Stephen Gilman

Benito Perez Galdos (1843-1920) was one of Spain's outstanding novelists and the author of two vast cycles of novels and a number of plays. In this critical study of Galdos in English, Stephen Gilman relates the writer and his work to the nineteenth century novel as a genre and traces his artistic growth during a twenty-year period, from his initial historical fable, La Fontana de Oro, to his masterpiece, Fortunata y Jacinta. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

1867-1887

Galdos and the Art of the European Novel

As a major piece of historical detective work. Stephen Gilman's "La Celestina" and the Spain of Fernando de Rojas adds a new dimension to critical studies of the fifteenth-century masterpiece. Using the text of La Celestina as well as public and private archives in Spain, Mr. Oilman builds up a vivid sense of the man behind the dialogue and establishes Fernando de Rojas indisputably as its author--a figure whom critics, while ranking his novel second only to Don Quixote, have treated as semi-anonymous or non-existent. We cannot really know what the Celestina is, says Mr. Oilman, without speculating as rigorously and as learnedly as possible both on how it came to be and on how it could come to be. Thus he reconstructs the world of Rojas, country lawyer and converso, the social, religious, and intellectual milieu of Salamanca, of Spain during the Inquisition, of the converted Jew. He makes it possible for us to see the author--the law student writing feverishly during a fortnight's vacation from classes--in the context of his own times and thus to understand Rojas' achievement: his unconventionality; his sardonic judgment of the Spain in which he lived; the explosive originality, in fact, of La Celestina. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Intellectual and Social Landscape of "La Celestina"

Spain of Fernando de Rojas

The Art of La Celestina

As a major piece of historical detective work. Stephen Gilman's "La Celestina" and the Spain of Fernando de Rojas adds a new dimension to critical studies of the fifteenth-century masterpiece. Using the text of La Celestina as well as public and private archives in Spain, Mr. Oilman builds up a vivid sense of the man behind the dialogue and establishes Fernando de Rojas indisputably as its author—a figure whom critics, while ranking his novel second only to Don Quixote, have treated as semi-anonymous or non-existent. We cannot really know what the Celestina is, says Mr. Oilman, without speculating as rigorously and as learnedly as possible both on how it came to be and on how it could come to be. Thus he reconstructs the world of Rojas, country lawyer and converso, the social, religious, and intellectual milieu of Salamanca, of Spain during the Inquisition, of the converted Jew. He makes it possible for us to see the author—the law student writing feverishly during a fortnight's vacation from classes—in the context of his own times and thus to understand Rojas' achievement: his unconventionality; his sardonic judgment of the Spain in which he lived; the explosive originality, in fact, of La Celestina. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Intellectual and Social Landscape of La Celestina

Louis J. Budd

Tom Quirk

John C. Gerber

Nancy A. Walker

Jay Martin

Millicent Bell

Stanley Brodwin

George C. Carrington (Jr.)

James Melville Cox

Victor Doyno

Allison R. Ensor

Jan B. Gordon

Hamlin Lewis Hill

William E. Lenz

Fritz Oehlschlaeger

Roy Harvey Pearce

Robert Regan

David R. Sewell

Robert Shulman

Eric Solomon

Jeffrey Steinbrink

Twenty-five essays written by a group of scholars which reassesses the status of Twain's Huckleberry Finn in American literature and in contemporary American culture, reevaluating past scholarship and exploring new directions. A biography of the book's first hundred years (in 1985).

The Boy, His Book, and American Culture : Centennial Essays

One Hundred Years of Huckleberry Finn

Stephen Gilman

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