Stephen Mulhall

Rev. ed. of: Routledge philosophy guidebook to Heidegger and Being and time.

The Routledge Guidebook to Heidegger's Being and Time

Heidegger is one of the most controversial thinkers of the twentieth century. A difficult and powerful philosopher, his work requires careful reading. Being and Time was his first major book and remains his most influential work. Heidegger and Being and Time introduces and assesses: Heidegger's life and the background of Being and Time; the ideas and text of Being and Time; Heidegger's importance to philosophy and to the intellectual life of this century. Ideal for anyone coming to Heidegger for the first time, this guide will be vital for all students of Heidegger in philosophy and cultural theory.

Routledge Philosophy GuideBook to Heidegger and Being and Time

Adam Swift

This is a substantially updated edition of the established guide to this key debate in modern political philosophy.

Liberals and Communitarians

Professor of Philosophy and Russell H Carpenter Fellow in Philosophy Stephen Mulhall

J. M. Coetzee's 'Jesus' Trilogy extends and intensifies his long-term interest in engaging with a wide range of texts, themes and assumptions that help constitute the history of Western European philosophy. In this commentary, Stephen Mulhall extends his own earlier work on Coetzee's previous stagings of the ancient quarrel between philosophy and literature by identifying and following out various ways in which the 'Jesus' Trilogy activates and interrogates themes drawn from Wittgenstein's later philosophy. These themes include rival conceptions of counting and reading, the relation between concepts and wider forms of life, and the intertwined fate of philosophy, literature and religion in a resolutely secular world. In these ways, Wittgenstein's, and so Coetzee's, visions of the world disclose their uncanny intimacy with issues and values central to the critique of modernity elaborated in the work of Nietzsche, Heidegger, and Sartre.

Transpositions of Philosophy in J. M. Coetzee's 'Jesus' Trilogy

In Other Words

Although Heidegger's writings are not extensively concerned with the analysis of political concepts or with advocating particular arrangements of political institutions, his basic way of understanding the human relation to the world accords a constitutive significance to its social, cultural and historical dimensions. There is thus a political aspect to his thinking about every philosophical matter to which he turns his attention. This collection of essays is designed to identify, contextualize and critically evaluate the main phases of his intellectual development from that perspective.

Martin Heidegger

Did post-Enlightenment philosophers reject the idea of original sin and hence the view that life is a quest for redemption from it? In Philosophical Myths of the Fall, Stephen Mulhall identifies and evaluates a surprising ethical-religious dimension in the work of three highly influential philosophers--Nietzsche, Heidegger, and Wittgenstein. He asks: Is the Christian idea of humanity as structurally flawed something that these three thinkers aim simply to criticize? Or do they, rather, end up by reproducing secular variants of the same mythology? Mulhall argues that each, in different ways, develops a conception of human beings as in need of redemption: in their work, we appear to be not so much capable of or prone to error and fantasy, but instead structurally perverse, living in untruth. In this respect, their work is more closely aligned to the Christian perspective than to the mainstream of the Enlightenment. However, all three thinkers explicitly reject any religious understanding of human perversity; indeed, they regard the very understanding of human beings as originally sinful as central to that from which we must be redeemed. And yet each also reproduces central elements of that understanding in his own thinking; each recounts his own myth of our Fall, and holds out his own image of redemption. The book concludes by asking whether this indebtedness to religion brings these philosophers' thinking closer to, or instead forces it further away from, the truth of the human condition.

Philosophical Myths of the Fall

In this significantly expanded new edition of his acclaimed exploration of the four Alien movies, Stephen Mulhall adds several new chapters on Steven Spielberg’s Mission: Impossible trilogy and Minority Report. The first part of the book discusses the four Alien movies. Mulhall argues that the sexual significance of the aliens themselves, and of Ripley’s resistance to them, takes us deep into the question of what it is to be human. At the heart of the book is a highly original and controversial argument that films themselves can philosophize. Mulhall then applies his interpretative model to another sequence of contemporary Hollywood movies: the Mission: Impossible series. A brand new chapter is devoted to each of the three films in the series, and to other films by the relevant directors that cast light on their individual contribution to it. In this discussion, the nature of television becomes as central a concern as the nature of cinema; and the shift in generic focus from science fiction to thriller also makes room for a detailed reading of Spielberg’s Minority Report. On Film, Second Edition is essential reading for anyone interested in philosophy, film theory and cultural studies, and in the way philosophy can enrich our understanding of cinema.

On Film

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Heidegger ve 'Varlık ve Zaman'

Stephen Mulhall presents a series of multiply interrelated essays which together make up an original study of selfhood (subjectivity or personal identity). He explores a variety of articulations (in philosophy, psychoanalysis, and the arts) of the idea that selfhood is best conceived as a matter of non-self-identity—for example, as becoming or self-overcoming, or as being what one is not and not being what one is, or as being doubled or divided. Philosophically, a sustained reading of the work of Nietzsche and Sartre is central to this project, although Wittgenstein is also fundamental to its concerns; Mulhall therefore draws extensively on texts usually associated with 'Continental' philosophical traditions, primarily in order to test the feasibility of a non-elitist form of moral perfectionism. Within the arts, several essays examine various films whose themes intersect with those of the philosophers under study (including Hollywood melodramas, recent spy movies such as the Bourne trilogy and the latest incarnation of James Bond, and David Fincher's 'Benjamin Button'); Wagner's Ring cycle is a recurrent concern; and the novels of Kingsley Amis, J. M. Coetzee and David Foster Wallace are also prominent.

