Le Corbusier

Mateo Kries

Stanislaus von Moos

Arthur Rüegg

Alexander von Vegesack

Le Corbusier is regarded as the most influential architect of the twentieth century. This publication presents an overview of the Le Corbusier;s work not only as an architect but as a designer of comprehensive ideas offeringinsight into his firniture, interior design and art as a catalyst for the creative developments of his time.

The Art of Architecture

Giampiero Bosoni

Mara Campana

Max Huber

"Max Huber (1919-92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published on this major figure, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy." "Huber's style assimilated the teachings of the early modern masters, such as Max Bill and Laszlo Moholy-Nagy, combining their principles with the enormous variety of cultural influences present in vibrantpost-war Milan. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life. Among the 450 illustrations in this book (the majority of which were never published before) are examples of his celebrated posters for the Monza races, his jazz record covers and book series for major Italian publishers, which remain appreciated today as superb examples of their genres." "Some of Huber's most enduring achievements were on a completely different scale and remain in the collective memory of generations and on the streets of Italy: his logo design for the department store La Rinascente and the supermarket chain Esselunga, were so influential as to change the public's perception of these two popular stores and, moreover, the visual landscape of Milan itself." "The three expert authors of this book (Stanislaus von Moos, Mara Campana and Giampiero Bosoni) were privileged to have the full support of Huber's widow, Aoi Kona, who granted them unrestricted access to the renowned archive of Huber's work that is now housed in the m.a.x.Museo, in Chiasso, Switzerland. This wide-ranging and exhaustively researched book demonstrates the importance of this fascinating and influential figure in the history of modern graphic design."--BOOK JACKET.

Max Huber. Ediz. illustrata

Originally published in Germany in 1968, this first comprehensive and critical survey of Le Corbusier's life and work soon became the standard text on the architect and polymath. French, Spanish, English, Japanese and Korean editions followed, but the book has now been out of print for almost two decades. In the meantime, Le Corbusier's archives in Paris have become available for research, resulting in an avalanche of scholarship. Von Moos' critical take and the basic criteria by which the subject is organized and historicized remain surprisingly pertinent in the context of this recent jungle of Corbusier studies. This new, completely revised edition is based on the 1979 version published in English by the MIT Press but offers a substantially updated body of illustrations. Each of the seven chapters is supplemented by a critical survey of recent scholarship on the respective issues. An updated edition of this acclaimed book, an essential read for students of architecture and architectural history.

Elements of a Synthesis

Also presented are spectacular renovations for the Frank Furness library building at the University of Pennsylvania and Harvard's Memorial Hall and designs for houses, exhibitions, fabrics, furniture, and decorative items. The catalog, written by the architects, focuses on important aspects of their practice in the late 1980s and the 1990s, notably the juxtaposition of a "hype" sensibility in decoration - manifested in large-scale LED signs and colorful supergraphics - and a generic architecture. The introductory essay, by Stanislaus von Moos, discusses five major themes in Venturi and Scott Brown's architecture: its dialogue with their hometown, Philadelphia, as both a national shrine and a center of architectural innovation; the importance of the American campus as a model for planning and design; organicism as a source of their design theory; the role of realism and abstraction in the firm's architecture; and the Venturis' recent interest in Japan and its traditions.

Buildings and Projects, 1986-1998

Venturi, Scott Brown & Associates

Johan van de Beek

Arjan Hebly

Adolf Loos and Le Corbusier, 1919-1930

Raumplan versus Plan Libre

The first complete monograph on the work of Swiss graphic designer Max Huber (1919-92), one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate typography and identity design. Three essays cover Huber's entire career from the early 1940s, including his wide-ranging work in the fields of magazine, identity and exhibition design as well as expanding on his close links with a circle of brilliant artists, designers and intellectuals such as Josef Muller-Brockmann, Achille Castiglioni and Italo Calvino, among others.

Chris Smeenk

Avant garde und Industrie

Rizzoli

Venturi, Rauch, and Scott Brown

Rizzoli Staff

Shows and describes fire stations, college buildings, museums, offices, stores, houses, dormitories, apartments, furniture, and tea service designed by the famous American architectural firm

Venturi, Rauch, & Scott Brown Buildings and Projects

Venturi, Scott Brown and Partner (Philadelphia, Pa.)

Stanislaus von Moos

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