Thomas Garnet Henry James

The general understanding of the life and career of Howard Carter is dominated by his discovery in 1922 of the tomb of Tutankhamun. By this time he had already spent nearly thirty years in Egypt, much of it in archaeological activity other than excavation. This book places the great discovery in the context of Carter's whole career, describing the clearly defined stages by which a young man of 17, brought to Egypt as a 'tracer' and knowing little beyond how to use a pencil and an artist's brush, became what one great Egyptologist called 'the very best artist', was appointed at the age of 26 the first Chief Inspector of Antiquities in Upper Egypt, and by good fortune out of disaster became 'the learned man' who assisted the 5th Earl of Carnarvon in his Theban excavations. Howard Carter's career before Tutankhamun was by no means confined to grubbing in unimportant sites. He was fortunate to be working in Egypt in the years when excavation and other forms of field-work, especially epigraphy, were developing beyond the amateurism and informal buccaneering of earlier times. His natural talents as artist, observer, and practical man, with his rare sympathy and understanding of the Egyptians who lived and worked in the prime excavation sites, made him well suited to the uncertain conditions and unpredictable results of archaeological activities. Of modest origin, and by nature a solitary man, he was drawn to the grand life of those who made Egyptology a rich man's pastime in the early years of the twentieth century; of irascible and stubborn temper, he often alienated his supporters, and threatened his own downfall. He was not an easy man to be involved with. In this study of a complex character, who ultimately achieved supreme archaeological triumph, much use has been made of a wide range of documentary sources, including some never previously exploited, so as to place Howard Carter in the social and political milieux of Egypt at a period of great change.

The Path to Tutankhamun

Howard Carter

British Museum

From tbe earliest times the Egyptians used bold, bright colours to decorate their buildings, sculptures, papyri, coffins and funerary chests. The large tomb-paintings in the British Museum are the most brilliant examples of their artistry but their love of colour shows also in the small vignettes of painted papyri. This book surveys the whole range of Egypian painting, illustrated chiefly by the wealth of material in the British Museum. T.G.H. Jamesexamines the material used by the ancient painters and explains the conventions and methods which governed some great artists, whose work should be valued in its own right as well as for its incomparable record record of Egyptian life 3000 years ago.

Egyptian Painting and Drawing in the British Museum

W. V. Davies

Egyptian Sculpture

From the awe-inspring stone colossi of the kings of the delightful small bronze cats, the Egyptian sculptors showed a mastery of form and serenity of style which has never been surpassed. This concise, illustrated survey of 3000 years of Eyptian sculpture is based on the great collections of the British Museum. Why and how this immense range of sculpture was made, and the paths by which so many splendid examples reached the Museum, form the intrduction to this book. The authors go on to describe many of the finest sculptures in the collections, most of which can now be seen in the Egtptian Sculpture Gallery.

Describes the most important archaeological sites in Egypt, reviews ancient Egyptian history, and assesses Egyptian achievements. Also, artifacts and where they were found.

The Land and Its Legacy

Ancient Egypt

Elizabeth M. Bucar

Liz Bucar

Professor of Philosophy and Religion Liz Bucar

Who says you can't be pious and fashionable? Throughout the Muslim world, women have found creative ways of expressing their personality through the way they dress. Headscarves can be modest or bold, while brand-name clothing and accessories are part of a multimillion-dollar ready-to-wear industry that caters to pious fashion from head to toe. In this lively snapshot, Elizabeth Bucar takes us to Iran, Turkey and Indonesia and finds a dynamic world of fashion, faith and style. "Brings out both the sensuality and pleasure of sartorial experimentation." --Times Literary Supplement "I defy anyone not to be beguiled by Bucar's] generous-hearted yet penetrating observation of pious fashion in Indonesia, Turkey and Iran...Bucar uses interviews with consumers, designers, retailers and journalists...to examine the presumptions that modest dressing can't be fashionable, and fashion can't be faithful." --Times Higher Education "Bucar disabuses readers of any preconceived ideas that women who adhere to an aesthetic of modesty are unfashionable or frumpy." --Washington Post "A smart, eye-opening guide to the creative sartorial practices of young Muslim women...Bucar's lively narrative illuminates fashion choices, moral aspirations, and social struggles that will unsettle those who prefer to stereotype than inform themselves about women's everyday lives in the fast-changing, diverse societies that constitute the Muslim world." --Lila Abu-Lughod, author of Do Muslim Women Need Saving?

