Stephanie LaCava

It's Girl Interrupted meets Miranda July—with a touch of Joan Didion—in this captivating collection of original essays revolving around a young American girl's coming of age in Paris. As an adolescent in a foreign country, Stephanie LaCava found an unconventional way to deal with her social awkwardness and feelings of uncertainty about the future by taking solace from the strange and beautiful objects she came across in her daily life. Filled with beautiful illustrations and providing a retrospective of nineties fashion and culture, An Extraordinary Theory of Objects: A Memoir of an Outsider in Paris is sure to be a collector's item for Francophiles or anyone who has ever found security in the strangest of places.

A Memoir of an Outsider in Paris

An Extraordinary Theory of Objects

A thriller examining violence, through its subversion, and a singular love story Not yet thirty, Bathory has assembled a peculiar résumé: model, sex worker, linguist, Latin scholar, and assassin. The last of these has been the family trade for generations. Growing up, Bathory, her mother, and her father made an isolated, strange, and loving — if very unusual — family unit. Her lonely childhood games mimicked spycraft and wet-work, while her parents watched and shared their arcane theories about love and death. As a student in New York, her life changes on accepting a job at a dilapidated card shop in Manhattan. This is a front for an agency that allows her to put her inherited skills to use while pursuing romance in the city. However, steering clear of attachment is as dangerous as anything else she does and means sidestepping a certain alluring figure from her father’s past. She is equally intent on dying young, a less difficult proposition given her heritage, the company she keeps — call girls, conflicted cops, trustfund hoodlums — and the people pursuing her. Will Bathory escape both fate and family, or does satisfaction and salvation lie only in their embrace?

A Novel

Nymph

Margot is the child of renowned musicians and the product of a particularly punky upbringing. Burnt-out from the burden of expectation and the bad end of the worst relationship yet, she leaves New York and heads to Montana. She's seeking to escape both the eyes of the world and the echoing voice of that last bad man. But a chance encounter with a dubious doctor in a graveyard, and the discovery of a dozen old film reels, opens the door to a study of both the peculiarities of her body and the absurdities of her famous family. A literary take on cinema du corps, Stephanie LaCava's new novel is an audaciously sexy and moving exploration of culture and connections, bodies and breakdowns.

Stephanie LaCava

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