Claire Taylor

Thea Pitman

This volume provides an innovative and timely approach to a fast growing, yet still under-studied field in Latin American cultural production: digital online culture. It focuses on the transformations or continuations that cultural products and practices such as hypermedia fictions, net.art and online performance art, as well as blogs, films, databases and other genre-defying web-based projects, perform with respect to Latin American(ist) discourses, as well as their often contestatory positioning with respect to Western hegemonic discourses as they circulate online. The intellectual rationale for the volume is located at the crossroads of two, equally important, theoretical strands: theories of digital culture, in their majority the product of the anglophone academy; and contemporary debates on Latin American identity and culture.

Latin American Identity in Online Cultural Production

Gabrielle Carty

Marion Röwekamp

Sarah Barrow

Alexandra Simon-López

Richard Mora

F. Javier García Castaño

Damián Esteban Bretones

Tamar Abuladze

Vera Elisabeth Gerling

Identity and Otherness in Contemporary Chicano Cinema

iMex Revista (2)

This book is a detailed study of salient examples of Mexican travel writing from the nineteenth and twentieth centuries. While scholars have often explored the close relationship between European or North American travel writing and the discourse of imperialism, little has been written on how postcolonial subjects might relate to the genre. This study first traces the development of a travel-writing tradition based closely on European imperialist models in mid-nineteenth-century Mexico. It then goes on to analyse how the narrative techniques of postmodernism and the political agenda of postcolonialism might combine to help challenge the genre's imperialist tendencies in late twentieth-century works of travel writing, focusing in particular on works by writers Juan Villoro, Héctor Perea and Fernando Solana Olivares.

Mexican Travel Writing

Explores the scope that there is for Indigenous curatorial agency in the relationship of Indigenous contemporary art with the 'art world'.

The Curation of Indigenous Contemporary Art in Brazil

Decolonising the Museum

This highly-innovative volume provides the first sustained academic focus on cyberliterature and cyberculture in Latin America, investigating the ways in which this form of cultural production is providing new configurations of subjects, narrative voices, and even political agency. Despite cyberculture’s spread throughout the Hispanic diaspora, much of the influence of this new discipline on Latin American culture remains undocumented. This timely volume focuses on the inclusivity of this new scholarship and provides extensive geographical coverage of topics as diverse as Chicano border writing and Brazilian and Argentine cybercultural phenomena.

Latin American Cyberculture and Cyberliterature

Thea Pitman

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