A Book of Essays on Individuality as Negation in Philosophy and the Arts

The Self and its Shadows

Wittgenstein's private language

Inheritance and Originality is an innovative study of Wittgenstein, Heidegger, and Kierkegaard which argues that they find themselves unable simply to inherit the prevailing conventions definitive of philosophy. By placing these conventions in question, they reconceive the form of philosophical writing, and of philosophy itself, together with prevailing notions of language, scepticism, morality, and the self; and in so doing, they confront certain fundamentally theological preoccupations.

Wittgenstein, Heidegger, Kierkegaard

Inheritance and Originality

On Being in the World, first published in 1990, illumines a neglected but important area of Wittgenstein's philosophy, revealing its pertinence to the central concerns of contemporary analytic philosophy. The starting point is the idea of 'continuous aspect perception', which connects Wittgenstein's treatment of certain issues relating to aesthetics with fundamental questions in the philosophy of psychology. Professor Mulhall indicates parallels between Wittgenstein's interests and Heidegger's Being and Time, demonstrating that Wittgenstein's investigation of aspect perception is designed to cast light on much more than a bizarre type of visual experience: in reality, it highlights what is distinctively human about our behaviour in relation to things in the world, what it is that distinguishes our practical activity from that of automata. On Being in the World remains an invaluable resource for students of Wittgenstein's philosophy, as well as anyone interested in negotiating the division between analytic and continental philosophy.

Wittgenstein and Heidegger on Seeing Aspects

On Being in the World (Routledge Revivals)

What might it mean to think of philosophy as being in the condition of modernism -- in which its relation to its own past, and hence its sense of its own future, has become an undismissable problem? If philosophy's hitherto-defining conventions can neither be taken for granted nor rejected, they must be put in question -- which menans re-evealuating the relation between the form and content of philosophical writing, rethinking the demands that such writing must place on its readers, and reconceiving the nature of philosophy itself. Inheritance and Originality argues that the writings of Wittgenstein, Heidegger, and Kierkegaard are best understood as responsive (each in their own way) to such questions, and as driven in consequence to strikingly similar reconceptions of language, reason, and understanding, doubt and scepticism, morality, and the structure of selfhood. Through detailed re-readings of these authors' most influential texts, as attentive to their specificity as to their family resemblances, Stephen Mulhall reorients our sense of the philosophical work each text aims to accomplish, to engender a critical dialogue betweeen them from which the elements of a new conception of philosophy might emerge, and to uncover that conception's indebtedness to certain fundamental theological preoccupations.

Inheritance and Originality : Wittgenstein, Heidegger, Kierkegaard

Taking a work by J.M. Coetzee as an example, this volume explores the way both literature and philosophy seek - and fail - to represent reality. Stephen Mulhall examines Coetzee's 'Elizabeth Costello', which deals with the moral status of animals.

J. M. Coetzee and the Difficulty of Reality in Literature and Philosophy

The Wounded Animal

Stephen Mulhall offers a new way of interpreting one of the most famous and contested texts in modern philosophy: remarks on 'private language' in Wittgenstein's Philosophical Investigations. He sheds new light on a central controversy concerning Wittgenstein's early work by showing its relevance to a proper understanding of the later work.

Grammar, Nonsense, and Imagination in Philosophical Investigations, §§ 243-315

Wittgenstein's Private Language

The first edition of Stephen Mulhall's acclaimed On Film was a study of the four Alien films, and made the highly original and controversial argument that films themselves can philosophise. In its second edition, On Film increased its breadth and vision considerably to encompass films such as the Mission: Impossible series and Steven Spielberg's Minority Report. In this significantly expanded third edition Stephen Mulhall adds new chapters on the Jason Bourne films, the fourth Mission: Impossible movie, JJ Abrams' Star Trek and Star Trek: Into Darkness, and Ridley Scott's Prometheus (in which he returns to the Alien universe he created). In so doing, Mulhall reappraises in fascinating ways the central issues taken up in earlier editions of On Film: the genres of science fiction and thriller, the impact of digital as opposed to photographic modes of technology on the nature of cinema as a medium (and its relation to television), and the fate of sequeldom in mainstream contemporary cinema (with its emphasis on remakes, reboots and multi-media superhero franchises). On Film, third edition is essential reading for anyone interested in philosophy, film theory and cultural studies, and in the way philosophy can enrich our understanding of cinema.

The Self and its Shadows is a book of multiply interrelated essays which explores the study of selfhood (subjectivity or personal identity), and more specifically of a variety of articulations (in philosophy, psychoanalysis and the arts) of the idea that selfhood is best conceived as a matter of non-self-identity. Philosophically, a sustained reading of the work of Nietzsche and Sartre is central to this project, although Wittgenstein is also fundamentalto its concerns. Within the arts, several essays examine various films whose themes intersect with those of the philosophers under study (including Hollywood melodramas, recent spy movies such as the Bournetrilogy and the latest incarnation of James Bond, and David Fincher's 'Benjamin Button'); Wagner's Ring cycle is a recurrent concern; and the novels of Kingsley Amis, J. M.Coetzee and David Foster Wallace are also prominent.

Stephen Mulhall

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