Robert Macfarlane

Stanley Donwood

What happens when the land comes to life? Somewhere on a salt-and-shingle island, inside a concrete-and-iron structure called The Green Chapel, a figure called The Armourer is leading a black mass. He plans to detonate a thermonuclear missile. But something is coming to stop him. Five more-than-human figures - or forms, or forces - are traversing the landscape, moving steadily towards a point where they will converge and become Ness. Ness is the land awakened. Ness is lichen skin and willow-bower bones, condensing mist, tidal drift and deep time. Ness has hagstones for eyes and Ness speaks only in birds, firecrests in the day and swifts after dusk. And Ness has come to take this island back.

Ness

Dan Richards

Ghostways brings two of best-selling author Robert Macfarlane's eeriest works of impressionistic nature writing to American readers for the first time. In Holloway, Macfarlane and his collaborators explore the famed holloways of South Dorset, a landscape of shadows and spectres in the southwestern corner of England. In Ness, they create a modern myth about Orford Ness, the shingle desert of southeast England, for decades the United Kingdom's secret atomic weapons testing site. Featuring Stanley Donwood's spectacular etchings of woodland scenes throughout, Ghostways is a beautiful and haunted work of art unlike any other.

Two Journeys in Unquiet Places

Ghostways

The stories of Stanley Donwood collected for the first time in one beautiful and collectible volume.

Humor

Thom Yorke

A celebration of the process and artwork created for the Radiohead albums Kid A and Amnesiac

A Commonplace Book

Fear Stalks the Land!

A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueller weapons still - and things do not go well for the wilderness. Civilisation rises as towers of stone and metal and smoke, choking the undergrowth and the creatures that once moved through it. This is not a happy story and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood carves out a mesmerising, stark parable on environmentalism and the history of humankind.

Bad Island

Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.

A Book of Radiohead Artwork

Kid A Mnesia

A Novel

Catacombs of Terror!

The prolific talent behind Radiohead's iconic artwork reveals the creative process that has driven a career spanning more than 20 years Widely regarded as one of the most important graphic artists of his generation, Stanley Donwood is the man behind Radiohead's signature, yet ever-evolving, visual aesthetic. His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work--whether an album cover, promotional piece, or a personal project--and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood's creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

Stanley Donwood: There Will Be No Quiet

Kid a Mnesia

Dr Tchock

A Picture Book (Radiohead)

Dead Children Playing

Dr. Tchock

Stanley Donwood and the enigmatic Dr Tchock are the elusive duo responsible for Radiohead’s artwork. Containing paintings they have produced in the last decade, this book alsocontains a cornucopia of never-before-seen artwork. Featuring the apocalyptic scenes of the OK Computer album, the startling, sinister shadow of memory cast onto the present in the Kid A paintings, and theoverwhelming information overload of Hail to the Thief’s landscapes of conflict, Dead Children Playing presents some of the most iconic artwork of our time.

A Picture Book

There was disaster coming; that was blindingly obvious. Life had been almost ridiculously easy, and now things were going to get worse. Much, much worse. I couldn't believe that I had ever thought otherwise. I couldn't believe that I'd ever thought that there could be any other outcome. Stanley Donwood's fictional universe is one in which anything can happen, and frequently does. Disappearances (people, things) are everyday. Relationships are unstable. Nature has turned unnatural. It's the kind of world (the kind of book) in which you might walk into a room only to find, that room, has ... no ... floor. A substantial selection of Stanley's fiction over the past ten years or so, (title) shows a contemporary master of the micro narrative. Apocalyptic, funny, unsettling and hallucinogenic in their intensity, Stanley Donwood's stories present a series of haunting episodes in a world drained of meaning, sense and consequence.

In which the writings of the authors Thom Yorke and Stanley Donwood are gathered together. This commonplace book includes faxes, notes, fledgling lyrics, sketches, lists of all kinds and scribblings towards nirvana, as were sent between the two authors during the period 1999 to 2000 during the creation of the Radiohead albums Kid A and Amnesiac. This is a document of the creative process and a mirror to the fears, portents and fantasies invoked by the world as its citizens faced a brave new millennium.

K. Tchock

Containing various paintings produced by the consistently paranoid Stanley Donwood and the persistently enigmatic Dr Tchock between about 1999 and about 2005, this picture book also holds between its covers page, the after page of sketchbook pages, as well as other images found on defunct digital recording media.

Paintings, Prints Etc., 1996-2006

A starkly beautiful, wordless graphic novel about the end of the world by the cult artist and longtime Radiohead collaborator. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still—and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot convey, carving out a mesmerizing, stark parable of environmental disaster and the end of civilization.

"A barn-burning, page-turner from the depths of the secret worlds of hellish evil..." --Flea of the Red Hot Chili Peppers Catacombs of Terror! is a noir crime thriller set in Bath, England, in which private investigator Martin Valpolicella receives a tip that he will soon be framed for a future murder--that of his former lover--one that is set to take place in the catacombs buried beneath the city. Can he save the girl, and himself? A drug-fueled escapade takes place in the seedy subterranean of the countryside better known for hot springs and Jane Austen. Donwood has penned a breakneck tale that weaves through secret societies, underground tunnels, and a surreal cast of characters where nothing is as it seems except looming danger!

The talent behind Radiohead's iconic artwork reveals in his own words and for the first time the creative process that has driven his career and earned him a cult reputation.A restless and prolific figure, Stanley Donwood is widely regarded as one of the most important visual artists of his generation. His influential work for Radiohead spans many practices and ever-evolving aesthetics over a 23-year period, from music packaging to installations to print-making. Here, for the very first time, he reveals his personal notebooks, photographs, sketches and abandoned routes to iconic Radiohead artworks. Arranged chronologically, chapters are each dedicated to a major work - be it an album cover, promotional piece or a personal project - presented as a step-by-step working case study, from speculative ideas and sketches right through to Photoshop experiments and the finished piece. Accompanying narratives by Donwood explain the inspirations and stories behind his creative process and what it is like to work with the band, told with his typical razor-sharp humour and generosity of spirit. Featuring a treasury of archive material, this is the first deep dive into Donwood's creative practice and the artistic freedom afforded to him by working for a major music act. There Will Be No Quiet is essential reading, and viewing, for fans of the band and anyone interested in the explosive mix of artistic accident, musical ingenuity and creative originality.

Adam Rickwood

A book of stories by Stanley Donwood, Radiohead's long-time artist and collaborator.

A Collection of Miserable Stories

Slowly Downward

Stanley Donwood says of a selection of stories contained in Household Worms that were inspired by drinking red wine alone at night: 'These were written to avoid staring for too long at a night-filled window that only reflected my own sorry-for-itself face. Perhaps I should try writing with white wine too. A lighter tone may emerge. Champagne would probably get me writing jokes for crackers. Never mind, never mind.' Donwood is best known as an artist, but this collection confirms his prowess as an equally talented writer of prose.

Stanley Donwood

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