Svanibor Pettan

Jeff Titon

The nine ethnomusicologists who contributed to this volume, balanced in age and gender and hailing from a diverse array of countries, share the goal of stimulating further development in the field of ethnomusicology. By theorizing applied ethnomusicology, offering histories, and detailing practical examples, they explore the themes of peace and conflict studies, ecology, sustainability, and the theoretical and methodological considerations that accompany them. Theory, Method, Sustainability, and Conflict is the first of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology, which can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.

An Oxford Handbook of Applied Ethnomusicology

Theory, Method, Sustainability, and Conflict

The nine ethnomusicologists who contributed to this volume present a diverse range of views, approaches, and methodologies that address indigenous peoples, immigrants, and marginalized communities. Discussing participatory action research, social justice, empowerment, and critical race theory in relation to ethnomusicology, De-Colonization, Heritage, and Advocacy is the second of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.

De-Colonization, Heritage, and Advocacy

Maša Komavec

Adelaida Reyes

V zborniku je predstavljenih 27 referatov s prvega mednarodnega posvetovanja študijske skupine Mednarodnega sveta za tradicijsko glasbo (ICTM), ki je potekalo v Ljubljani od 25. do 30. junija 2000. Prispevki so razdeljeni po tematskih sklopih: najprej sta predstavljena raziskovanje manjšin in študijska skupina Glasba in manjšine, sledijo teme, ki obravnavajo različne slovenske manjšine zunaj Slovenije in manjšine v slovenskem prostoru, zgodovinske teme, ki obravnavajo manjšine v preteklosti, ter raziskave o Romih in drugi prispevki, ki obravnavajo različne etnične in narodnostne manjšine. Konferenca je potekala v angleškem jeziku, zato so tudi referati v angleščini, povzetki pa prevedeni v slovenščino. Zbornik vsebuje tudi imensko in krajevno kazalo ter CD-ploščo z 32 zvočnimi primeri.

Zbornik referatov 1. mednarodnega posvetovanja študijske skupine Mednarodnega sveta za tradicijsko glasbo (ICTM) Glasba in manjšine, Ljubljana, Slovenija, 25. – 30. junij 2000

Glasba in manjšine

Bruno B. Reuer

Lujza Tari

ANDREJA RIHTER: Grußwort VIVIANE REDING: Grußwort SVANIBOR PETTAN: United Europe - United Music(?) in Ljubljana. An Introduction BRUNO B. REUER: Vorwort Teil 1: Mittel- und Südosteuropa auf dem Weg ins neue Europa KATALIN LÁZÁR: The Role of Folk Music in a United Europe BRUNO B. REUER: Musik - Sprache der Seele. Vom aktiven und passivem Hören PHILIP V. BOHLMAN: Popular Music on the Stage of a United Europe - Southeastern Europe in the "Eurovision Song Contest" DONNA A. BUCHANAN: Soccer Songs and the Construction of National Sentiment in Post-State-Socialist Bulgaria MARIN MARIAN BALASA: An Introduction to the Discussion of Musical References Printed on Banknotes Teil 2: Krieg und Frieden in Mittel- und Südosteuropa der 90er Jahre ARDIAN AHMEDAJA: Historische und gegenwärtige Einflüsse auf die Musik in Albanien MASA KOMAVEC: New Advocates of the Old Music - The Slovenian Case DIMITRIJE O. GOLEMOVIC: Traditional Folk Song as a Symbol of a New Cultural Identity (based on the practice of Yugoslav refugees) NICE FRACILE: Permanency and Change in the Instrumental Musical Folklore VELIKA STOJKOVA: The Problem of Multiethnicism in the Musical Folklore of the Republic of Macedonia Teil 3: Spuren der Vergangenheit in Mittel- und Südosteuropa LUJZA TARI: When did Globalisation really start? SUSANNE ZIEGLER: Historical Sound Recordings from Southeastern Europe and Their Significance for Ethnomusicological Studies Today HANA URBANCOVÀ: Interethnische Beziehungen und ihre soziale Dimension. Zur Musik der Deutschen in der Slowakei ENGELBERT LOGAR: Volksmusikalische Gemeinsamkeiten der deutsch- und slowakischsprachigen Bevölkerung im südlichen Österreich FRANZ METZ: Verpflanzt, veredelt und entwurzelt? Zur Dokumentation der Musikkultur deutscher Minderheiten im Südosten Europas. Eine kritische Bestandsaufnahme ANTON BLEIZIFFER: "Leid im Lied" - Südost- und ostdeutsche Lagerlieder von Flucht, Vertreibung und Verschleppung von Gottfried Hebenicht. Eine Buchbesprechung ROBERTO STAREC: Traditional Songs and Contemporary Customs in Friuli Anhang IGOR DEKLEVA: "Slowenischer Mikrokosmos" - Klavierunterricht mit Tradition BRUNO B. REUER: Ausblick Register

