Christopher Lloyd

Ann Dumas

William H. Robinson

Émilia Philippot

Stephen Coppel

Emmanuelle Hincelin

Johan Popelard

Violette Andres

Picasso's artistic output is astonishing in its ambition and variety. Picasso and Paper examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional "constructions," made of cardboard, paper and string. Sometimes his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were in short supply, he ripped up paper tablecloths to make works of art. And of course his works on paper comprise the preparatory stages of some of his very greatest paintings. With reproductions of nearly 400 works of art and a series of insightful new texts by leading authorities on the artist, this sumptuous study reveals the myriad ways in which Picasso explored the potential of paper at different stages of his career. Picasso and Paper is published for an exhibition organized by the Royal Academy of Arts, London, and the Cleveland Museum of Art in partnership with the Musée national Picasso-Paris. The legendary life and career of Pablo Picasso (1881-1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions.

Picasso and Paper

Clifford S. Ackley

Rhythms of Modern Life 1914-1939

British Prints from the Machine Age

Hayward Gallery

National Touring Exhibitions

A history of printmaking in Paris in the first half of the twentieth century.

Picasso and Printmaking in Paris

Catherine Daunt

Susan Tallman

The American Dream: From Pop to present' presents an overview of the development of American printmaking since 1960, paying particular attention to key figures such as Jasper Johns, Robert Rauschenberg and Andy Warhol. The 1960s was a period of change in the production, marketing and consumption of prints and the medium attracted a new generation of artists whose attitude towards making art had been conditioned by the monumentality and bold, eye-catching nature of popular imagery in postwar America, from advertising billboards to drive-in movies. Artists used to working on large canvases and huge sculptures created prints of an unprecedented ambition, scale and boldness in state-of-the-art workshops newly established on both the East and West coasts. Prints also became a means for expressing opinions on the great social issues of the day, from civil rights to the overt and covert role of government. This has continued, with feminism, gender, the body, race and identity, all topics represented in prints in a variety of stylistic approaches across the decades. 0The changing nature of American society provides a core element of the narrative, with prints offering a fascinating insight into contemporary thinking and attitudes. 0Exhibition: British Museum, London, UK (09.03.-18.06.2017).

Pop to Present

The American Dream

Jerzy Kierkuc-Bielinski

Anthony Griffiths

Outside the United States, the British Museum has the most comprehensive collection of American prints of the first half of the twentieth century. American Prints from Hopper to Pollock reproduces 147 outstanding prints by 74 leading American artists, including George Bellows, Edward Hopper, Grant Wood, Josef Albers, Alexander Calder, Louise Bourgeois and Jackson Pollock, providing an overview of American printmaking before the rise of the big print workshops of the 1960s and 1970s. The first half of the 20th century was a period of great change in America, and this publication examines American society and culture through the prints produced by some of the most important artists of the time. It opens with John Sloan's Ashcan School etchings in the 1900s and concludes with Jackson Pollock and the triumph of Abstract Expressionism in the 1950s. Many of the images in the intervening period explore the changing urban landscape of New York, the onset of the Depression, the romanticized visions of the American heartlands by the Regionalists, and the response to the rise of Fascism in Europe and America's entry into the Second World War. With its compelling illustrations and illuminating text, this is a book that raises the profile of American printmaking at a dynamic time in America's history. With 162 illustrations

American Prints from Hopper to Pollock

Stephen Coppel

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