T.H. White

Presents the conclusion to "The Once and Future King," in which King Arthur, on his last night on Earth, is brought by Merlin to meet once again with the Animal Council to consider ways to abolish war.

The Unpublished Conclusion to The Once and Future King

The Book of Merlyn

The Candle in the Wind

The Witch in the Wood

The Godstone and the Blackymoor

The Candle in the Wind/The Book of Merlyn

Arthur, de koning van eens en ooit staat samen met Tolkiens In de ban van de ring aan de wieg van het fantasy-genre. Waar Tolkien een eigen universum schiep, baseerde zijn tijdgenoot White zich op de legende van koning Arthur en zijn ridders van de Ronde Tafel. White maakte een vrije bewerking van het verhaal, waarbij hij de schijnwerper ook richt op Arthurs vrouw Guinevere en zijn vriend, de onverslaanbare Lancelot. Whites eigen ongelukkige jeugd, problematische liefdes en dito vriendschappen kwamen hem bij het schetsen van hun driehoeksverhouding goed van pas. De schrijver permitteerde zich een cruciale ingreep in de oude legende: hij ruimde maar liefst tweehonderd pagina’s in voor het opgroeien van de vondeling Arthur. Als een Harry Potter avant la lettre beleeft de jongen onder leiding van tovenaar Merlijn vele leerzame avonturen in het dierenrijk. Het doel van deze opmerkelijke educatie: de wereld verlossen van het Recht van de Sterkste, de wortel van alle kwaad. Arthur bedenkt een Ronde Tafel, waar alle ridders die aanzitten gelijk zullen zijn. Met goede werken hoopt hij de ongepolijste vechtjassen in het gareel te houden. Maar dan begaat hij zelf een onvergeeflijke fout... In deze nieuwe vertaling komt de queeste van Arthur op liefdevolle, humoristische, hartstochtelijke, pijnlijke en ten slotte hartverscheurende wijze opnieuw tot leven.

Arthur, de koning van eens en ooit

The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—”the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love. White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.

The Goshawk

Una revisión de las distintas etapas de la vida del célebre Rey Arturo.

Camelot

The Queen of Air and Darkness

“She saw: first, a square opening, about eight inches wide, in the lowest step…finally she saw that there was a walnut shell, or half one, outside the nearest door…she went to look at the shell—but looked with the greatest astonishment. There was a baby in it.” So ten-year-old Maria, orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: on a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham’s Repose, live an entire community of people—”The People,” as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver’s Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria’s well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria’s greedy guardians, who look at The People and see only a bundle of money.

Mistress Masham's Repose

This magical account of King Arthur's last night on earth spent weeks on the New York Times best-seller list following its publication in 1977. Even in addressing the profound issues of war and peace, The Book of Merlyn retains the life and sparkle for which White is known. The tale brings Arthur full circle, an ending, White wrote, that "will turn my completed epic into a perfect fruit, 'rounded off and bright and done.'"

O Rei que Foi e Um Dia Será - Volume II

T. H. White

T. H. Whites »Der König auf Camelot« ist die umfassendste und eigenständigste Nachschöpfung der unsterblichen Artuslegende. Sie nannten ihn »die Warze«, und wie eine lästige Warze wurde der kleine Art von seinem Vetter Kay auch behandelt. Kay, der Sohn des Hauses, wurde in allen ritterlichen Fertigkeiten unterrichtet. Art hingegen hatte nur den uralten Zauberer Merlin zum Lehrer. Doch nicht Kay gelang es, das sagenumwobene Schwert aus dem Stein zu ziehen, sondern Art, dem künftigen König der Tafelrunde. Als viel später König Arthurs Frau Guinevra eine Liebschaft mit dem tapferen Ritter Lancelot eingeht und der intrigante Sir Mordred nach Arthurs Thron trachtet, nimmt das Schicksal seinen Lauf.

Der König auf Camelot

«Uomo demoniaco e brillantissimo» diceva il necrologio di Terence Hanbury White, noto come Tim agli amici e come T.H. al resto del mondo. Erudito e letterato finissimo, inveterato misantropo, nonché calligrafo, artigiano squisito e naturalista affascinato dal ferino, nel 1937 restò avvinto da un trattato secentesco di falconeria e ordinò dalla Germania un astore, il più coriaceo fra i rapaci, per dedicarsi, ignaro, al suo addestramento. Questo libro è la cronaca di quell’impresa temeraria: non un manuale, ma il racconto di un’esperienza profonda e lacerante, il tentativo di sottomettere all'uomo «una persona che non era un umano». Il novizio non sapeva di avere a che fare con «un assassino» dai folli occhi di «un forsennato arciduca bavarese»: eppure fra White, lo schiavo, e il suo tiranno, «l’orribile rospo aericolo» che per sei settimane lo impegnerà in un duello quotidiano, corre un vero «rapporto d’amore» – perché il primo falco tocca sempre il falconiere nel profondo, e la sua perdita gli causa «uno smottamento del cuore» che lascia senza respiro.

T.H. White

About

Books

Join the club