Stephen Watt

Spit

This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George Bernard Shaw and his characters. While this study focuses on the protagonists of the five novels Shaw wrote in the late 1870s and early 1880s, it also explores how materialism, feeling, and emotion are linked throughout his entire canon. At the same time, it demonstrates how Shaw’s conceptions of human subjectivity parallel those of two of his contemporaries, Sigmund Freud and Georg Simmel. In particular, this book explores how theories of so-called 'marginal economics' influence fin de siècle thought about human psychology and the sociology of the modern metropolis, particularly London.

Shaw, Freud, Simmel

Bernard Shaw’s Fiction, Material Psychology, and Affect

Elaborate analogies between Irish and Jewish history, between Irish and Jewish subjectivities, occur with surprising frequency throughout American literature. They recall James Joyce's Leopold Bloom and episodes of Ulysses, Douglas Hyde's analogies during the Celtic Revival between learning Hebrew and learning Irish, and a myriad of claims of an unusual relationship between these peoples that goes beyond comparisons of their respective diasporic histories. But how does one describe this uncanny relationship, one often marked by hostility, affinity, and ambivalence, without essentializing people whose origins, class affiliation, educations, life experiences, and so on are enormously different? "Something Dreadful and Grand": American Literature and the Irish-Jewish Unconscious describes a complex allosemitism and allohibernianism through a variety of cultural texts with which immigrant Irish and Jewish Americans were most engaged: popular music of the Tin Pan Alley era, tenement literature from Anzia Yezierska and James T. Farrell through the posthumous publication of Henry Roth's An American Type, and proletarian and socialist-inflected drama by Elmer Rice, Clifford Odets, Eugene O'Neill, and Arthur Miller as they engaged the Irish drama of such writers as Bernard Shaw and Sean O'Casey. In an effort to trace both the genealogy and more recent trajectory of immigrant drama and fiction, chapters explore both the post-Famine melodramatic stage of the nineteenth century and a host of more contemporary texts from newer generations of immigrants. Throughout, the book argues for a "circum-North Atlantic" culture in which texts from Ireland, Britain, Irish America, and Jewish America contribute substantially to both a modern American literature and to understandings of the terms "Irish" and "Jewish." How can we really know what these terms mean as they delimit or erase totally the differences inherent to them? Borrowing a term from psychoanalytic and political theory, "Something Dreadful and Grand" explores the larger dimensions of this Irish-Jewish unconscious underlying cultural production in America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.

American Literature and The Irish-Jewish Unconscious

"Something Dreadful and Grand"

Keith O. Geddes

Bruce W. Char

Gaston H. Gonnet

Benton L. Leong

Michael B. Monagan

The design and implementation of the Maple system is an on-going project of the Symbolic Com putation Group at the University of Waterloo in Ontario, Canada. This manual corresponds with version V (roman numeral five) of the Maple system. The on-line help subsystem can be invoked from within a Maple session to view documentation on specific topics. In particular, the command ?updates points the user to documentation updates for each new version of Maple. The Maple project was first conceived in the autumn of 1980, growing out of discussions on the state of symbolic computation at the University of Waterloo. The authors wish to acknowledge many fruitful discussions with colleagues at the University of Waterloo, particularly Morven Gen tleman, Michael Malcolm, and Frank Tompa. It was recognized in these discussions that none ofthe locaIly-available systems for symbolic computation provided the facilities that should be expected for symbolic computation in modern computing environments. We concluded that since the basic design decisions for the then-current symbolic systems such as ALTRAN, CAMAL, REDUCE, and MACSYMA were based on 1960's computing technology, it would be wise to design a new system "from scratch". Thus we could take advantage of the software engineering technology which had become available in recent years, as well as drawing from the lessons of experience. Maple's basic features (elementary data structures, Input/output, arithmetic with numbers, and elementary simplification) are coded in a systems programming language for efficiency.

Maple V Library Reference Manual

Cary Nelson

In a series of stinging analyses, this book examines the current sorry state of higher education. The second half of the volume offers "alternative futures" for the academy, visions that involve academic organizations, public outreach through the internet, faculty unionization, and campus organizing. Office Hours is a roll-up-your-sleeves look at the avoidable disaster facing the modern university.

Activism and Change in the Academy

Office Hours

Jacques Carette

Lucas Dixon

Claudio Sacerdoti Coen

As computers and communications technology advance, greater opportunities arise for intelligent mathematical computation. While computer algebra, au- mated deduction and mathematical publishing each have long and successful histories, we are now seeing increasing opportunities for synergy among them. The Conferences on Intelligent Computer Mathematics (cicm 2009) is a c- lection of co-located meetings, allowing researchers and practitioners active in these related areas to share recent results and identify the next challenges. The speci?c areas of the cicm conferences and workshops are described below, but the unifying theme is the computerized handling of mathematical knowledge. The successful formalization of much of mathematics, as well as a better - derstanding of its internal structure, makes mathematical knowledge in many waysmore tractable than generalknowledge,as traditionally treatedin arti?cial intelligence. Similarly, we can also expect the problem of e?ectively using ma- ematical knowledge in automated ways to be much more tractable. This is the goal of the work in the cicm conferences and workshops. In the long view, so- ing the problems addressed by cicm is an important milestone in formulating the next generation of mathematical software.

