Thomas J. Davis

Thomas Joseph Davis

A Bibliography Selected from the ATLA Religion Database

Theodicy, Suffering, and Good and Evil

Brenda M. Brock

This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated during the opening of the 20th century and proved to be a force in the modernization of America. This engaging reference text represents the voices of the era in poetry and prose, in full or excerpted from anecdotes, editorials, essays, manifestoes, orations, and reminiscences, with appearances by major figures and often overlooked contributors to the Harlem Renaissance. Organized topically and, within topics, chronologically, the volume reaches beyond the typical representation of the spirit and substance of the movement, examinations of which are typically confined to the New York City community and from U.S. entry into World War I in 1917 to the depths of the Great Depression in 1935. It carries readers from the opening of the Harlem Renaissance, which began at the top of the 20th century, to its heights in the 1920s and '30s and through to its artistic and literary echoes in the shadows of World War II (1939–1945).

Documents of the Harlem Renaissance

Tom Davis

Tammy Maltby

Dealing with the secret pain in the lives of many "good Christian" men. In a continuation of Confessions of a Good Christian Girl, Tammy Maltby is back with coauthor Tom Davis to get specific about the brokenness and pain in the lives of good Christian men. This isn't a lurid expose but an honest and courageous look at the secrets most often lurking behind "victorious" Christian facades. Chapters include: I've got a dirty mind I'm a self-made man I want more stuff I need my dad I love booze I don't like to feel I'm so ticked off I want to give up In addition to the transparent stories and insight from Davis, Matlby concludes each chapter with reflections for those who care-practical insight for individuals walking beside a man struggling with these issues.

The Secrets Men Keep and the Grace that Saves Them

Confessions of a Good Christian Guy

The shiny aluminum tree was the symbol of everything he thought was right in their lives and everything she thought was wrong. It was 1958 and Jimmy Jackson had it all: a wife, two kids, and the promotion that was his ticket to success. Finally, he could afford all those things he had gazed at in the Sears Roebuck catalog. But now that he had the money, would he find that the true cost was more than he could pay?

A Novel

The Aluminum Christmas Tree

It's C. S. Lewis (The Screwtape Letters) meets Christopher Moore (Lamb) in this quirky fable about human aspirations and the nature of temptation. Timothy McFarland is a failed theology student turned gift book writer. His 101 Good Things about Christmas has sold millions. But Timothy finds that his success has changed nothing; in fact, he seems more stuck in his life than ever. Wanting to be more than a rich hack, he is confronted by Lucifer, a Wagner-loving devil who offers to mold Timothy into a serious writer by teaching him to take a colder look at life. And it works. Timothy is published in the right literary and commercial venues, and there's talk of The Great American Novel. Along the way, Timothy and the devil are having a grand time, talking religion, catching bad Elvis impersonators at the casinos, and watching devil-cam, Lucifer's ultimate home video network. But there's a final step Timothy must take. Can he write coolly about a tragedy that unfolds before his eyes, as the devil urges? Will he take on the full weight of the devil's writing gift and make it his own? All he has to do is change who he really is.

The Devil Likes to Sing

This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated the opening of the 20th century and proved a force in the modernization of America. This engaging reference text represents the voices of the era in poetry and prose, in full or excerpted from anecdotes, editorials, essays, manifestoes, orations, and reminiscences, with appearances by major figures and often overlooked contributors to the Harlem Renaissance. Organized topically and, within topics, chronologically, the volume reaches beyond the typical representation of the spirit and substance of the movement, examinations of which are typically confined to the New York City community and from U.S. entry into World War I in 1917 to the depths of the Great Depression in 1935. It carries readers from the opening of the Harlem Renaissance, which began at the top of the 20th century, to its heights in the 1920s and '30s and through to its artistic and literary echoes in the shadows of World War II (1939–1945). Collects more than 100 primary source documents, excerpting literature and commentary on arts and activities that produced illustrative images Defines the "New Negro" within the context of the Harlem Renaissance, explaining how the identity of the "New Negro" was central to the ideology and cultural expressions of the Harlem Renaissance Covers more than sixty personalities of the movement, offering both diverse and divergent perspectives on African American experiences during the first third of the 20th century Includes both popularly recognized and often overlooked contributors to the Harlem Renaissance

Thomas J. Davis

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