained, the shivery unknown, and the fascinating stories that bring the place to life and clothe the ruins. The stories are a journey, starting at Tintagel on the north Cornish coast, and ending in the far north-east, at Lindisfarne Priory on Holy Island. They are a journey in time too, from the unknowable mysteriousness of the prehistoric through to the ghosts of the Second World War. castles, medieval abbeys, Tudor mansions and World War II airfields. Draw back the veil and meet the ghosts of England's haunted heritage. Simon Marsden is an internationally acclaimed photographer specialising in the fantastic and supernatural. He has written several books including The Twilight Hour; The Haunted Realm and Journal of a Ghosthunter.

A hauntingly beautiful photographic guide to the lore and landscapes of the vampire, from the master of gothic imagery Using infrared film to convey the ethereal atmosphere of his subjects, Marsden has traveled from Germany to the United States, and Slovakia to Scotland as he hunts out the vampires of myth and literature, and real individuals suspected of vampirism. His images include sites of perennial fascination, such as Vlad Dracul's ruined palace in the wilderness of Romania, and more recent places of vampire pilgrimage, like the Etruscan city of Volterra in Italy, home to Twilight’s ancient vampire coven. They are accompanied by his authoritative and entrancing text, filled with rare discoveries and travelers' tales, plus extracts from classics such as Bram Stoker's Dracula, and an introduction that charts the secret history of the vampire right up to the darkly romantic figure of today. Stunning, chilling, this title will satisfy gothic devotees and prove a timeless introduction for new fans of the vampire genre.

The Twilight World

Vampires

Duncan McLaren

Russia: A World Apart is a haunting evocation of the ruined country estates of the Russian aristocracy of the 18th and 19th centuries. Revolution, civil war, invasion, anarchy and casual indifference have conspired against many of the grand buildings of Russia's rich and complex past. The architectural riches of Moscow and St Petersburg still exist for everyone to see, but when the photographer Simon Marsden and author Duncan McLaren entered the Russian countryside, away from the obvious tourist trails, they encountered a very different world.McLaren relates how The further from Moscow and St Petersburg, the moredesolate and derelict the landscape became. Endless pot-holed roads pass through one dead or dying village after another whose vandalized churches are now the refuge of owls and pigeons. This is the plight of modern-day Russia where the countryside is dying and its population declining while the big cities are thriving. Hidden away within all this desolation and chaos, many devastated country estates can be found. The statuary and formal gardens gone forever, replaced by an overgrown wilderness where stray dogs forage amongst the crumbling outhouses, garbage and rotting tyres.This book, the result of four trips undertaken by Marsden and McLaren, illustrates a diverse mix of pre-revolutionary buildings and memorials, manor houses, palaces, churches, statuary and tombs, interspersed with more recent monuments from Soviet times. Each picture tells its own tale. In the newly found freedom and optimism of the post-communist era, some of these estates are being restored by individuals and organizations whose immense dedication to rescuing their past is nothing short of inspiring. Others will simply crumble to dust in the face of indifference from the majority of the population making Russia: A World Apart a beautiful and melancholy testament to the glories and grandeur of the past few centuries.

A World Apart

Russia

Readers of Emily Brontë's poetry and of Wuthering Heights have seen in their author, variously, a devout if somewhat unorthodox Christian, a heretic, or a visionary "mystic of the moors". Rather than seeking to resolve this matter, Emily Brontë and the Religious Imagination suggests that such conflicting readings are the product of tensions, conflicts and ambiguities within the texts themselves. Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such faith is always conflicted, always threatened. Brontë's work dramatises the experience of imaginative faith that is always contested by the presence of other voices, other worldviews. Her characters cling to visionary faith in the face of death and mortality, awaiting and anticipating a final vindication, an eschatological fulfilment that always lies in a future beyond the scope of the text.

Emily Bronte and the Religious Imagination

This study examines theological themes and resonances in post-1970 Gothic fiction. It argues that contemporary Gothic is not simply a secularised genre, but rather one that engages creatively – and often subversively – with theological texts and traditions. This creative engagement is reflected in Gothic fiction’s exploration of theological concepts including sin and evil, Christology and the messianic, resurrection, eschatology and apocalypse. Through readings of fiction by Gothic and horror writers including Stephen King, Joyce Carol Oates, Peter Straub, William Peter Blatty and others, this book demonstrates that Christianity continues to haunt the Gothic imagination and that the genre’s openness to the mysterious, numinous and non-rational opens space in which to explore religious beliefs and experiences less easily accessible to more overtly realist forms of representation. The book offers a new perspective on contemporary Gothic fiction that will be of interest to students and scholars of contemporary Gothic and of the relationship between literature and religion more generally.

Simon Marsden

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