Penelope Curtis

Christopher Townsend

Stephen Feeke

Nicholas Pope

Adriaan van Ravesteijn

Andrew Sabin

Throughout his varied career, Nicholas Pope's multivalent sculpture has explored the inherent physical qualities of the materials that he shapes and carves. From his earlier art to his more recent exploration with abstraction, this lavishly produced title presents a substantial overview of the artist's work.British artist Nicholas Pope was best known in the 1970s and early 1980s for his large-scale sculptures made of wood, metal, stone, sheet lead or chalk.Following his 1980 exhibition representing Britain at the Venice Biennale, Pope was awarded a Cultural Visitor grant to Zimbabwe and Tanzania; an experience that affected the rest of his life and twisted his artistic practice completely.In a move towards softer, more malleable materials such as glass, porcelain, texture, moulded aluminium and ceramics, Pope began to make abstract works that reference complicated themes of religion, suicide and society.The first comprehensive monograph on the artist, this publication features over 75 colour illustrations alongside an introduction to the artist by Penelope Curtis, an analysis of the work's religious themes by Christopher Townsend and Andrew Sabin's exploration of Pope's recent work.

Alastair Sooke

In 1991, when Anthony Caro's (1924-2013), Sea Music was officially launched by Lord Palumbo, completion of Antony Gormley's, Angel of the North was seven years away. Sea Music may be seen as a forerunner of this and other iconic public sculptural projects.However, only thanks to the extraordinary generosity and determination of a group of committed individuals and organisations did this major site-specific work by one of the greatest sculptors of the late twentieth century find its way onto the quayside in the town of Poole on the South coast of England.The fascinating story of how this happened is told here in Alastair Sooke's illuminating essay, and recalled by Caro himself in a previously unpublished note written in 1991.The reason for publishing this book now is that, after over 25 years of standing up to Poole's harsh maritime climate, Sea Music has been conserved and repainted and is being justly celebrated through a programme of art and heritage activities.This catalogue celebrates the restoration of Caro's, Sea Music sculpture in Poole (revealed in spring 2017), and is also published to coincide with an exhibition of the artist's, Concerto Series at Poole Museum (13 May - 15 October 2017).

Stephen Feeke

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