Robin Landa

Steven Brower

Rose Gonnella

2D: Visual Basics for Designers features a concept-based approach that explores the fundamental elements, principles, and applications of two-dimensional design for print and screen-based media. This striking new book covers 2D applications in a variety of visual communications-from graphic design and advertising design to environmental design and illustration. Building a strong foundation in two-dimensional design, 2D: Visual Basics for Designers not only provides readers with essential content; it also teaches the conceptual and analytical skills designers must have to think visually, critically, and creatively.

Visual Basics for Designers

Honorable Mention in the Foreword Indie Awards 2016 For many design students, the expectation is that they will one day reach the top of the ladder within a design studio or corporation and become an art director. But what does this mean and how does a design student get there? What does an art director do? How is it different from being a designer? How does one lead and inspire a team, work with freelance designers, illustrators and photographers? Inside Art Direction answers all these questions for design students and professionals alike. Through interviews with 18 art directors working in a range of different industries from books and magazines to music and film to web and app design, students learn about how they got to where they are, what the art director's job really entails, and receive advice about the future of art direction. In the 28 case studies, illustrators, art directors and editors discuss specific assignments that they worked on, how they came up with ideas and the process of getting to the final result. With practical, hands-on advice, tips and art direction assignments that students can try out, Inside Art Direction provides insights about this fascinating field.

Inside Art Direction: Interviews and Case Studies

Jim Simon

Astounding, Mysterious, Weird and True: The Pulp Art of Comic Book Artists is the first-ever book about the pen and ink artists who worked in both pulps and comics, and what happened to them. This informative and entertaining volume offers an intriguing look at interior pulp illustrations created by artists who eventually gained greater fame in the world of comic books. Beginning in the 1930s and up through the 1970s, these artists contributed to both pulp magazines and comic books. For some, it was a period when their art first saw publication, for others it was a time when they published their works concurrently in both pop mediums. Eventually, as the popularity of pulps waned and comic books ascended, those artists who could deliver what the comic book audience wanted found steady work drawing for comic books while others transitioned to advertising or prestige magazines such as The Saturday Evening Post or disappeared from the publishing scene altogether. This book provides capsule-format information on the artists, their work, art studios and publishers that fueled the publication of comic books and pulp magazines. The artists on display here reads like a who's who of the comic book world. Filled with many illustrations! Some of the artists included: Dan Adkins - Murphy Anderson - Dick Ayers - Matt Baker - Dan Barry - C.C. Beck - Jack Binder - Peter Costanza - Stan Drake - Bill Draut - Elton Fax - Creig Flessel. - Dick Fletcher - Matt Fox - Kelly Freas - Dick Giordano - John Guinta - Jerry Iger - Jeffrey Jones - Jack Kirby - George Klein - Mort Meskin - Leo Morey - Gray Morrow - Norman Nodel - Irving Novick - Alex Raymond - Paul Reinman - Alex Schomburg - Syd Shores - Joe Simon - Wally Wood and many more...

The Pulp Art of Comic Book Artists

Astounding, Mysterious, Weird and True

"For many design students, the expectation is that they will one day reach the top of the ladder within a design studio or corporation and become an art director. But what does this mean and how does a design student get there? What does an art director do? How is it different from being a designer? How does one lead and inspire a team, work with freelance designers, illustrators and photographers? How do they sell this work to editors, department heads and clients? Becoming a Successful Art Director answers all these questions for design students and professionals alike. It is at once an illustrated art book, a handbook on how to be creative in this exciting work environment, and a guide to what to expect on entering the workplace. Giving practical, hands-on advice for both beginning and advanced students, It will provide a clear picture for graphic design and illustration students of how to work with art directors and the range of industries where an art director might be employed"--

Becoming a Successful Art Director

For many design students, the expectation is that they will one day reach the top of the ladder within a design studio or corporation and become an art director. But what does this mean and how does a design student get there? What does an art director do? How is it different from being a designer? How does one lead and inspire a team, work with freelance designers, illustrators and photographers? How do they sell this work to editors, department heads and clients? Becoming a Successful Art Director answers all these questions for design students and professionals alike. It is at once an illustrated art book, a handbook on how to be creative in this exciting work environment, and a guide to what to expect on entering the workplace. Giving practical, hands-on advice for both beginning and advanced students, It will provide a clear picture for graphic design and illustration students of how to work with art directors and the range of industries where an art director might be employed.

Nora Guthrie

Woody Guthrie Artworks

Woody Guthrie

Songwriter, poet, writer, political activist . . . and, perhaps most fundamental to his work but least known about Woody Guthrie, artist.

Art Works

From Shadow to Light: The Life and Art of Mort Meskin is a coffee table art book and critical biography of one of the twentieth century’s most influential comic book artists. Meskin’s career spanned both the Golden and Silver ages of comics, from the 1940s to the 1960s. His drawing, chiaroscuro technique, and storytelling are considered by connoisseurs of the form to be among the most sophisticated of his time. His passion for his artwork was equaled by his skill, and the quality of his overall oeuvre blurs the artificial distinction between high and low art. Yet he is known mostly among hard-core aficionados today, eclipsed by many of his peers, some of whom he profoundly influenced. Among Meskin’s fans and admirers are Jim Steranko, Joe Kubert, Alex Toth, Carmine Infantino, Steve Ditko, Jerry Robinson, and Jack Kirby. From Shadow to Light: The Life and Art of Mort Meskin will finally give this neglected artist the recognition he’s due.

Steven Brower

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