Sue Vice

This book is an important analysis of the significant impact of psychoanalytic theory on literature in the post-Freudian era.

A Reader

Psychoanalytic Criticism

This book examines a wide range of works written by and about child survivors and victims of the Holocaust. The writers analyzed range from Anne Frank and Saul Friedlander to Ida Fink and Louis Begley; topics covered include the Kindertransport experience, exile to Siberia, living in hiding, Jewish children masquerading as Christian, and ghetto diaries. Throughout, the argument is made that these texts use such similar techniques and structures that children's-eye views of the Holocaust constitute a discrete literary genre.

Children Writing the Holocaust

Malcolm Lowry Eighty Years On

Nina Schmidt

Irmela Marei Krüger-Fürhoff

Memory loss is not always viewed purely as a contingent neurobiological process present in an ageing population; rather, it is frequently related to larger societal issues and political debates. This edited volume examines how different media and genres – novels, auto/biographical writings, documentary as well as fictional films and graphic memoirs – represent dementia for the sake of critical explorations of memory, trauma and contested truths. In ten analytical chapters and one piece of graphic art, the contributors examine the ways in which what might seem to be the individual, ahistorical diseases of dementia are used in contemporary cultural texts to represent and respond to violent historical and political events – ranging from the Holocaust to postcolonial conditions – all of which can prove difficult to remember. Combining approaches from literary studies with insights from memory studies, trauma studies, anthropology, the critical medical humanities and media, film and comics studies, this volume explores the politics of dementia and incites new debates on cultures of remembrance, while remaining attentive to the lived reality of dementia.

Forgetting and Remembering the Violent Past in Literature, Film and Graphic Narratives

The Politics of Dementia

This title considers a wide range of 20th and 21st century literary works that feature literary deceptions and false memories and in which the relationship between text and author is not what it seems. By exploring a variety of examples of false or embellished memoirs, purportedly autobiographical novels that are in fact thoroughly fictional, as well as bogus authorial personae, it discusses whether it is possible to judge veracity by means of textual clues alone. It also argues that literary deceptions and false memoirs have particular cultural value and significance.

False Memoirs and Literary Hoaxes in the Contemporary Era

Textual Deceptions

Jenni Adams

The majority of books on Holocaust literature and film focus on its victims or survivors. Now available in paperback, the essays in this collection, written by established academics as well as newer voices, take the more unusual method of analyzing representations of the Holocaust perpetrators. In doing so, they explore what has until now held critics back from this topic, including moral and emotional distaste, the dangers of confusing understanding with exculpation, and the possibility of problematic identification. Acknowledging and moving beyond these concerns, the contributors instead develop a range of innovative approaches and conclusions, emphasizing the ethical and aesthetic challenges of representing evil and the ways in which these are negotiated by writers, filmmakers, and others. The ethics of such representation are explored by a series of cases studies, analyzing, for instance, how the Nazis and Nazism are shown in: German museums; in fiction, such as Jonathan Littell's The Kindly Ones and Muriel Spark's The Mandelbaum Gate; in films, including Downfall and Shoah; in ghetto diaries; and in the paintings of Francis Bacon. [Subject: Holocaust Studies, Literary Criticism, Film Studies, Jewish Studies]

Representing Perpetrators in Holocaust Literature and Film

This text presents a critical survey of a broad range of fictional representations of the Holocaust published over the last 20 years.

Holocaust Fiction

The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.

Introducing Bakhtin

Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are: * Time's Arrow by Martin Amis * The White Hotel by D.M. Thomas * The Painted Bird by Jerzy Kosinski * Schindler's List by Thomas Keneally * Sophie's Choice by William Styron * The Hand that Signed the Paper by Helen Darville. Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.

Sue Vice

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