How Muslim Women Dress

Pious Fashion

The Mastaba of Khentika Called Ikhekhi

Describes the most important archaeological sites in Egypt, reviews ancient Egyptian history, and assesses Egyptian achievements

Nigel Strudwick

Edna R. Russmann

Presented here are a wide variety of objects - sculpture, relief, papyri, ostraca, jewelry, cosmetic objects, and funerary items - in a variety of media, including stone, wood, terra cotta, ivory, gold, glass, and papyrus, each categorized according to its use in ancient culture. From objects belonging to the king and housed in the temple to the tools of daily life used by artists and nobles to ritual objects concerning death and the afterlife, the treasures collected here are a testament to the rich, vibrant, and captivating culture of the ancient Egyptians. The British Museum possesses one of the world's foremost collections of Egyptian antiquities. In Temples and Tombs, readers are presented with a rare opportunity to glimpse the collection's renowned masterpieces and treasures little known outside the museum walls. The eighty-five objects featured within these pages span a full range of pharaonic history - from shortly before the First Dynasty, about 3100 B.C., to the Roman occupation of the fourth century A.D. - and cover each of the four periods into which ancient Egyptian history is divided: Old Kingdom, Middle Kingdom, New Kingdom, and the Late Period. This fully illustrated book accompanies a major traveling exhibition organized by the American Federation of Arts and the British Museum. Edna R. Russmann is curator of Egyptian, classical, and ancient Middle Eastern art at the Brooklyn Museum of Art. Nigel Strudwick is assistant keeper of the Department of Egypt and Sudan at the British Museum. T. G. H. James is former keeper of Egyptian antiquities at the British Museum.

Treasures of Egyptian Art from the British Museum

Temples and Tombs

Toledo Museum of Art

This sumptuously illustrated book is a wonderful introduction to the enormous and varied legacy of ancient Egypt. Created to accompany one of the greatest loan exhibitions ever to have been mounted from the collections of the British Museum, Eternal Egypt illustrates the development and achievements of ancient Egyptian art over a period of more than 3,000 years. Almost all of the artifacts have been drawn from the Museum's permanent exhibitions; many are among the finest examples of their kind to have survived from antiquity. Handsomely produced, this book reveals these objects--including sculpture, relief, papyri, hieroglyphic writing, jewelry, painting, cosmetic objects, and items of funerary equipment--as a means of extraordinary artistic expression rather than simply as historical documents. The book and the exhibit, which will travel to eight U.S. cities over the course of three years, provide a remarkable opportunity to explore the creative genius of one of the world's most extraordinary civilizations. Eternal Egypt features the unique and innovative aspects of art from each period, as well as characteristic styles, forms, and genres. Edna Russmann, one of the world's leading authorities on ancient Egyptian art and curator of the exhibition, offers a wide-ranging and authoritative introductory essay that covers archaism, portraiture, and stylistic innovation in Egyptian art. The text also relates the history of the British Museum collection of Egyptian antiquities, showing how these exquisite art works came together. Each piece in the exhibition is given a separate explanatory entry in the book. With its superb color photographs and accessible yet informative text, Eternal Egypt marks a substantial step forward in scholarly understanding of its subject, embodying the results of the very latest research and containing many new and original insights and observations. It will be a must read for anyone with a passion for ancient Egypt. Published in association with the American Federation of Arts by arrangement with the British Museum Press

Masterworks of Ancient Art from the British Museum

Eternal Egypt

James takes the reader back to the sites from which the wealth of objects yielded by ancient Egypt and now admired in museum all over the world came from. He follows the Nile from the Delta to Nubia, via the great monuments of Memphis, Abydos and Thebes and shows why these places were to provide such superb evidence of the Egyptian achievement. His evocative text and the numerous illustrations illuminate the real significance of Egypt's legacy making a visit to the Egyptian galleries of a museum, or a journey to Egypt itself a much more rewarding experience.

Thomas Garnet Henry James

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