Thomas J. Travisano

Steven Gould Axelrod

Camille Roman

A multi-volume collection of American poetry includes Native American songs and lyrics, early European colonial poetry, the classics of the American canon, and a variety of lesser-known poets.

The New Anthology of American Poetry: Modernisms, 1900-1950

Overview: Steven Gould Axelrod, Camille Roman, and Thomas Travisano continue the standard of excellence set in Volumes I and II of this extraordinary anthology. Volume III provides the most compelling and wide-ranging selection available of American poetry from 1950 to the present. Its contents are just as diverse and multifaceted as America itself and invite readers to explore the world of poetry in the larger historical context of American culture. Nearly three hundred poems allow readers to explore canonical works by such poets as Elizabeth Bishop, Robert Lowell, and Sylvia Plath, as well as song lyrics from such popular musicians as Bob Dylan and Queen Latifah. Because contemporary American culture transcends the borders of the continental United States, the anthology also includes numerous transnational poets, from Julia de Burgos to Derek Walcott. Whether they are the works of oblique avant-gardists like John Ashbery or direct, populist poets like Allen Ginsberg, all of the selections are accompanied by extensive introductions and footnotes, making the great poetry of the period fully accessible to readers for the first time.

Traditions and Revolutions, Beginnings to 1900

The New Anthology of American Poetry

Margaret Dickie

Thirteen original essays on Gertrude Stein, H. D., Marianne Moore, Edna St. Vincent Millay, Laura (Riding) Jackson, Elizabeth Bishop, Muriel Rukeyser, and Gwendolyn Brooks demonstrate how these women expand the social, textual, and political boundaries of modernism. The collection places these poets in the context of their times, examining the conditions that helped shape their vivid and diverse poetic careers and reconsidering some of the assumptions that have led to their exclusion from the main narratives of modernist poetry. Ultimately, the aim is to enlarge the literary history of the movement--for gendered, modernism extends backward to the first years of the century, and forward to the beginnings of postmodernism in the 1960s.

American Women Poets and Their Readers

Gendered Modernisms

In this book, the first study of Elizabeth Bishop's whole career, Travisano explores her development as an artist. Through sensitive reading of the poems, supported by comparison with Bishop's letters, interviews, stories, memoirs, and critical essays, he defines the traditions that shaped Bishop's introspective early work and the evolution of her later work toward a more public style.

Thomas J. Travisano

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