Solmaz Sharif

Daily I sit with the language they've made of our language to NEUTRALIZE the CAPABILITY of LOW DOLLAR VALUE ITEMs like you. You are what is referred to as a "CASUALTY." --from "Personal Effects" Solmaz Sharif's astonishing first book, Look, asks us to see the ongoing costs of war as the unbearable loss of human lives and also the insidious abuses against our everyday speech. In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family's and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed in America's invasions of Afghanistan and Iraq, and in the discrimination endured at the checkpoints of daily encounter. At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. "Let it matter what we call a thing," she writes. "Let me look at you."

Poems

Look

Customs

Longlisted for the 2023 PEN/Jean Stein Book Award Longlisted for the 2022 Brooklyn Public Library Book Prize A New Yorker Essential Read of 2022 A Publishers Weekly Best Book of 2022 An NPR Best Book of 2022 A Literary Hub Best Reviewed Poetry Collection of 2022 _______________ 'Witty and incisive... [Sharif] masterfully traverses the landscape of exile and all its complicated grief' New York Times _______________ The devastating second collection by Solmaz Sharif, author of Look, a National Book Award finalist With Customs, Solmaz Sharif offers a series of poetic refusals, weighing nuanced questions about what it means to belong to a place. In the face of hard borders these poems seek a reckoning with the structures, in society, in language itself, by which these limits act on us. Sharif examines what it means to exist in the nowhere of the arrivals terminal; to navigate a continual series of checkpoints, officers, searches, and questionings that can become a relentless challenge; a mutating shibboleth. Through the poet's adept balancing of tonal and formal elements, these poems interrogate the 'customs' of the nation-state, of the English language, of the paces these systems put us through. But this work is not enjoined to a hopeless quest. Instead, the propulsive force that informs each line, each white space, and punctuation mark, is a powerfully galvanizing and healing force. Customs reminds us of the generative possibilities of restlessness, of seeking in each poem to refresh what it is a poem can be and do.

Solmaz Sharif

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