Earle G. Shettleworth, Jr.

Libby Bischof

Susan Danly

Maine has always played a rich and varied role in the art of photography. For hundreds of years, photographers, like other artists, have made their way to Maine to capture the natural beauty and human culture of the state. So, too, have many photographers come from Maine, and many contributions by Mainers have been made to the medium. Maine in Photography is the first comprehensive overview of the history of photography in the state. Providing basic knowledge of the most important people and institutions to have promoted photography, this volume also studies the ways in which photography has informed the understanding of the social and cultural history of Maine. Beginning with the earliest daguerreotype portraits of the 1840s, this history traces the growth of the medium emphasizing key contributions, such as the Stanley brothers invention of the dry plate process through to the present. Key topics addressed throughout the book include the importance of photography in documenting labor and economic life, the close relationship between photography and the growth of tourism, and the role of Maine photographers in advancing the medium as a fine art form. Published in conjunction with the Maine Photo Project, this is a unique and timely addition to the body of work on the importance of Maine to American art."

A History, 1840-2015

Maine in Photographs

Edward Weston

Henry E. Huntington Library and Art Gallery

Weston J. Naef

A Catalogue for Exhibitions at the Huntington Library, November 25, 1986-March 29, 1987 and the J. Paul Getty Museum, November 25, 1986-February 1, 1987

Edward Weston in Los Angeles

From her appearance as a provocative young artist in Alfred Stieglitz's photographs to her depiction as a grande dame of the art world in silkscreens by Andy Warhol, Georgia O'Keeffe captivated the media with her image of a woman as bold as her art. This beautifully illustrated book tells the stories behind the portraits of one of the 20th century's foremost American painters. O'Keeffe's professional and personal relationships with the leading photographers of her time come to light, as does her ability to shape public perceptions of her career. Stieglitz first created photographs of his protegee posing in front of her abstract artworks as a manifestation of a sexually liberated woman. O'Keeffe later redefined her image, sometimes working with photographers at her homes in New Mexico, where she emerged as a rugged individualist among the animal bones and gnarled trees that she often painted. This publication brings together for the first time, photographs by Stieglitz, Newman, Loengard, Webb, and others--many of which probe fascinating tensions between abstractionism and realism in O'Keeffe's art. In addition, a selection of O'Keeffe's works chronicles the span of her long career.

The Art of Identity

Georgia O'Keeffe and the Camera

Susan Danly

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