United Europe--united Music?

The seven ethnomusicologists who contributed to this volume discuss the role and impact of applied ethnomusicology in a variety of public and private sectors, including the commercial music industry, archives and collections, public folklore programs, and music education programs at public schools. Public Ethnomusicology, Education, Archives, and Commerce is the third of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.

Public Ethnomusicology, Education, Archives, & Commerce

Jeff Todd Titon

Applied studies scholarship has triggered a not-so-quiet revolution in the discipline of ethnomusicology. The current generation of applied ethnomusicologists has moved toward participatory action research, involving themselves in musical communities and working directly on their behalf. The essays in The Oxford Handbook of Applied Ethnomusicology, edited by Svanibor Pettan and Jeff Todd Titon, theorize applied ethnomusicology, offer histories, and detail practical examples with the goal of stimulating further development in the field. The essays in the book, all newly commissioned for the volume, reflect scholarship and data gleaned from eleven countries by over twenty contributors. Themes and locations of the research discussed encompass all world continents. The authors present case studies encompassing multiple places; other that discuss circumstances within a geopolitical unit, either near or far. Many of the authors consider marginalized peoples and communities; others argue for participatory action research. All are united in their interest in overarching themes such as conflict, education, archives, and the status of indigenous peoples and immigrants. A volume that at once defines its field, advances it, and even acts as a large-scale applied ethnomusicology project in the way it connects ideas and methodology, The Oxford Handbook of Applied Ethnomusicology is a seminal contribution to the study of ethnomusicology, theoretical and applied.

The Oxford Handbook of Applied Ethnomusicology

Klisala Harrison

Elizabeth Mackinlay

Applied ethnomusicology is an approach guided by principles of social responsibility, which extends the usual academic goal of broadening and deepening knowledge and understanding toward solving concrete problems and toward working both inside and beyond typical academic contexts (International Council for Traditional Music 2007). This edited volume is based on the first symposium of the ICTM’s Study Group on Applied Ethnomusicology in Ljubljana, Slovenia in 2008 that brought together more than thirty specialists from sixteen countries worldwide. It contains a Preface, an extensive Introduction, and twelve selected peer-reviewed articles by authors from Australia, Austria, Canada, Germany, Slovenia, Serbia, South Africa, the United Kingdom, and the United States of America, divided into four thematic groups. These groups encompass: diverse perspectives on the growing field of applied ethnomusicology in various geographical and problem-solving contexts; research and teaching-related connotations; the potential in contributing to sustainable music cultures; and the use of music in conflict resolution situations. The edited volume Applied Ethnomusicology: Historical and Contemporary Approaches brings together previously dispersed knowledge and perspectives, and offers new insights to various disciplines within the humanities and social sciences. Rooted in diverse scholarly traditions, it addresses a variety of challenges in today’s world and aims to benefit the quality of human existence.

Svanibor Pettan

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