Stanley Crouch

No musician has lived a more transformational, or more tragic, life than Charlie Parker, one of the most talented and influential figures of the twentieth century. From the start of his career in the late 1930s, Parker was a new kind of American artist: a revolutionary musician who internalized all of popular music and blew it back through his alto saxophone "at the tempo of emergency"—even as he wrestled with a drug addiction that would ultimately contribute to his death at thirty-four. Yet no writer has fully captured the arc and texture of Parker's personal story . . . until now. Kansas City Lightning, the first in a two-volume life of Parker by Stanley Crouch, draws on decades of original interviews with peers, collaborators, and family members to reveal Parker as he emerged from the landscapes—literal and artistic—that he inhabited. A precocious child, shy yet self-possessed, Charlie ventured early into the nightlife of wide-open Depression Kansas City, a veritable stomping ground for such bandleaders as Walter Page, Bennie Moten, and Moten's successor, Count Basie, the king of Kansas City swing. Inspired by saxophonists Lester Young and Chu Berry, trumpeter Roy Eldridge, and his mentor Buster Smith, Parker endured initial humiliation on the bandstand—yet persevered until he mastered the idiom and began to transcend it. Kansas City Lightning follows Parker from the "freak shows" and "spook breakfasts" of late-night Kansas City, to the segregated union halls of Chicago, and finally to New York's Harlem ballrooms. Most intimately, it brings us into young Charlie Parker's family circle, as he plunged headlong into a very adult world—lured by both music and drugs, torn between his oddly protective mother and Rebecca Ruffin, the impressionable young woman whose romance with Charlie is at the bittersweet heart of this story. With the musical wisdom of a lifetime jazz scholar, the cultural insights of an indispensable social critic, and the narrative skill of a writer at the height of his powers, Crouch brings Parker back to glorious, surprising, and deeply moving life.

The Rise and Times of Charlie Parker

Kansas City Lightning

Essays on Authenticity

The Artificial White Man

Stanley Crouch-MacArthur "Genius" Award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia-has been writing about jazz and jazz artists for more than thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: "Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back." In Considering Genius, Crouch collects some of his best loved, most influential, and most controversial pieces (published in Jazz Times, The New Yorker, the Village Voice, and elsewhere), together with two new essays. The pieces range from the introspective "Jazz Criticism and Its Effect on the Art Form" to a rollicking debate with Amiri Baraka, to vivid, intimate portraits of the legendary performers Crouch has known.

Writings on Jazz

Considering Genius

The grievous loss of Stanley Crouch, one of America’s most renowned intellectuals, is underscored by the posthumous appearance of these remarkable essays. With Stanley Crouch’s untimely death in 2020, American literature lost “a critic without peer” (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music. In these essays—some discovered on his computer, unpublished until now—Crouch tackles subjects ranging from Malcolm X (“a thorned bud standing in the shadow of sequoias”) to the films of Quentin Tarantino (“With Django, Tarantino has slipped down . . . into a shallow and bloodstained hip-hop turn that his own best work has well-refuted”). Introduced by Jelani Cobb, with an afterword by Wynton Marsalis, and collected by his longtime editor Glenn Mott, Victory Is Assured canonizes the legacy of an inimitable, indispensable American critic.

Victory Is Assured: Uncollected Writings of Stanley Crouch

Stanley Crouch's gloriously bold first novel provides an intimate and epic portrait of America that breaks all the rules in crossing the boundaries of race, sex, and class. Blonde Carla from South Dakota is a jazz singer who has been around the block. Almost suddenly, she finds herself fighting to hold on to Maxwell, a black tenor saxophonist from Texas. Their red-hot and sublimely tender five-year union is under siege. Those black people who oppose such relatonships in the interest of romantic entitlement or group solidarity are pressuring Maxwell, and he is wavering. As Carla battles to save the deepest love of her life, her past plays out against the present, vividly bringing forth a startlingly fresh range of characters in scenes that are as accurately drawn as they are unpredictable and innovatively conceived.

A Novel in Blues and Swing

Don't the Moon Look Lonesome

As Carla, a upandcoming jazz singer, prepares to wed her saxophonist husband, the tensions created by their interracial relationship come to the fore. 17,500 first printing.

Lungamente annunciato negli Stati Uniti e attesissimo dagli appassionati di jazz, Fulmini a Kansas City è il primo capitolo della biografia che lo studioso e narratore afroamericano Stanley Crouch ha dedicato a Charlie Parker, il più grande sassofonista di tutti i tempi. Frutto di studi pluriennali, di ricerche e interviste sul campo, e animato da una prosa brillante e immaginifica, il libro ricostruisce la vita leggendaria di «Bird» negli anni che vanno dalla nascita nel 1920 fino al 1940: l’infanzia nella Kansas City dominata dalla malavita di Tom Pendergast e dallo swing delle territory bands; il rapporto con una madre iperprotettiva e allo stesso tempo troppo permissiva; il matrimonio a soli sedici anni e una paternità troppo precoce; la fascinazione per la musica, il cinema, la tecnologia, l’avventura; l’incontro drammatico con la droga; il trasferimento, infine, a New York, capitale del jazz moderno, con cui si sarebbe aperta la seconda, più matura fase della vita di Parker. A metà fra il saggio e il racconto, fra l’affresco di un’epoca e il romanzo di formazione, Fulmini a Kansas City è un vividissimo quanto inedito «ritratto dell’artista da giovane».

