Stephanie C. Leone

"In this first-ever comprehensive book on the architecture of the Palazzo Pamphilj, Stephanie Leone identifies the construction of this palace, built for Pope Innocent X Pamphilj (1644-55) and his sister-inlaw, Donna Olimpia Maidalchini, as the catalyst for the renovation of Piazza Navona. Previously, misconceptions had hindered an accurate understanding of the palace's history, architecture, patronage, and urbanism and of its place in architectural history." "Based on extensive archival research, an analysis of the architectural drawings, and an examination of the building fabric, Leone presents a fundamentally revised building history that hinges on architectural collaboration between the patrons, architects, and architectural adviser. She explores the relationship between residential architecture and social identity to show that Innocent X sought to insert the Pamphilj physically and metaphorically into the heart of the city as a means of communicating his family's preeminent position in the competitive world of papal Rome." "In analyzing the Pamphilj's residence in Piazza Navona over the course of two centuries, Leone argues that the Palazzo Pamphilj and its owners were both protagonists and products of their environs. As retold in this book, the story of the Palazzo Pamphilj in Piazza Navona rests at the core of architecture and urbanism in mid-seventeenthcentury Rome."--BOOK JACKET.

Constructing Identity in Early Modern Rome

The Palazzo Pamphilj in Piazza Navona

Margaret L. Laird

Elizabeth Fentress

Caroline J. Goodson

The abbey of San Sebastiano, which lies not far from the town of Alatri in Southern Lazio, preserves within its walls almost fifteen hundred years of history. This history is unusually bound to a number of important figures, from Saint Benedict to Pope Nicholas V and his circle of humanists. For the past four years a small team has been investigating the standing structures of the abbey, analyzing the stratigraphy of the standing walls and tracing the various phases through the building.The study has produced some startling discoveries: the plan and preserved walls of one of the oldest monasteries in Europe, and one of the earliest Renaissance villas. The book gives an account of the architecture and the history of the building, showing how each phase relates to the last both structurally and thematically. The project was initiated at the American Academy in Rome, where Elizabeth Fentress was Andrew Mellon Professor, and Caroline Goodson, Margaret L. Laird and Stephanie C. Leone were Fellows. Margaret Laird and Stephanie Leone are now assistant professors at the University of Washington, Seattle and at Boston College. Other contributors include Caroline Bruzelius, Professor of the History of Art at Duke University, Antonio Manfredi, Vatican Library, Serena Romano, Professor of the History of Art at the University of Lausanne, Marco Rossi, director of the Museum of Alatri, and Ingrid Rowland, Andrew Mellon Professor at the American Academy in Rome.

Stephanie C. Leone

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