Susan Rubin Suleiman

Hélène Cixous

This collection presents six essays by one of France's most remarkable contemporary authors. A notoriously playful stylist, here Hélène Cixous explores how the problematics of the sexes--viewed as a paradigm for all difference, which is the organizing principle behind identity and meaning--manifest themselves, write themselves, in texts. These superb translations do full justice to Cixous's prose, to its songlike flow and allusive brilliance.

"Coming to Writing" and Other Essays

Contemporary Perspective

The Female Body in Western Culture

_va Forg¾cs

Contemporary Jewish Writing in Hungaryfeatures works by twenty-four of Hungary?s best writers who have written about what it means to be Jewish in post-Holocaust Eastern Europe. This volume includes work by Nobel Prize winner Imre Kertäsz and other internationally known writers such as Gy”rgy Konr¾d and Päter N¾das, but most of the authors appear here in English for the first time. This anthology features poetry, long and short stories, and excerpts from memoirs and novels by postwar writers. Some of these authors were well known in Hungary before World War II, some were children or adolescents during the war and began publishing in the 1970s, some were born to survivors in the years immediately following the war and grew up during the decades of Communist rule, while others started publishing chiefly after the fall of Communism in 1989. ø Unique among Eastern European countries, Hungary still has a large and visible Jewish population, many of them writers and intellectuals living in Budapest. This anthology introduces English-speaking readers to outstanding works of literature that show the wide range of responses to Jewish identity in contemporary Hungary. The editors? introduction provides a historical and critical context for these works and discusses the important role of Jews in Hungarian culture from the late nineteenth century to the present.

An Anthology

Contemporary Jewish Writing in Hungary

Authoritarian Fictions

Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Note on Translations and Citations -- Introduction: A Writer Reborn . . . and Debated -- PART I: IRÈNE -- 1. The "Jewish Question" -- 2. Némirovsky's Choices, 1920-1939 -- 3. Choices and Choicelessness, 1939-1942 -- PART II: FICTIONS -- 4. Foreigners and Strangers: Némirovsky's Jewish Protagonists -- 5. Portraits of the Artist as a Young Jewish Woman -- PART III: DENISE AND ELISABETH -- 6. Orphans of the Holocaust: Two Lives -- 7. Gifts of Life: A Mother and Her Daughters -- Notes

The Life, Death, and Legacy of a Jewish Writer in Twentieth-century France

The Némirovsky Question

Pierre-Emmanuel Dauzat

Aude de Saint-Loup

Brillante écrivaine d'origine russe, redécouverte avec Suite française paru à titre posthume et lauréat du prix Renaudot 2004, Irène Némirovsky connut le succès dans les années 1930 avec ses romans publiés pour la plupart chez Albin Michel, avant de voir sa vie basculer tragiquement. Juive étrangère en France, elle fut déportée en 1942 à Auschwitz où elle mourut. Cette biographie intellectuelle s'intéresse, pour la première fois, au destin de la famille survivante qui assura la sauvegarde et la transmission de ses écrits, et apporte un éclairage neuf sur la vie de l'écrivaine, son oeuvre et sa réception controversée. Susan R. Suleiman resitue avec brio les textes d'Irène Némirovsky et ses choix de vie et de carrière, ainsi que son statut d'auteure triplement exclue, comme femme, comme Juive, comme étrangère, dans le contexte littéraire et politique de l'entre-deux-guerres. Pour tenter de comprendre la position de l'écrivaine par rapport aux Juifs et à la judéité, Susan R. Suleiman place au centre de son enquête la question de la haine de soi et de l'antisémitisme que certains ont pu voir dans les écrits d'Irène Némirovsky. à rebours de la thèse qui fait d'elle une écrivaine juive antisémite, Susan R. Suleiman établit que, en explorant les identités multiples et conflictuelles qui ont façonné au cours du XXe siècle les vies des Juifs sécularisés d'Europe et d'ailleurs, c'est bien au malaise existentiel de ces éternels « étrangers », parmi lesquels elle se comptait, qu'Irène Némirovsky a consacré une partie importante de son oeuvre.

Vie, mort et héritage d'une écrivaine juive dans la France du XXe siècle

La Question Némirovsky

A fascinating look into the life and work of controversial French novelist Irène Némirovsky Irène Némirovsky succeeded in creating a brilliant career as a novelist in the 1930s, only to have her life cut short: a “foreign Jew” in France, she was deported in 1942 and died in Auschwitz. But her two young daughters survived, and as adults they brought their mother back to life. In 2004, Suite française, Némirovsky’s posthumous novel, became an international best seller; some critics, however, condemned her as a “self-hating Jew” whose earlier works were rife with anti-Semitic stereotypes. Informed by personal interviews with Némirovsky’s descendants and others, as well as by extensive archival research, this wide-ranging intellectual biography situates Némirovsky in the literary and political climate of interwar France and recounts, for the first time, the postwar lives of her daughters. Némirovsky's Jewish works, Suleiman argues, should be read as explorations of the conflicted identities that shaped the lives of secular Jews in twentieth-century Europe and beyond.

