Joy James

T. Denean Sharpley-Whiting

Organized into two parts, "Literary Theory" and "Social and Political Theory," this Reader explores issues of community, identity, justice, and the marginalization of African American and Caribbean women in literature, society, and political movements.

The Black Feminist Reader

Five essays address feminist issues relating to the women of the hip-hop generation, covering topics ranging from strip clubs and groupie culture to the idealization of white beauty and light skin color.

Hip Hop's Hold on Young Black Women

Pimps Up, Ho's Down

Tyler Stovall

Trica Danielle Keaton

In Black France / France Noire, scholars, activists, and novelists address the paradox of race in France: the state does not acknowledge race as a meaningful category, but experiences of antiblack racism belie claims of color-blindness.

The History and Politics of Blackness

Black France / France Noire

The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.

Negritude Women

After Senator Barack Obama delivered his celebrated speech, "A More Perfect Union," on March 18, 2008, New York Times columnist Maureen Dowd noted that only Barack Obama "could alchemize a nuanced 40-minute speech on race into must-see YouTube viewing for 20-year-olds." Pundits established the speech's historical eminence with comparisons to Abraham Lincoln's "A House Divided" and Martin Luther King Jr's "I Have a Dream." The future president had addressed one of the biggest issues facing his campaign-and our country-with an eloquence and honesty rarely before heard on a national stage. The Speech brings together a distinguished lineup of writers and thinkers-among them Adam Mansbach, Alice Randall, Connie Schultz, and William Julius Wilson -in a multifaceted exploration of Obama's address. Their original essays examine every aspect of the speech-literary, political, social, and cultural-and are punctuated by Boston Globe columnist Derrick Z. Jackson's reportage on the issue of race in the now historic 2008 campaign. The Speech memorializes and gives full due to a speech that propelled Obama toward the White House, and prompted a nation to evaluate our imperfect but hopeful union.

Race and Barack Obama's 'A More Perfect Union'

The Speech

Represents a bold examination of previous feminist criticisms of Fanon and argues that Fanon's writings on women and resistance provide the formative kernels of a liberating praxis for women existing under colonial and neocolonial oppression.

Conflicts and Feminisms

Frantz Fanon

DIVExplores the treatment and image of the black female or "Black Venus" as seen in early 19th French literature./div

Sexualized Savages, Primal Fears, and Primitive Narratives in French

Black Venus

Tells the fascinating story of African American women who traveled to France to seek freedom of expression. During the Jazz Age, France became a place where an African American woman could realize personal freedom and creativity, in narrative or in performance, in clay or on canvas, in life and in love. These women were participants in the life of the American expatriate colony, which included F. Scott Fitzgerald, Gertrude Stein, and Cole Porter, and they commingled with bohemian avant-garde writers and artists like Picasso, Breton, Colette, and Matisse. Bricktop’s Paris introduces the reader to twenty-five of these women and the city they encountered. Following this nonfiction account, T. Denean Sharpley-Whiting provides a fictionalized autobiography of Ada “Bricktop” Smith, which brings the players from the world of nonfiction into a Paris whose elegance masks a thriving underworld. “Bricktop’s Paris vibrantly recreates and reimagines the fascinating world of Jazz Age Paris by placing black women at the center of the story. T. Denean Sharpley-Whiting gives us a valuable new perspective on Ada “Bricktop” Smith, giving her the prominence usually attributed to Josephine Baker. She also provides detailed portraits of other singers, musicians, writers, and artists who left America for the French capital. Written with enthusiasm and insight, Bricktop’s Paris underscores the importance of women to transatlantic black modernity.” — Tyler Stovall, author of Paris Noir: African Americans in the City of Light “Bricktop’s Paris is a remarkable feat. Sharpley-Whiting’s book is a woman’s story about dreaming and making dreams happen. It is a political story, a story about migration, and re-creation. It is a dazzling account of bold women reshaping their lives as New Women/Modern Women and black women in Europe. A woman’s place is not only viewed in the sphere of domesticity through Sharpley-Whiting’s writing, she also reimagines the complexity of life far away from home and on stage, in the studio, and in the nightclub. She captures their spirit and desires and walks us through this history arm and arm, singing, writing, dancing, and making art. I fell in love with these women as I empathized with their struggles, some of them I knew through other writings but through Sharpley-Whiting I felt as if I knew them intimately as they made their lives count some fifty years after Reconstruction. She restores their voices and their bodies and makes them present for the contemporary reader. Brilliant!” — Deborah Willis, author of Posing Beauty: African American Images from the 1890s to the Present “Bricktop’s Paris is a marvelous book that further consolidates Sharpley-Whiting’s record of pioneering research, a meticulous archeological excavation of the artistic, cultural, political, and social contributions made by African American women in Paris during the interwar years. This was a period that increasingly linked racial advocacy with colonial emancipation and during which African American women achieved unprecedented levels of creative and personal freedom while shaping broader conversations on identity and race. Bricktop’s Paris promises to inspire a new generation of researchers and will become an incontrovertible point of reference in assessing the intellectual history of the era.” — Dominic Thomas, Madeleine L. Letessier Professor of French and Francophone Studies, University of California, Los Angeles

T. Denean Sharpley-Whiting

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