Susan Boynton

Joseph T. Lienhard

William E. Klingshirn

Martin Chase

Carmela Vircillo Franklin

Studies in Ancient and Medieval History, Thought, and Religion

Traditio

This book shows the influence of medieval musical manuscripts on the articulation of national identity in Enlightenment Spain. For the eighteenth century Jesuit Andr?s Marcos Burriel (1719-1762) and his associate the calligrapher Francisco Palomares (1728-1796), the notation that preserved the music of the past was a central source in the study of history.

Medieval Song and the Construction of History in Eighteenth-Century Spain

Silent Music

Eric Rice

Eric N. Rice

"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.

Young Choristers, 650-1700

In this volume, specialists in literature, theology, liturgy, manuscript studies, and history introduce the medieval culture of the Bible in Western Christianity. Emphasizing the living quality of the text and the unique literary traditions that arose from it, they show the many ways in which the Bible was read, performed, recorded, and interpreted by various groups in medieval Europe. An initial orientation introduces the origins, components, and organization of medieval Bibles. Subsequent chapters address the use of the Bible in teaching and preaching, the production and purpose of Biblical manuscripts in religious life, early vernacular versions of the Bible, its influence on medieval historical accounts, the relationship between the Bible and monasticism, and instances of privileged and practical use, as well as the various forms the text took in different parts of Europe. The dedicated merging of disciplines, both within each chapter and overall in the book, enable readers to encounter the Bible in much the same way as it was once experienced: on multiple levels and registers, through different lenses and screens, and always personally and intimately.

Production, Reception, & Performance in Western Christianity

The Practice of the Bible in the Middle Ages

Isabelle Cochelin

At the heart of the various articles in this book are four customaries, compiled over the course of nearly a hundred years beginning at the end of the tenth century, that describe daily life and liturgy at the abbey of Cluny. Two principal objectives motivated the creation of the present volume of essays : first, to bring out the unequaled richness of these monastic customaries for scholars, primarily medievalists in all disciplines; and second, to facilitate the use of these sources, which can be challenging at first sight. Drawing upon the multiple disciplines needed to account for the full range of information presented by the customaries, the editors have brought together varied and complementary approaches to these multifaceted documents. Among the principal themes common to the studies in this volume are the genesis and transmission of the customaries, the relationship between texts and practice, and the evidence they offer for the function of monastic spaces as well as for the ritualization of communal life.

Les Coutumes Clunisiennes Au Moyen Âge

Du Cœur de la Nuit À la Fin Du Jour

Diane J. Reilly

Medieval art has most often been extracted from its audible ambience, denying us means to understand the way it would have been experienced in a sonic context. Although sound is probably the most difficult component of the past to reconstruct, it was also the most pervasive, whether planned or unplanned, instrumental or vocal, occasional or ambient. This volume brings together specialists in architecture, manuscript illumination, and musicology to reconsider the relationship between sound and image in the visual cultures of eastern and western Christianity, Judaism, and Islam. The authors of Resounding Images take a variety of approaches to the now-missing intersection between the visual and the aural.

Medieval Intersections of Art, Music, and Sound

Resounding Images

Susan Boynton

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