The Life, Death, and Legacy of a Jewish Writer in Twentieth-Century France

Contemporary Jewish Writing in Hungary features works by twenty-four of Hungary?s best writers who have written about what it means to be Jewish in post-Holocaust Eastern Europe. This volume includes work by Nobel Prize winner Imre Kertäsz and other internationally known writers such as Gy”rgy Konr¾d and Päter N¾das, but most of the authors appear here in English for the first time. This anthology features poetry, long and short stories, and excerpts from memoirs and novels by postwar writers. Some of these authors were well known in Hungary before World War II, some were children or adolescents during the war and began publishing in the 1970s, some were born to survivors in the years immediately following the war and grew up during the decades of Communist rule, while others started publishing chiefly after the fall of Communism in 1989. ø Unique among Eastern European countries, Hungary still has a large and visible Jewish population, many of them writers and intellectuals living in Budapest. This anthology introduces English-speaking readers to outstanding works of literature that show the wide range of responses to Jewish identity in contemporary Hungary. The editors? introduction provides a historical and critical context for these works and discusses the important role of Jews in Hungarian culture from the late nineteenth century to the present.

Christie McDonald

Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. They rethink literary history not in terms of national boundaries, as traditional literary histories have done, but in terms of a global paradigm that emphasizes border crossings and encounters with "others." Contributors offer new ways of reading canonical texts and considering other texts that are not part of the traditional canon. By emphasizing diverse conceptions of language, text, space, and nation, these essays establish a model approach that remains sensitive to the specificities of time and place and to the theoretical concerns informing the study of national literatures in the twenty-first century.

A New Approach to Literary History

French Global

With this important new book, Susan Suleiman lays the foundation for a postmodern feminist poetics and theory of the avant-garde. She shows how the figure of Woman, as fantasy, myth, or metaphor, has functioned in the work of male avant-garde writers and artists of this century. Focusing also on women's avant-garde artistic practices, Suleiman demonstrates how to read difficult modern works in a way that reveals their political as well as their aesthetic impact. Suleiman directly addresses the subversive intent of avant-garde movements from Surrealism to postmodernism. Through her detailed readings of provocatively transgressive works by André Breton, Georges Bataille, Roland Barthes, Alain Robbe-Grillet, Marcel Duchamp, Max Ernst, and others, Suleiman demonstrates the central role of the female body in the male erotic imagination and illuminates the extent to which masculinist assumptions have influenced modern art and theory. By examining the work of contemporary women avantgarde artists and theorists--including Hélène Cixous, Marguerite Duras, Monique Wittig, Luce Irigaray, Angela Carter, Jeanette Winterson, Leonora Carrington, Barbara Kruger, Jenny Holzer, and Cindy Sherman--Suleiman shows the political power of feminist critiques of patriarchal ideology, and especially emphasizes the power of feminist humor and parody. Central to Suleiman's revisionary theory of the avant-garde is the figure of the playful, laughing mother. True to the radically irreverent spirit of the historical avant-gardes and their postmodernist successors, Suleiman's laughing mother embodies the need for a link between symbolic innovation and political and social change.

Gender, Politics, and the Avant-garde

Subversive Intent

Dillon Professor of the Civilization of France Professor of Comparative Literature Susan Rubin Suleiman

The female body has occupied a central place in the Western imagination, its images pervading poetry and story, mythology and religious doctrine, the visual arts, and scientific treatises. It has inspired both attraction and fear, been perceived as beautiful and unclean, alluring and dangerous, a source of pleasure and nurturing but also a source of evil and destruction. In The Female Body in Western Culture, twenty-three internationally noted scholars and critics, in specially commissioned essays, explore these representations and their consequences for contemporary art and culture. Ranging from Genesis to Gertrude Stein and Angela Carter, from ancient Greek ritual to the Victorian sleeping cure, from images of the Madonna to modern film and Surrealist art, the essays cover a wide spectrum of approaches and subject mailer. They all converge, however, around questions of power and powerlessness, voice and silence, subjecthood and objectification. And they point the way to the new possibilities and displacements of traditional male-female oppositions. Androgyny in a new key? This book demonstrates that a blurring of gender boundaries does not have to deny difference.

