Terry Tempest Williams

The beloved author of Refuge returns with a work that explodes and startles, illuminates and celebrates Terry Tempest Williams’s mother told her: “I am leaving you all my journals, but you must promise me you won’t look at them until after I’m gone.” Readers of Williams’s iconic and unconventional memoir, Refuge, well remember that mother. She was one of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them. “They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”

Fifty-four Variations on Voice

When Women Were Birds

Fierce, timely, and unsettling essays from an important and beloved writer and conservationist Terry Tempest Williams is one of our most impassioned defenders of public lands. A naturalist, fervent activist, and stirring writer, she has spoken to us and for us in books like The Hour of Land: A Personal Topography of America’s National Parks and Refuge: An Unnatural History of Family and Place. In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming. She looks at the current state of American politics: the dire social and environmental implications of recent choices to gut Bears Ears National Monument, sacred lands to Native People of the American Southwest, and undermine the Endangered Species Act. She testifies that climate change is not an abstraction, citing the drought outside her door and at times, within herself. Images of extraction and contamination haunt her: “oil rigs lighting up the horizon; trucks hauling nuclear waste on dirt roads now crisscrossing the desert like an exposed nervous system.” But beautiful moments of relief and refuge, solace and spirituality come—in her conversations with Navajo elders, art, and, always, in the land itself. She asks, urgently: “Is Earth not enough? Can the desert be a prayer?”

Essays of Undoing

Erosion

"A personal, lyrical, and idiosyncratic ode to our national parks"--

A Personal Topography of America's National Parks

The Hour of Land

The naturalist author of Refuge and An Unspoken Hunger reflects on what it means to be human, the interconnection between the natural and human worlds, and how they combine to produce both tumult and peace, ugliness and beauty. 30,000 first printing.

Finding Beauty in a Broken World

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.

An Unnatural History of Family and Place

Refuge

The Clan of One-Breasted Women

Cuando las mujeres fueron pájaros

Naomi Klein

Tim Flannery

Timothy Morton

Jared Diamond

Amitav Ghosh

Michael Pollan

James Lovelock

Bill McKibben

Arne Næss

Aldo Leopold

George Monbiot

Wendell Berry

Greta Thunberg

Masanobu Fukuoka

Robin Wall Kimmerer

Rachel Carson

Wangari Maathai

Edward O Wilson

Dai Qing

Green Ideas Slipcase

Andrew Rubernfeld

A Literary Companion

American Birds

Jennifer Dewey

Ted Major

Examines over a dozen different types of snow and snowy conditions through the vocabulary of the Inuit people of Alaska. Discusses the physical properties and formation of the snow and how it affects the plants, animals, and people of the Arctic.

The Secret Language of Snow

Combines the author's experiences as a woman, a Westerner, and a Mormon, applying them to her theories about the importance of wilderness conservation and the inseparable link between the earth and the human spirit. Reprint. 25,000 first printing. Tour.

Stories from the Field

An Unspoken Hunger

Rebecca Solnit

Paul Kingsnorth

Winona LaDuke

Glenis Redmond

The best political essays from Orion Magazine

The Most Radical Thing You Can Do

Richard Jefferies

Brooke Williams

A nineteenth-century love letter to nature is rediscovered by Brooke Williams and Terry Tempest Williams.

As Rediscovered by Brooke Williams and Terry Tempest Williams

The Story of My Heart

In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah. As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.

Passion and Patience in the Desert

Hanif Abdurraqib

Adedayo Adeyemi Agarau

Joy Harjo

Alexandria Peary

Isabelle Thuy Pelaud

Roberto Tejada

Joseph Drew Lanham

Four

"The Williamses anchor Jefferies' profound inquiry to our churning world and illuminate their own passionate quests for truth and understanding." —BOOKLIST, starred review While browsing a Stonington, Maine, bookstore, Brooke Williams and Terry Tempest Williams discovered a rare copy of an exquisite autobiography by nineteenth–century British nature writer Richard Jefferies, who develops his understanding of a "soul-life" while wandering the wild countryside of Wiltshire, England. Brooke and Terry, like John Fowles, Henry Miller, and Rachel Carson before, were inspired by the prescient words of this visionary writer, who describes ineffable feelings of being at one with nature. In an introduction and essays set alongside Jefferies' writing, the Williams share their personal pilgrimage to Wiltshire to understand this man of "cosmic consciousness" and how their exploration of Jefferies deepened their own relationship while illuminating dilemmas of modernity, the intrinsic need for wildness, and what it means to be human in the twenty–first century. JOHN RICHARD JEFFERIES (6 November 1848 – 14 August 1887) was a British novelist and essayist who helped pioneer the field of modern nature writing. Jefferies described the English countryside with an intimate vividness and expansive passion that inspired both his contemporaries and later writers. TERRY TEMPEST WILLIAMS is the author of fourteen books including Erosion: Essays of Undoing, Refuge: An Unnatural History of Family and Place, and When Women Were Birds. Recipient of John Simon Guggenheim and Lannan Literary Fellowships in creative nonfiction, she is the Provostial Scholar at Dartmouth College. Her work has been anthologized and translated world–wide. BROOKE WILLIAMS has spent thirty years advocating for wildness, most recently with the Southern Utah Wilderness Alliance and as the Executive Director of the Murie Center in Moose, Wyoming. He holds an MBA in Sustainable Business from the Bainbridge Graduate Institute and a Biology degree from the University of Utah. He has written four books including Halflives: Reconciling Work and Wildness, and dozens of articles. He is involved in The Great West Institute, a think tank exploring expansion and innovation in the conservation movement and is currently working on a book about ground–truthing. Brooke and Terry have been married since 1975. They live with their dogs in Jackson, Wyoming, and Castle Valley, Utah.

The author of Refuge explores the beautiful, enigmatic landscape created by Hieronymus Bosch in The Garden of Delights, in a study that uncovers the spiritual and personal links between the great masterpiece and her own life. Reprint. 30,000 first printing.

Leap

A collection of poems, essays, and journal entries in which the author writes about her attachment to the Redrock Wilderness area of Utah and the urgent need for citizens and lawmakers to be actively involved in preserving it.

Terry Tempest Williams

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