Susanne Janssen

Deutsche in Russland und Russlanddeutsche in den USA (1871-1928) : die politische, sozio-ökonomische und kulturelle Adaption einer ethnischen Gruppe im Kontext zweier Staaten

Vom Zarenreich in den amerikanischen Westen

Susanne Breit-Keßler

Starke Frauen der Bibel

Die großen Töchter Gottes

Andy Bennett

Popular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites – including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives – constitute some of the key ways in which popular music artists, scenes and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society.

Popular Music, Cultural Memory, and Heritage

Tevens verschenen als proefschrift Aandacht voor de omgang van de dag- en weekbladkritiek met het literaire aanbod. Er wordt ingegaan op de keuzen en uitspraken van critici in samenhang met de sociale context waarbinnen ze tot stand komen. In drie case- studies worden de literair-kritische receptie, de critici en de rol van achtereenvolgens Rutger Kopland, Judicus Verstegen en Jacq Firmin Vogelaar besproken.

variaties en patronen in de aandacht van de literatuurkritiek voor auteurs en hun werken

In het licht van de kritiek

Susanne Janssen

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