Stephan Berg

Film Works

Julian Rosefeldt

Volker Adolphs

Katalog zur Ausstellung im Kunstmuseum Bonn 2018

Der Flaneur. Vom Impressionismus bis zur Gegenwart

Renate Wiehager

Martin Engler

Manuel Franke

Colormaster features the latest industrial found-object sculptures by French conceptual artist Manuel Franke (born 1938). Texts by the artist and German scholars reflect on a number of Franke's interventions--in subway stations, the autobahn, a rococo building--and offer a general discussion of site-specific art since the 1960s.

Colormaster

Ingrid Calame, Mathilde ter Heijne, Jörg Wagner

Zeit- und Raumstrukturen in der phantastischen Literatur des 20. Jahrhunderts

Schlimme Zeiten, böse Räume

David Reed

Katy Siegel

Even more seductive than the title of this book are Reeds unique pictorial inventions combine the precise color application of Minimalism with the swirling gesturism of Abstract Expressionism and the magical light of Baroque painting to create an adventurous, multilayered, dense and complexely interlocking ornamentation. Viewing his paintings, often executed in extremely elongated formats (hence this unique landscape book size) is like a cinemaScope experience that opens undreamt-of vistas and horizons. This catalogue to accompany the noted exhibitions, co-designed by the artist, and translates Reeds preoccupation with the film mediun into book form.

you look good in blue

Mitch Epstein

Christoph Schreier

Mitch Epstein (born 1952) is among America's finest contemporary photographers. Two of the most powerful series upon which his reputation rests are Recreation(1973-1988) and American Power(2003), sequences that attempt to make fundamental statements about the U.S. by scrutinizing how its citizens spend their leisure and how its energy industry operates. This publication examines the development of Epstein's work through the example of these two very different series. Recreationexemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where American Powercritiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil refineries dominate the picture frame, riding roughshod over all rules of proportion and dwarfing anything in their vicinity. Here, in 80 color images selected from these series, Epstein's development is traced, from major protagonist of the American color photography boom to leading commentator on the state of the nation.

state of the union

Stephan Berg

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