Suzanne Berne

From the Orange Prize–winning author of A Crime in the Neighborhood comes a riveting novel about a therapist whose attempts to unlock the most difficult cases of her life—those of her son, and of her mother—reveal that the bigger the secret you’re concealing, the more it conceals you. Secrets abound in Lorna’s family. Her mother Marika, who survived the Nazi occupation of Holland, abandoned the family when Lorna and her brother Wade were just seven and twelve years old. The reason she left, and her whereabouts afterward, were shrouded in mystery. As is a darker secret Marika has repressed for nearly seventy years. Now that Lorna, a respected psychotherapist, has a child of her own, she’s determined to make Marika a part of their lives. But it’s been a struggle for nearly two decades. Lorna’s son Adam is creative, passionate, and uncomfortable in his own skin. Three weeks before the story opens, he abruptly returns home from college after an incident that he refuses to discuss. And he refuses to be called by his name. He refers to himself as “A” for “anti-matter” and insists that Lorna do the same. The more Lorna tries to get Adam to talk, the more he withdraws. So, when she gets the call that Marika has had a fall and is incapacitated, she sees an opportunity to bond with Adam on the long drive north to Vermont, and to reconnect with her mother by nursing her back to health. But how do you care for people you can’t understand, and who don’t want to be understood? As Lorna confronts this question, she must face secrets of her own, which she has tried to ignore by spending her life analyzing other people. A deft and compelling exploration of family dynamics infused with suspense, Blue Window shows what happens to people who hide from themselves—and the act of imagination it takes to find them.

A Novel

The Blue Window

WINNER OF THE WOMEN'S PRIZE FOR FICTION 'This ambitious account of a sudden coming of age reminded me strongly of To Kill a Mockingbird - and is every bit as moving and satisfying' Daily Telegraph In the long hot summer of 1972, three events shattered the serenity of ten-year-old Marsha's life: her father ran away with her mother's sister; a young boy called Boyd Ellison was molested and murdered; and Watergate made the headlines. Living in a world no longer safe or familiar, Marsha turns increasingly to 'the book of evidence' in which she records the doings of the neighbors, especially of shy Mr Green next door. But as Marsha's confusion and her murder hunt accelerate, her 'facts' spread the damage cruelly and catastrophically throughout the neighborhood. 'It is impossible not to be completely swept along. Berne's vision is gently humorous, ironic, quirky, and she writes with such piercing sensitivity . . . a compelling debut novel' The Times 'Intensely evocative. I loved it' Observer 'The writing is marvellous . . . comparisons have been made between her and Anne Tyler and Harper Lee. Same ball-park, delightfully different voice' Mail on Sunday

A Crime in the Neighborhood

A “brilliantly done” (Sunday Times, London) comedy of manners that explores the unease behind the manicured lawns of suburban America from the Orange Prize–winning author of A Crime in the Neighborhood. Littlefield, Massachusetts, named one of the Ten Best Places to Live in America, full of psychologists and college professors, is proud of its fine schools, its girls’ soccer teams, its leafy streets, and charming village center. Yet no sooner has sociologist Dr. Clarice Watkins arrived to study the elements of “good quality of life” than someone begins poisoning the town’s dogs. Are the poisonings in protest to an off-leash proposal for Baldwin Park—the subject of much town debate—or the sign of a far deeper disorder? Certainly these types of things don’t happen in Littlefield. With an element of suspense, satirical social commentary, and in-depth character portraits, Suzanne Berne’s nuanced novel reveals the discontent concealed behind the manicured lawns and picket fences of darkest suburbia. The Dogs of Littlefield is “a compelling, poignant yet unsentimental novel that examines life, love, and loss” (Sunday Mirror, UK).

The Dogs of Littlefield

Blue Window

The Ghost at the Table

A confused and lonely ten-year-old girl, Marsha, a witness to her siblings' deviant behavior, her father's affair, and her mother's flirtation with the new neighbor, produces the only lead in a case of sexual assault and murder. Tour.

Mirella and Howard Cook-Goldman's new nanny, Randi Gill, seems perfect, but when their seamless life begins to unravel, the young woman assumes an inapproppriate place in the family structure, in a suspenseful novel by the author of A Crime in the Neighborhood. BOMC, Teen People, & Lit Guild.

A Perfect Arrangement

From the Orange Prize­–winning author of A Crime in the Neighborhood comes a “sharply witty” and “impeccably written” (Star Tribune, Minneapolis) novel featuring a therapist attempting to unlock the most difficult cases of her life—those of her son and of her mother. Anyone who’s ever had trouble persuading a teenager or an elderly parent to “open up” will recognize Lorna’s dilemma during the three days she finds herself alone in a remote lakeside cottage with her mutely miserable son and her impenetrable mother. Despite her training as a clinical social worker, and her arsenal of therapeutic techniques, she’s resisted at every turn as she tries to understand what’s made the two people most important to her go silent. Though silence has always marked Lorna’s family. Her father was deaf. Her mother, Marika, abandoned Lorna and her brother when they were children. No explanation was ever offered. Nor why Marika resurfaced eighteen years ago to invite Lorna and her infant son, Adam, to Vermont for a strained reunion. A relationship, of sorts, has followed—an annual Thanksgiving visit, during which Marika sits taciturnly among the guests at Lorna’s table, agreeing only to “be seen to exist.” But now it’s Adam who won’t talk. Home from college and suffering over something he won’t disclose, he’s so depressed that he refers to himself as “A” for “Anti-Matter.” So, when she’s summoned to Vermont because Marika has had a fall, Lorna sees an opportunity to get Adam out of the house and maybe also a chance to finally connect with her mother. What she never anticipated was that grandson and grandmother would form a bond, and leave her out of it. How do you care for people you can’t understand, and who don’t want to be understood? Suspenseful, poignantly funny, and beautifully incisive, The Blue Window explores the ways people misperceive each other, and how secrets and silence, wielded and guarded, exert their power over families—and what luminous, frightening, and tender possibilities might come forth, once those secrets are challenged. “Suzanne Berne is an elegant, psychologically astute novelist” (Tom Perrotta), whose new book reveals what happens to people who hide from themselves, and the act of imagination it takes to find them.

