Nikolai Grube

Simon Martin

Traces Mayan history through its major dynasties, examining each ruler's successes and failures.

Deciphering the Dynasties of the Ancient Maya

Chronicle of the Maya Kings and Queens

The Italian love affair with sport is passionate, voracious, all-consuming. It provides a backdrop and a narrative to almost every aspect of daily life in Italy and the distinctively pink-coloured newspaper La Gazzetta dello Sport is devoured by almost half a million readers every day. Narrating the history of modern Italy through its national passion for sport, Sport Italia provides a completely new portrayal of one of Europe's most alluring, yet contradictory countries, tracing the highs and lows of Italy's sporting history from its Liberal pioneers through Mussolini and the 1960 Rome Olympics to the Berlusconi era. By interweaving essential themes of Italian history, its politics, society and economy with a history of the passion for sport in the country, Simon Martin tells the story of modern Italy in a fresh and colourful way, illustrating how and why sport is so strongly embedded in both politics and society, and how it is inseparable from the concept of Italian national identity. Showing sport's capacity to both unite and deeply divide, this book reveals a novel and previously unexplored element of the history of a society and its state, which will be an essential read for sports fans, historians and students alike.

The Italian Love Affair with Sport

Sport Italia

Mark Hearld

The artist Mark Hearld finds his inspiration in the flora and fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water’s edge; and a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden, John Piper, Eric Ravilious and Enid Marx, and, like them, he chooses to work in a range of media – paint, print, collage, textiles and ceramics. Workbook is the first collection of Hearld’s beguiling art. The works are grouped into nature-related themes introduced by Hearld, who narrates the story behind some of his creations and discusses his influences. He explains his particular love of collage, which he favours for its graphic quality and potential for strong composition. Art historian Simon Martin contributes an essay on Hearld’s place in the English popular-art tradition, and also meets Hearld in his museum-like home to explore the artist’s passion for collecting objects, his working methods and his startling ability to view the wonders of the natural world as if through a child’s eyes.

Mark Hearld's Work Book

Edmund de Waal

Lee Beard

Louise Campbell

Louise Weller

An intimate look at Ben Nicholson's everyday inspirations

From the Studio

Ben Nicholson

Mark Shields

The CAM coach brings together the writing partnership of Mark Shields and Simon Martin. Mark is a world leading, internationally renowned, multi award winning, Life and Business Strategist and creator of the CAM coaching methodology known today as CAM Transformational Coaching. Simon is a world champion athlete, veteran natural health journalist and editor of IHCAN magazine for practitioners of complementary and alternative medicine. Between them they have come up with a host of proven secrets, strategies and evidenced techniques of how to successfully set up and run a Complementary Health Practice. The CAM coach is based upon Mark Shields Coaching for Practitioners Series which has been proven to help, coach, inspire and motivate many practitioners from different corners of the world over the years This together with expert contributions from industry leading experts such as Mike Ash, Jayney Goddard, Anthony Haynes and Kate Neil makes the CAM Coach a unique and valuable resource for anyone looking to work successfully in the Complementary and Alternative Medicine industry.

Second Edition

The CAM Coach

The natural world as seen through the eyes of British artists including Eric Ravilious, Clare Leighton, and John Piper Since its publication in 1789, Gilbert White's Natural History and Antiquities of Selborne has inspired generations of artists, writers and naturalists. From Thomas Bewick to Eric Ravilious and Clare Leighton, many artists' depictions of animals, birds and wildlife have illustrated White's celebrated book, together providing a microcosm of natural history illustration from the eighteenth century until today. In Drawn to Nature, Simon Martin has gathered joyful and beautiful images of the extraordinary array of wildlife described by White, providing an insight into the continuing appeal and relevance of the Natural History. This fascinating account takes us from some of the earliest published depictions of birds and animals, to pioneering nature photography, the revival of wood-engraving in the 1920s and 30s, and responses to White's message about the natural world by contemporary illustrators such as Angie Lewin and Emily Sutton. The book also includes an introduction to the life of Gilbert White by Sir David Attenborough, an essay by Virginia Woolf, poems by modern and contemporary poets, and a jacket design by Mark Hearld.

Gilbert White and the Artists

Drawn to Nature

Simon David Martin

This is a cultural history of Italian Fascism viewed through the lens of soccer. The 1930s were the zenith of achievement for Italian football--Italy hosted and won the 1934 World Cup and retained the trophy in 1938. At club level, Calcio was reorganized into a national league, after which the first Italian club teams emerged to dominate European competition. It was at this time that Mussolini's party institutionalized soccer as a fascist game. Italian Fascism fully exploited the opportunities football provided to shape public opinion, penetrate daily life, and reinforce conformity. By politicizing the game, Fascism also sought to enhance the regime's international prestige and inculcate nationalist values. Football and Fascism is an original look at the appropriation of sport to serve political ends during a dark period of Italian history.

The National Game Under Mussolini

Football and Fascism

In 1914, just after the outbreak of World War I, the greatest liner of its day, the White Star Liner Oceanic, struck a remote reef off Shetland and sank. This 'Queen of the Seas' was even more magnificently luxurious than the Titanic and unlike her, a remarkable salvage operation was achieved some sixty years later by two young and relatively inexperienced divers. In this book one of these divers tells the story of the disaster and the remarkable salvage work that he and his partner Alec Crawford undertook. After the war salvage attempts were abortive and written off as impossible until Simon Martin and Alec Crawford took a lucky trip to Foula in 1973. They were soon making plans to locate the undivable wreck and salve its extremely valuable non-ferrous metal. The story is a combination of treasure hunting and remarkable diving operations, the excitement of pin-pointing the wreck, diving and discovering the massive wreckage. In all they salvaged nearly 250 tons of valuable metal. The story was first told in 1980 and is reproduced now just as it was originally written, although an introduction and postscript have been added.For Simon Martin the dive was the greatest achievement of his life, but for Alec Crawford it was a stepping stone to greatness. Today he stands at the peak of his profession having successfully carried out a salvage operation which no-one else in the world could even have attempted - working with his own patented systems he located the wreck Persia in almost 2 miles depth of water and lifted millions of gold, silver, diamonds and jewels.

The Other Titanic

Sandro Shelegia

Online Product Reviews and Firm Pricing

Underpromise and Overdeliver?

Leon Chaitow

Describes the nature of AIDS, criticizes conventional treatments, and suggests natural medicine approaches

The Controversial Holistic Health Plan

A World Without AIDS

With new readings of ancient texts, Ancient Maya Politics unlocks the long-enigmatic political system of the Classic Maya.

Simon Martin

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