Simon Miller

It’s 1974. Chicago Private Eye Harry Kaplan is on the trail of a guy who went missing in Cameroon nearly twenty years ago. The Arab oil embargo is pushing gas prices through the roof and the super powers are scrambling all over Africa again, not least Cameroon's neighbour Nigeria with its oil conveniently accessible to the West. Harry is supposed to be investigating a family tragedy but all the early clues point to the murky world of geopolitics and people in power. Ebolowa is based on a true story of courage, complicity and murder.

Ebolowa

Simon Shaw-Miller

This thoughtful and provocative book explores the relationship between music and the visual arts in the late nineteenth and twentieth centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer, and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history. Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the Gesamtkunstwerk as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these fascinating examples, Shaw-Miller raises questions about both art and music history that will be of interest to students of both disciplines.

Art and Music from Wagner to Cage

Visible Deeds of Music

Firefighters. Assemble and Build. Libro Puzzle

William Hutchinson

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Simon Miller

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