Contemporary Perspectives

Susan Suleiman

To write about your contemporaries, whose work is enmeshed in the stuff of your life, maybe even in the weave of your self, is risky business. Your interest may be too personal, your involvement too close - but this, as Susan Suleiman demonstrates here, is precisely what makes such a critical encounter worthwhile. Risking Who One Is shows how the process of self-recognition, even self-construction, in the reading of contemporary work can lead to larger considerations about culture and society - to the dimensions of historical awareness and collective action. The book gives us a new way of looking at issues that are as personal as they are prevalent in the writing, the criticism, and the life of our times. Through subtle and incisive readings of Simone de Beauvoir, Mary Gordon, Julia Kristeva, Richard Rorty, Helene Cixous, Leonora Carrington, Max Ernst, Angela Carter, Elie Wiesel, and others, we observe Suleiman in a fascinating dialogue with those who share her place and time and whose interests and preoccupations meet her own. Suleiman confronts with them the conflicts between writing and motherhood. Together, they inquire into "being postmodern" and explore the connections between creativity and love. They consider the place of beauty in contemporary art, examine the relations between aesthetics and politics, and reflect on haunting memories of World War II. Through Suleiman's encounter with them, these writers and artists enter an exchange with each other, and with us as readers, that opens new perspectives on the representation of women's lives, history and memory, autobiography, and the intersection of gender and postmodernism. Itself a form of mediated autobiography, this work takes us through the shaping of a critical approach to some of our closest and deepest concerns in reading, in writing, and in knowing ourselves.

Encounters with Contemporary Art and Literature

Risking who One is

A major historical phenomenon of our century, exile has been a focal point for reflections about individual and cultural identity and problems of nationalism, racism, and war. Whether emigrés, exiles, expatriates, refugees, or nomads, these people all experience a distance from their homes and often their native languages. Exile and Creativity brings together the widely varied perspectives of nineteen distinguished European and American scholars and cultural critics to ask: Is exile a falling away from a source of creativity associated with the wholeness of home and one's own language, or is it a spur to creativity? In essays that range chronologically from the Renaissance to the 1990s, geographically from the Danube to the Andes, and historically from the Inquisition to the Holocaust, the complexities and tensions of exile and the diversity of its experiences are examined. Recognizing exile as an interior experience as much as a physical displacement, this collection discusses such varied topics as intellectual exile and seventeenth-century French literature; different versions of home and of the novel in the writings of Bakhtin and Lukács; the displacement of James Joyce and Clarice Lispector; a young journalist's meeting with James Baldwin in the south of France; Jean Renoir's Hollywood years; and reflections by the descendents of European emigrés. Strikingly, many of the essays are themselves the work of exiles, bearing out once more the power of the personal voice in scholarship. With the exception of the contribution by Henry Louis Gates Jr., these essays were originally published in a special double issue of Poetics Today in 1996. Exile and Creativity will engage a range of readers from those whose specific interests include the problems of displacement and diaspora and the European Holocaust to those whose broad interests include art, literary and cultural studies, history, film, and the nature of human creativity. Contributors. Zygmunt Bauman, Janet Bergstrom, Christine Brooke-Rose, Hélène Cixous, Tibor Dessewffy, Marianne Hirsch, Denis Hollier, Henry Louis Gates Jr., Linda Nochlin, Leo Spitzer, Susan Rubin Suleiman, Thomas Pavel, Doris Sommer, Nancy Huston, John Neubauer, Ernst van Alphen, Alicia Borinsky, Svetlana Boym, Jacqueline Chénieux-Gendron

Signposts, Travelers, Outsiders, Backward Glances

Exile and Creativity

Inge Crosman

A reader may be in" a text as a character is in a novel, but also as one is in a train of thought--both possessing and being possessed by it. This paradox suggests the ambiguities inherent in the concept of audience. In these original essays, a group of international scholars raises fundamental questions about the status--be it rhetorical, semiotic and structuralist, phenomenological, subjective and psychoanalytic, sociological and historical, or hermeneutic--of the audience in relation to a literary or artistic text. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Essays on Audience and Interpretation

The Reader in the Text

In this acclaimed book, renowned Harvard scholar Susan Rubin Suleiman discusses individual and collective memories of World War II, as reflected in literary memoirs, autobiographical novels, works of history and philosophy, and films. Suleiman argues that memories of World War II transcend national boundaries, due not only to the global nature of the war but also to the increasingly global presence of the Holocaust as a site of collective memory. Among the works she discusses are Jean-Paul Sartre's essays on the Occupation and Resistance in France; Marcel Ophuls's innovative documentary on the Nazi interrogator Klaus Barbie, who was tried for crimes against humanity in 1987; István Szabó's film "Sunshine," a chronicle of Jewish identity in central Europe; literary memoirs by Jorge Semprun and Elie Wiesel; and experimental writing by child survivors of the Holocaust, Georges Perec and Raymond Federman.

Susan Rubin Suleiman

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