Handsome and ambitious, Mirella and Howard Cook-Goldman have it all-two precious children, dual careers, a great old colonial house on Massachusetts's North Shore, a golden retriever. The only thing they lack is reliable child care. Enter Randi Gill, sent by Family Options, Ltd., an agency specializing in Midwestern girls with teaching aspirations ("Could you be Comfortable with Anything but the Best for Your Family?. . . Guaranteed Nationwide FBI Criminal Fingerprinting and Background Checks."). Randi's references are perfect. She's perfect. She cleans, cooks, sews, and makes her own Play-Doh. The children love her . . . almost too much. Though it's hard for Mirella to watch Randi succeed with the children where she has failed, she can't deny the peace and order Randi has brought to the household. But perfection is a tough act to maintain, and soon enough, there are ruptures. When events force Mirella and Howard to reveal the secrets they've been hiding from each other, the family cataclysm catapults the nanny (who has secrets of her own) into a position of unnatural control. In A Perfect Arrangement, Suzanne Berne now fixes her sights on contemporary, two-career family life. Overscheduled and overwhelmed, today's parents are desperate for help. Whatever child care they manage to set up, the arrangements are rarely perfect. This suspenseful novel asks a question all of them face: "Is there anyone you can trust with your children?"

An award-winning author’s reconstruction of her grandmother’s life “takes us deep into the lore of history as well as family” (Sven Birkerts). Even as a child, Suzanne Berne understood the source of her father’s terrible melancholy: He’d lost his mother when he was a little boy. Decades later, with her dad now elderly and ailing, she decides to try to uncover the woman who continues to haunt him. Every family has a missing person, someone who died young or disappeared, leaving a legacy of loss. Aided by vintage photographs and a box of old keepsakes, Berne sets out to fill in her grandmother’s silhouette and along the way uncovers her own foothold in American history. Lucile Berne, née Kroger, was a daughter of Bernard Henry Kroger, the archetypal American self-made man, who at twenty-three established what is today’s $76 billion grocery enterprise. From her turn-of-the-century Cincinnati childhood to her college years at Wellesley, her tenure as treasurer of her father’s huge company, her stint as a relief worker in devastated France, her marriage to a professional singer, and the elusive, unhappy wealthy young matron she became, her granddaughter paints a portrait of a woman and her times, and discovers the function of family history: “to explain what is essentially inexplicable—how we came to be ourselves.”

Memories of the Grandmother I Never Knew

Missing Lucile

Strikingly different since childhood and leading dissimilar lives now, sisters Frances and Cynthia have managed to remain "devoted"—as long as they stay on opposite coasts. When Frances arranges to host Thanksgiving at her idyllic New England farmhouse, she envisions a happy family reunion, one that will include the sisters' long-estranged father. Cynthia, however, doesn't understand how Frances can ignore the past their father's presence revives, a past that includes suspicions about their mother's death twenty-five years earlier. As Thanksgiving Day arrives, with a houseful of guests looking forward to dinner, the sisters continue to struggle with different versions of a shared past, their conflict escalating to a dramatic, suspenseful climax.

A New York Times Notable Book. Set in the Washington, D.C., suburbs during the summer of the Watergate break-ins, Berne's assured, skillful first novel is about what can happen when a child's accusation is the only lead in a case of sexual assault and murder. A BOOK -OF-THE-MONTH CLUB and QUALITY PAPERBACK BOOK CLUB selection.

Nell’estate del 1972 Marsha è una ficcanaso di dieci anni che non ha ancora smesso di chiedere il perché di ogni cosa e Spring Hill un ricco, pacifico sobborgo di una città della East Coast, fin troppo noioso persino per i ladri di biciclette. Case di mattoni rossi a due piani e giardini impeccabili dove fare il barbecue la domenica. Ma improvvisamente l’ordine del quotidiano è spazzato via, una pennellata sbagliata guasta il quadro: un ragazzino viene seviziato e ucciso a pochi metri dal centro commerciale. E allora tutto cambia per sempre, anzi è già cambiato per Marsha che ormai adulta ricorda quell’estate oscurata dall’omicidio di Boyd Ellison e prima ancora dalla fuga, dall’abbandono del padre. È la scoperta del male, della fragilità, della sconfitta. È la perdita dell’innocenza di un’intera nazione, travolta dallo scandalo Watergate. Una serie di cerchi concentrici si stringono intorno alla protagonista. Marsha non smette di cercare l’assassino di Boyd, di raccogliere le prove, di inseguire un senso. Perché come tutti i bambini sa osservare. Sa cogliere le forze segrete che muovono le persone, i significati nascosti dei gesti, degli oggetti. E insieme a lei restiamo intrappolati nelle pagine di questo bellissimo romanzo, che ci porta dove non vorremmo mai andare da soli, dove la vita non è più quella cosa inoffensiva in cui avevamo creduto e il futuro diventa un ponte pericolante verso l’ignoto.

Suzanne Berne

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