Stephanie Wiles

Christine Nelson

Robert Parks

Lori Gilbert

From Jackson to Lincoln includes color reproductions of important nineteenth-century political and cultural documents with expert commentary. Represented are major examples of political and literary autograph manuscripts, drawings, photographs, broadsides, and other ephemera from the formative years of the United States.

Democracy and Dissent

From Jackson to Lincoln

Myra Nan Rosenfeld

Cara D. Denison

The response to Rome by eighteenth-century Italian, French, and British artists is the subject of this beautifully illustrated, large-format book. The focal point is a group of approximately 40 drawings and prints by Giovanni Battista Piranesi (1720-1778), whose dramatic and often fanciful views of Rome helped to create and spread a new vision of antiquity. Most of the works illustrated are drawn from the collections of the Canadian Centre for Architecture and the Pierpont Morgan Library, whose holdings of Piranesi drawings is the largest in the world. The works encompass the full scope of Piranesi's activities as architect, antiquarian, and designer. Works by Pannini, Fragonard, Robert Adam, Filippo Juvarra, Hubert Robert, Jean-Laurent Legeay, Charles de Wailly, and other eighteenth-century artists who drew inspiration from Roman art, architecture, and the surrounding countryside during this period are also included. In addition to texts by the three main authors, there are essays by John Wilton-Ely and Elisabeth Kieven, and entries by Henry Millon, Christine Challingsworth, Ruth S. Kraemer, and Jean de Cayeux.

Piranesi and His Contemporaries

Exploring Rome

Vincent Katz

Jim Dine

Allen Memorial Art Museum

This book of 85 drawings by Jim Dine illustrates the range and mastery of the artist's draftsmanship over more than four decades. The variety and breadth of the selection shows the intense way Dine observes the world around him and the excitement with which he records it on paper. Dine has said that his ability to draw is both a privilege and the result of hard physical training, compelling him to move inexorably forward to capture the next idea or the next psychological insight in drawings that are extraordinarily human. The selection includes early tool pencil drawings and collages, as well as powerful portrait and figure studies in a variety of media. Also included are large painterly pastels executed with a bravura that places them somewhere between painting and drawing. Dine sees his paintings and drawings as essentially conceived and developed in the same way--requiring the same amount of time, emotion and physicality of medium. The only difference, in the end, is that the drawings are on paper.

Matthew Savoca

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