Fulmini a Kansas City. L'ascesa di Charlie Parker

In this brilliantly acerbic collection of essays--a New York Times Notable Book in 1995--Stanley Crouch confirms that he is one of the most eloquent and unpredictable commentators on race and culture in American society--something already known to anyone who's seen him on 60 Minutes or read his columns in The Village Voice and The New Republic. 288 pp. National media appearances.

The Long and the Short of It, 1990-1994

The All-American Skin Game, or Decoy of Race

Museum of Contemporary Art (Los Angeles, Calif.)

John Carlin

Paul Karasik

Brian Walker

Hammer Museum

Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.

Masters of American Comics

As a cultural and political commentator, Stanley Crouch in unapologetically contentious and delightfully iconoclastic. Whether he is writing on the uniqueness of the American South, the death of Tupak Shakur, the O.J. Simpson verdict, or the damage done by the Oklahoma City bombing, Crouch's high-velocity exchange with American culture is conducted with scrupulous allegiance to the truth, even when it hurts—and it usually does. And on the subject of jazz—from Sidney Bechet to Billy Strayhorn, Duke Ellington to Miles Davis—there is no one more articulate, impassioned, and encyclopedic in his knowledge than Stanley Crouch. Crouch approaches everything in his path with head-on energy, restless intelligence, and a refreshing faith in the collective experiment that is America—and he does so in a virtuosic prose style that is never less than thrilling.

Fresh American Perspectives

Always in Pursuit

Stanley Crouch identifies the civil rights movement of the last four decades as the defining feature of contemporary American society. In Notes of a Hanging Judge, he explores it from all sides--from its epochal triumphs and the forces that have nearly destroyed it, through its great artistic and political success stories, to the crime culture it has been powerless to prevent or control--and traces its complex and ambivalent interactions with the feminist and gay dissent that followed its example. Balancing the passionate involvement of an insider with a reporter's open-minded rigor, and using his virtuosic prose style, Crouch offers uniquely insightful accounts of familiar public issues--black middle-class life, the Bernhard Goetz case, black homosexuals, the career of Louis Farrakhan--that throw fresh light on the position of Afro-Americans in the contemporary world. Even more revealing are Crouch's accounts of his travels, focusing on his perceptions as a black man, that put places as diverse as Atlanta and Africa, or Mississippi and Italy, in unique new perspectives. Perhaps most powerful of all are Crouch's profiles of black leaders ranging from Maynard, to Michael, to Jesse Jackson. Crouch's stern evaluations have been controversial, especially his vision of the Civil Rights Movement as a noble cause "gone loco," mired in self-defeating ethnic nationalism and condescending self-regard, and conspicuously lacking in the spiritual majesty that ensured its great political victories. His discussions of artistic figures, including extended critiques of Toni Morrison and Spike Lee, have also incited much debate. Taken together, these essays represent a major reinterpretation of black, and therefore American, culture in our time.

Essays and Reviews, 1979-1989

Notes of a Hanging Judge

Writings represent the author's views on race in the Constitution, feminism, literature, jazz, and cinema

The All-American Skin Game, Or, The Decoy of Race

In this penetrating collection of original essays, legendary gadfly and esteemed critic Stanley Crouch tackles the notion on authenticity-what it is, what it isn't, and what we make of it, for good or for bad. While the question of who's the real deal and who isn't has now seeped into nearly every corner of American culture, nowhere does the idea of authenticity hold greater sway than in the realm of ethnicity. In this bracing collection of original essays, Crouch brings all his rhetorical skills to bear on this animating-and polarizing-idea, and investigates the motives behind those who present themselves as authentic, those who claim to expose the inauthentic, and what this all tells us about the state of the arts-from the vaulted halls of literary fiction to the arena of soft drink-shilling pop stars-in America today. For Crouch, this is not simply an academic exercise, but a summation of our peculiar historical moment. Living in a time in which much of the conventions that defined and limited people's futures-whether it be race, class, or sex-have been obliterated, we're both liberated from bigotries and yet-still-facing profound disillusionment. As influences come and go at breakneck speed, as traditions are remade and re-imagined, it has become hard to tell which metaphorical end is up. The result, Crouch argues, is not only a national paranoia that someone may have put something over on us-i.e. that we have too often been duped into believing that the counterfeit is authentic-but also a deep retrenchment of imagination and artistic expression, from white and black alike. As he promises in his introduction: "This book is an argument with all of that, however sympathetic it might be to the search for alternatives to our disappointments. It hopes to present, through affirmation, a new form of rebellion in our time of cosmetic dissent."

Playtehll Benjamin

Crouch, a recognized jazz critic, joins noted journalist Playthell Benjamin for this thought-provoking look back at "The Souls of Black Folk" by W.E.B. DuBois, published in 1903. DuBois's collection of essays is reflected upon in this literary and sociological triumph on the 100th anniversary of DuBois's publication.

Stanley Crouch

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