16th Symposium, Calculemus 2009, 8th International Conference, MKM 2009, Grand Bend, Canada, July 6-12, 2009, Proceedings

Intelligent Computer Mathematics

Caitlin G. Watt

Each John Wick film has earned more money and recognition than its predecessor, defying the conventional wisdom about the box office's action movie landscape, normally dominated by superhero movies and science fiction epics. As The Worlds of John Wick explores, the worldbuilding of John Wick offers thrills that you simply can't find anywhere else. The franchise's plot combines familiar elements of the revenge thriller and crime film with seamlessly coordinated action. One of its most distinctive appeals, however, is the detailed and multifaceted fictional world—or rather, worlds—it constructs. The contributors to this volume consider everything from fight sequences, action aesthetics, and stunts to grief, cinematic space and time, and gender performance to map these worlds and explore how their range and depth make John Wick a hit. A deep dive into this popular neo-noir franchise, The Worlds of John Wick celebrates and complicates the cult phenomenon that is John Wick.

The Year's Work at the Continental Hotel

The Worlds of John Wick

-- Stephen Watt is located in Bloomington, IN --Caitlin Watt is located in Clemson, SC -- The editors and contributors to this volume are from a wide range of disciplines to address all aspects of John Wick worldbuilding and are best for this work because they are responsible for the research at "The World(s) of John Wick" conference in November 2019. -- Whether you consider the John Wick film franchise to be full of instant cult classics or surprise hits, the movies are no doubt a nostalgic throwback to revenge-thrillers popularized in the 1970s while featuring the action impulses of Kung Fu flicks. The worldbuilding blows people away and has become an iconic site of fan culture. John Wick 4 is planned for May 2022. -- The Year's Work series is dedicated to the analysis of recent fan cultural phenomena. This book explores the idiosyncrasies of an action film franchise that has cultivated a passionate fanbase with an elaborate subculture. The series description states that suitable topics will most likely require a multidisciplinary and often coauthored approach. -- Target audience includes film buffs and fans of the John Wick film franchise.

The absence of drama in most considerations of the "post-modern condition," Stephen Watt argues, demands a renewed exploration of drama's relationships with late capitalist economy, post-Marxian politics, and commodity culture. But Postmodern/Drama asks a provocative question: Does an entity such as postmodern drama in fact exist? Scrutinizing the critical tendency to label texts or writers as "postmodern," and delineating what it might mean to "read" drama more "postmodernly," Watt demonstrates that playwrights such as Samuel Beckett, Cherri Moraga, Harold Pinter, David Rabe, Karen Finley, and others should not be labeled "postmodernist," but rather recognized as producers of texts that might be termed "post-modern." Watt demonstrates that reading contemporary drama in such a fashion means reading culture more broadly, and he charts the kinds of exploratory movements such reading demands. Rigorously interdisciplinary, Postmodern/Drama carefully articulates the margins among genres and media. The book also considers novels by Beckett, Italo Calvino, and Don DeLillo; films by George Huang and Robert Altman; and commentary on postmodernity by Jean Baudrillard and Fredric Jameson. In the end, the postmodernity of contemporary drama is shown as less a question of genre or media than of a certain mode of subjectivity shared and contested by playwrights, producers, and audiences. "A very readable and well constructed book. Watt's approach is exploratory and this is particularly impressive. His thesis is all the more convincing for his willingness to consider both sides of any given critical argument or approach." --Lois Oppenheim, Montclair State University Stephen Watt is Professor of English, Indiana University, Bloomington. He is the author of Joyce, O'Casey, and the Irish Popular Theater, and coeditor of Marketing Modernisms (with Kevin J. H. Detmar), American Drama: Colonial to Contemporary (with Gary L. Richardson), and When They Weren't Doing Shakespeare (with Judith L. Fisher).

Reading the Contemporary Stage

Postmodern/drama

Associate Dean for Strategic Initiatives Stephen Watt

Eileen M. Morgan

Shakir M. Mustafa

Based on essays originally presented at a symposium entitled "Nationalism and a national theatre: 100 years of Irish drama" convened at Indiana University, May 26-29, 1999.

Widening the Stage

A Century of Irish Drama

Adjunct Professor of Theatre and Drama Stephen Watt

Skip Willman

Edward P. Comentale

Shaken, not stirred--cultural critics look at the many faces of 007 and his creator.

Stephen Watt

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