Neil Gaiman

Claire North

James Smythe

Kamila Shamsie

Amal El-Mohtar

Kirsty Logan

Maria Dahvana Headley

E. J. Swift

Nnedi Okorafor

Monica Byrne

Sophia Al-Maria

Sami Shah

Catherine King

Hermes

Jamal Majoub

J. Y. Yang

K.J. Parker

Kuzhali Manickavel

Nada Adel Sobhi

Saad Hossein

Usman Malik

A fascinating collection of new and classic tales of the fearsome Djinn, from bestselling, award-winning and breakthrough international writers. Imagine a world filled with fierce, fiery beings, hiding in our shadows, in our dreams, under our skins. Eavesdropping and exploring; savaging our bodies, saving our souls. They are monsters, saviours, victims, childhood friends. Some have called them genies: these are the Djinn. And they are everywhere. On street corners, behind the wheel of a taxi, in the chorus, between the pages of books. Every language has a word for them. Every culture knows their traditions. Every religion, every history has them hiding in their dark places. There is no part of the world that does not know them. They are the Djinn. They are among us. With stories from: Nnedi Okorafor, Neil Gaiman, Amal El-Mohtar, Catherine King, Claire North, E.J. Swift, Hermes (trans. Robin Moger), Jamal Majoub, James Smythe, J.Y. Yang, Kamila Shamsie, Kirsty Logan, K.J. Parker, Kuzhali Manickavel, Maria Dahvana Headley, Monica Byrne, Nada Adel Sobhi, Saad Hossein, Sami Shah, Sophia Al-Maria and Usman Malik.

The Djinn Falls in Love and Other Stories

Sad Sack' is a book of collected writing by Sophia Al-Maria, taking feminist inspiration from Ursula K. Le Guin?s 1986 essay 'The Carrier Bag Theory of Fiction'; opposing "the linear, progressive, Time?s-(killing)-arrow mode of the Techno-Heroic." Encompassing more than a decade of work, 'Sad Sack' tracks Al-Maria?s speculative journey as a writer, from the first seed of her "premature" memoir, through the coining and subsequent critique of "Gulf Futurism", towards experiments in gathering, containing, welling up and sucking dry.0Sophia Al-Maria was Whitechapel Gallery?s Writer in Residence 2018 ? her exhibition ?BCE? (Whitechapel Gallery, January ? April 2019), draws on a year of performances and readings, culminating in two short creation myth films: one from the ancient past, originating with the Wayuu tribe in northern Colombia; the other from the distant future, made with Victoria Sin.0.

Collected Writing

Sad Sack

Natasha Ginwala

Donna Haraway

Leela Gandhi

Mark Dery

Arseny Zhilyaev

Apichatpong Weerasethakul

Vivian Ziherl

Catalina Lozano

Daniel Quiles

Daniel Steegmann Mangrané

Simone Bertuzzi

Simone Trabucchi

João Laia

Valen Klimašauskas

Rodrigo Hernández

Zadie Xa

The proposal of this second volume of Leituras is to address the debate on the global South from other models of constructing reality and to speculate on the potential impact of alternative forms of organization on current times. To this end, it compiles a series of non-Western cosmologies which, while not new, present renewed interest and originality for their reduced visibility. Such forms of organization condense a more integrated kind of involvement of the individual with the collective, but also with his symbolic and natural environment; therefore, they have a direct impact on how reality is understood and constructed. This e-book features images that are best viewed on tablets.

Contemporary Art Festival Sesc_Videobrasil

A Multiple Community

The Gaze of SciFi Wahabi

Award-winning filmmaker and writer Sophia Al-Maria’s The Girl Who Fell to Earth is a funny and wry coming-of-age memoir about growing up in between American and Gulf Arab cultures. With poignancy and humor, Al-Maria shares the struggles of being raised by an American mother and Bedouin father while shuttling between homes in the Pacific Northwest and the Middle East. Part family saga and part personal quest, The Girl Who Fell to Earth traces Al-Maria’s journey to make a place for herself in two different worlds.

A Memoir

The Girl Who Fell to Earth

Sophia Al-Maria

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