Susan Bright

Food has been a much-photographed subject throughout the history of photography, across genres, including art and advertising. This is the first book to survey the rich history of food in photography, and the photographers who developed new ways of describing food in pictures. Through key images, Susan Bright explores the important figures and movements of food photography to provide an essential primer, from the earliest photographers to contemporary artists.

The Story of Food in Photography

Feast for the Eyes

Hedy Van Erp

Is it real? What do I remember? How can you tell a story? Can lying be OK? What goes where? Why is it famous? What makes it problematic? Who do you think you are? Stealing or borrowing? Public or private? These ten questions launch a thought-provoking investigation into what is really going on when you look at a photograph. Peeling back the layers of everything from the earliest daguerreotypes to your latest selfie, you will discover where to find meaning in an image, and the ways in which the photographer, our current culture, and you yourself all collaborate in the creation of that meaning.

Tate: Photography Decoded

Discover art photography through the 100 greatest ever photos. In the two centuries that photography has been practical, it has created a means of communication , the understanding of which is essential to anyone navigating this very visual world. From Daguerre's early images to the real-life sharing of Instagram, photography has never really been "the truth," though nor is it necessarily dishonest. It is ambiguous, complicated and subjective, fleeting and lasting at the same time. This book will introduce the best examples and show you how you can 'read' every image.

Look, Think, Ask

Photography Decoded

Val Williams

Tate Britain (Gallery)

Published to accompany an exhibition held at Tate Britain [no dates given].

Photographing Britain

How We Are

Vince Aletti

Any fashion photographer can make a flattering portrait, but the contemporary masters featured in Face of Fashion don't even try. This striking volume presents the intensely unconventional, often unnervingly intimate portraiture being made by some of today's most creative and original fashion photographers. Each photographer is represented by a range of portraits, including several commissioned especially for this book. Some of these portraits were produced as ads, others were commissioned for editorial features. Many of the subjects are celebritiesKate Moss by Corinne Day, Madonna by Steven Klein and by Mert Alas and Marcus Piggott, Sting by Paolo Roversi; others are as anonymous as Mario Sorrenti's Woman I. Essays by Susan Bright and Vince Aletti illuminate the collaborative nature of this radically new approach to portraiture, as well as how it diverges from earlier work by Cecil Beaton, Irving Penn, Richard Avedon, and others. In addition, interviews and candid descriptions of the process by the photographers and subjects themselves provide rare insight into the potent mix of fame, fashion, and photography seen here.

Face of Fashion

This text explores the symbiotic relationship between contemporary portrait photography and fashion. It presents the intensely unconventional, often unnervingly intimate portraiture being made by five of the most creative and original fashion photographers in the world today.

Dawoud Bey

Kelli Connell

"Limited to 1,500 casebound copies"--Colophon.

Double Life

Cet ouvrage présente le travail de76 des plus importants artistes photographes d'aujourd'hui : Andreas Gursky, Thomas Struth, Cindy Sherman, Jeff Wall, Sophie Calle, Wolfgang Tillmans, Nan Goldin, Martin Parr, Allan Sekula, Boris Mikhailov, Inez Lamsweerde, Stéphane Meisel, Philip-Lorca diCorcia, Sam Taylor-Wood, en sept chapitres, selon le sujet - le portrait, le paysage, le récit, l'objet, la mode, le documentaire et la ville.

Art photography now

Far Side of the Word

Published to coincide with an exhibition held at the Photographers Gallery and Foundling Museum in London and touring to Chicagos Museum of Contemporary Photography, this beautiful and striking book examines contemporary interpretations of one of the most enduring subjects in the history of picture-making: the image of the mother. Focusing on the work of twelve international photographic artists, the publication challenges the stereotypical or sentimental views of motherhood handed down by traditional depictions, and explores how photography can be used to address changing conditions of power, gender, domesticity, the maternal body, and female identity. The work featured here is highly personal, often documentary in approach and with the individual subject at its centre, reflecting photography itself in the twenty-first century. The featured artists offer very different views of contemporary motherhood, from the devoted to the dysfunctional, representing the myriad ways that becoming or even trying to become a mother can radically alter a womans sense of self and how others perceive her. The books essays, illustrated with dozens of comparative images from antiquity to the present day, present the historical and contemporary context of the mother figure. Curator of the exhibitions and volume editor Susan Bright traces the history of photographs of motherhood from the nineteenth century to our postfeminist age. Simon Watney weaves a fascinating narrative of the Madonna figure through the centuries. Nick Johnstone looks at the presentation of the mother from the perspective of the father, and considers how images of fatherhood compare, while Stephanie Chapman lays out the moving history of Londons Foundling Museum through photographs and repositions the mother in a story of loss where she is strangely absent. Presenting contemporary thinking on motherhood through an exploration of its changing representation in photography, Home Truths provides a fresh and unique insight into one of the most universal and well documented of experiences.

Photography and Motherhood

Home Truths

"This survey presents the work of eighty of the most important and best-loved artist-photographers in the world today. Susan Bright has organized the book into seven sections - portrait, landscape, narrative, object, fashion, document, and city - each of which explores the diverse subjects, styles, and methods adopted by artists. Introductions to each section outline the genres and consider why photographers are attracted to certain themes, and how issues like memory, time, objectivity, politics, identity, and the everyday are tied to certain approaches. Each photographer's work is then presented in sequence, with commentaries by the author highlighting the art's most important aspects. Quotations from the artists appear alongside to offer valuable insights into their motivations, inspirations, and intentions." - inside front cover.

Art Photography Now

Vee Speers

This series of portraits of children preparing to attend an imaginary birthday party explore what characters might be created if role-play is pushed to imaginative extremes. The children are placed in front of the same white wall and gaze into the lens of the camera, performing within a strictly composed frame. They reveal very little of themselves and yet this makes the portraits that much more magnetic. The childlike game of dressing up and costume reinforces the surreal tone of the series - exposing a side to childhood which is removed from cliche and a perfect world.

The Birthday Party

Auto Focusfeatures a dazzling array of self-portraits by seventy-five of the world's foremost contemporary photographers. Photography writer and curator Susan Bright provides a clear guide through this significant and dynamic genre, showing how issues of identity—whether national, sexual, racial, personal, or artistic—are key to understanding the work of many of today's leading photographers. This lavishly illustrated, accessible survey is organized into five thematic chapters: diaristic and autobiographical images; pictures of the body; the use of masks and masquerade; the return to studio portraiture and the photographic album; and performance, both public and private. An informative illustrated introduction explains the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artists' images of themselves. From intimate images of introspection and those that consciously challenge notions of ethnicity and sexuality to dramatic, stylized photographs of dreamlike scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today.

Susan Bright

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