Stephan Füssel

Giambattista Bodoni

This complete reprint of Giambattista Bodoni's Manuale tipografico revives one of history's greatest typographical achievements. With 142 sets of roman and italic typefaces, it offers an unrivalled overview of the uniform design, neatness, good taste, and charm, that set the standard for type thereafter, as well as the origins of the still much-...

Giambattista Bodoni. Manual of Typography

Hans Joachim Kreutzer

Text des Druckes von 1587 ; mit den Zusatztexten der Wolfenbütteler Handschrift und der zeitgenössischen Drucke

Historia von D. Johann Fausten

Julian Jarosch

Matthias Schlesewsky

Franziska Kretzschmar

Font Matters: Efficient Adaptation to Monospaced Vs. Proportional Fonts is Accompanied by Effect-size Differences for Word Frequency and Predictability

Schedel. Chronicle of the World - 1493

From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the 'black art' right across Europe in a mere 40 years. Stephan Füssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution. In separate chapters Füssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally Stephan Füssel traces the modern resonances of Gutenberg's invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as Füssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated.

Gutenberg and the Impact of Printing

Giambattista Bodoni. Il manuale tipografico completo

The origin of the ubiquitous typeface Celebrated printer and type designer Giambattista Bodoni set the standard for printing the alphabet with his Manuale Tipografico (1818). The two-volume set—published posthumously in a limited edition of 250—features 142 sets of roman and italic typefaces, a wide selection of borders, ornaments, symbols, and flowers, as well as Greek, Hebrew, Russian, Arabic, Phoenician, Armenian, Coptic, and Tibetan alphabets. Official printer for the Duke of Parma, Bodoni (1740-1813) declared that well-designed type derived its beauty from four principles: uniformity of design, sharpness and neatness, good taste, and charm. His typefaces display an unprecedented degree of technical refinement, and epitomize purity and grace. The culmination of more than four decades of work, the Manuale Tipografico represents one of history's greatest typographical achievements. The Bodoni typeface is still widely used even today, both in digital media and in print, and TASCHEN's meticulous reprint of Bodoni's masterwork gives readers a rare opportunity to explore the origins of the Bodoni typeface and learn about its creator.

Handbuch Der Typografie

Discover the amazing tales of the knight Theuerdank, alter ego of Emperor Maximilian I, in the last great epic verse of the Middle Ages, using the power of innovative printed media to increase the prestige of his dynasty, the House of Habsburg. Inspired by an extremely rare and hand-colored original from the Bayerische Staatsbibliothek, this edition combines all 118 gold-adorned woodcuts with revelatory essays, fascimiles, and a chapter-by-chapter retelling of the tales in modern vernacular.

Theuerdank. the Epic of the Last Knight

Ernst Fischer

Publishers and the book trade between hyperinflation and world economic crisis, between the founding of the Republic and creeping loss of democracy -- volume 2 of "Geschichte des deutschen Buchhandels im 19. und 20. Jahrhundert" (The History of the German Book Trade in the 19th and 20th Century) portrays a vivid picture of the book trade in eventful times. The first part-volume provides insight into the drastic political and economic conditions, into the author's predicament and the altered structure of the readership. Further topics stem from developments in the book trade, above all against the backdrop of the fiercely debated "book crisis", triggered by media competition with radio, film, illustrated magazines and newspapers. Aspects of production technology and book design as well as themes central to publishing such as academic publishers, are also dealt with. Supported by illustrations, tables and statistics, this presentation reconstructs a dynamic chapter in the history of the German book trade.

Stephan Füssel

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