Stéphane Symons

More Than Life: Georg Simmel and Walter Benjamin on Art is the first book to trace the philosophical relation between Georg Simmel and his one-time student Walter Benjamin, two of the most influential German thinkers of the twentieth century. Reading Simmel’s work, particularly his essays on Michelangelo, Rembrandt, and Rodin, alongside Benjamin’s concept of Unscheinbarkeit (inconspicuousness) and his writings on Charlie Chaplin, More Than Life demonstrates that both Simmel and Benjamin conceive of art as the creation of something entirely new rather than as a mimetic reproduction of a given. The two thinkers diverge in that Simmel emphasizes the presence of a continuous movement of life, whereas Benjamin highlights the priority of discontinuous, interruptive moments. With the aim of further elucidating Simmel and Benjamin’s ideas on art, Stéphane Symons presents a number of in-depth analyses of specific artworks that were not discussed by these authors. Through an insightful examination of both the conceptual affinities and the philosophical differences between Simmel and Benjamin , Symons reconstructs a crucial episode in twentieth-century debates on art and aesthetics.

Georg Simmel and Walter Benjamin on Art

More Than Life

In Walter Benjamin. Presence of Mind, Failure to Comprehend Stéphane Symons offers an innovative reading of the work of German philosopher, essayist and literary critic Walter Benjamin (1892-1940) that characterizes his writings as "neither a-theological, nor immediately theological."

Presence of Mind, Failure to Comprehend

Walter Benjamin

Rajesh Heynickx

In So What’s New about Scholasticism? thirteen international scholars gauge the extraordinary impact of a religiously inspired conceptual framework in a modern society. The essays that are brought together in this volume reveal that Neo-Thomism became part of contingent social contexts and varying intellectual domains. Rather than an ecclesiastic project of like-minded believers, Neo-Thomism was put into place as a source of inspiration for various concepts of modernization and progress. This volume reconstructs how Neo-Thomism sought to resolve disparities, annul contradictions and reconcile incongruent, new developments. It asks the question why Neo-Thomist ideas and arguments were put into play and how they were transferred across various scientific disciplines and artistic media, growing into one of the most influential master-narratives of the twentieth century. Edward Baring, Dries Bosschaert, James Chappel, Adi Efal-Lautenschläger, Rajesh Heynickx, Sigrid Leyssen, Christopher Morrissey, Annette Mülberger, Jaume Navarro, Herman Paul, Karim Schelkens, Wim Weymans and John Carter Wood reconstruct a bewildering, yet decipherable thought-structure that has left a deep mark on twentieth century politics, philosophy, science and religion.

How Neo-Thomism Helped Shape the Twentieth Century

So What's New About Scholasticism?

Willem Styfhals

Presents a historical and philosophical overview of the twentieth-century German debates on secularization and their significance for contemporary discussions about the relationship between theology and modernity. While the concept of secularization is traditionally used to define the nature of modern culture, and sometimes to uncover the theological origins of secular modernity, its validity is being questioned ever more radically today. Genealogies of the Secular returns to the historical, intellectual, and philosophical roots of this concept in the twentieth-century German debates on religion and modernity, and presents a wide range of strategies that German thinkers have applied to apprehend the connection between religion and secularism. In fundamentally heterogeneous ways, these strategies all developed “genealogies of the secular” by tracing modern phenomena back to their religious or theological roots. This book aims to disclose the complex prehistory of the contemporary debates on political theology and postsecularism, and to show how prominent thinkers continue this German tradition today. It explores and assesses the classic theories of secularization that are epitomized in Carl Schmitt’s writings on political theology, but also addresses German philosophers whose work has been rarely associated with secularization, including Walter Benjamin, Ernst Cassirer, Martin Heidegger, Immanuel Kant, and Hannah Arendt. Attention is also paid to two thinkers whose role in these discourses has not been fully explored yet: Jacob Taubes and Jan Assmann. By introducing their thinking on religion, politics, and secularization, the book also makes two of their own key texts available to an English-language readership. Willem Styfhals is a postdoctoral fellow at the Institute of Philosophy, KU Leuven. Stéphane Symons is Associate Professor at the Institute of Philosophy, KU Leuven.

The Making of Modern German Thought

Genealogies of the Secular

Colby Dickinson

In the Arcades Project, Walter Benjamin writes that his work is “related to theology as blotting pad is related to ink. It is saturated with it.” For a thinker so decisive to critical literary, cultural, political, and aesthetic writings over the past half-century, Benjamin’s relationship to theological matters has been less observed than it should, even despite a variety of attempts over the last four decades to illuminate the theological elements latent within his eclectic and occasional writings. Such attempts, though undeniably crucial to comprehending his thought, remain in need of deepened systematic analysis. In bringing together some of the most renowned experts from both sides of the Atlantic, Walter Benjamin and Theology seeks to establish a new site from which to address both the issue of Benjamin’s relationship with theology and all the crucial aspects that Benjamin himself grappled with when addressing the field and operations of theological inquiry.

Walter Benjamin and Theology

In The Marriage of Aesthetics and Ethics, fifteen authors reflect on the nature of friendship and love and on the complex relation between art and morality.

Stéphane Symons

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