Sommer Browning

Good Actors

You’re on My Period is a collection of weird jokes, dirty revelations, and impeccably researched charts written by Sommer Browning.

You're On My Period

Poetry. Art. Comics. "Sommer Browning sees things we don't see, even if they're right in front of us. That's what distinguishes the great thinkers of our time! They look at the stars and they ask 'how is that I can see?' They look at the color of a flower and say, 'How is that this is red?' Sommer Browning looks at a circle and sees a urethra. She sees a 'view of my head from a second story walk-up.' She sees the abyss. And a pizza. Her humor is so unpretentious, so unique—yet outrageously minimalistic, that it achieves a kind of scientific greatness. THE CIRCLE BOOK shows how even the most basic shape—a circle—can be transcended by the power of language. What's happening when we look at a circle and see the body of Christ? Something hilariously mystical."—Bianca Stone

The Circle Book

Ron Miller

Arthur Meier Schlesinger, Jr.

Takes a historical look at the charismatic and powerful figures of the ancient world who led armies to victory and ruled over vast domains in a time when the world was still young.

Cleopatra

Poetry. Comics. "'All objections to progress,' writes Hans Blumenberg, 'could come down to the fact that it hasn't yet taken us far enough.' That's philosophy—and it's funny—but no one would ever level the same complaint at pain or laughter, this fine book's subjects and two phenomena that can take human beings great distances almost immediately. Absolutely modern—but never resolutely maudlin—Sommer Browning doesn't settle for making it new; rather, she lets it bleed and gets us there on time."—Graham Foust

Poems and Comics

Either Way I'm Celebrating

Poetry. Browning follows up her sold out debut, EITHER WAY I'M CELEBRATING, with an even rawer and starker, and again darkly humorous navigation of friendship, marriage, and motherhood. The result is a more overtly political assessment of the absurd deficit between what we're confronted with and what we're equipped with to deal with those confrontations: "It's a girl, / and the wires she needs // open her hands / before they're fists." Browning combats this deficit with relentless anaphora and repetition, reducing seemingly impossible relationships to their most basic element—a love that begets an unconditional loyalty: "I'm here! I didn't run!"

Backup Singers

Shannon Tharp

"A compendium of experimental essays, creative meditations, non-fiction accounts, and lyrical explorations that explore perspectives on subjects related to libraries and librarianship"--Back cover.

Sommer Browning

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