Thomas Keenan

This book offers an analysis of the ways a linked set of ethico-political concepts—responsibility, rights, freedom, equality, and justice—might be re-thought, not simply jettisoned or reactively defended, in view of the linguistic deconstruction of their underlying principle, the individual human subject. In a series of readings of contemporary thinkers (notably Foucault and Derrida) and their philosophical antecedents (Marx, Nietzsche, Sade), the author argues that an encounter with the difficulties of reading (literary) language, precisely what resists the immediate comprehension or mastery of a subject, enables in turn a new thought of rights and responsibility. What literature teaches us about politics is that the absence of foundations, whether in the world or in the subject, far from being its downfall, is its very condition of possibility: because a foundation or a final resolution is lacking, we have politics and ethics and their predicaments. Like the reading of a text, which is never quite done, any responsibility worthy of the name cannot rest in the good conscience of its certain accomplishment; likewise, the assertion of rights can never be circumscribed or guaranteed—hence the ongoing necessity of the ethical and the political. The book is driven by a sense that literary and theoretical questions, and the ideas or concepts they appeal to or provoke, play a critical role in the way we think about and experience politics, but that literary critics and theorists do far too little to understand those links or make them matter outside a very restricted sphere. The author seeks to harness this specialized discourse in order to consider what ethical and political thinking might learn from literature and its theorists.

Aberrations and Predicaments in Ethics and Politics

Fables of Responsibility

Wendy Hui Kyong Chun

In this history of new media technologies, leading media and cultural theorists examine new media against the background of traditional media such as film, photography, and print in order to evaluate the multiple claims made about the benefits and freedom of digital media.

A History and Theory Reader

New Media, Old Media

Tirdad Zolghadr

Fondation LUMA.

The 1955 exhibition The Family of Man, first shown at MoMA, used

The Human Snapshot

Suhail Malik

It is difficult to imagine making claims for human rights without using images. For better or worse, images of protest, evidence, and assertion are the lingua franca of struggles for justice today. And they seem to come in a flood, more and more, day and night. But through which channels does the torrent pass? The Flood of Rights examines the pathways through which these images and ideas circulate—routes that do not merely enable, but actually shape human-rights claims and their conceptual background. What are the technologies and languages that structure the global distribution of humanism and universalism, and how do they leave their mark on these ideas themselves? Which narratives and imageries have proven easier to export and import, and whose interests are at stake in the configurations in question? The Flood of Rights draws on a conference of the same name, organized by the LUMA Foundation and Center for Curatorial Studies at Bard College, which took place in Arles, France, in 2013. Copublished with the LUMA Foundation and the Center for Curatorial Studies at Bard College, New York Contributors Amanda Beech, Rony Brauman, David Campbell, Olivia Custer, Rosalyn Deutsche, Thomas Keenan, Eric Kluitenberg, David Levine, Suhail Malik, Sohrab Mohebbi, Sharon Sliwinski, Hito Steyerl, Bernard Stiegler, Tirdad Zolghadr

The Flood of Rights

Gabriela Nouzeilles

Joan Fontcuberta

Valeria González

Eduardo Cadava

John Mraz

Mauricio Lissovsky

"This book is published on the occasion of the exhibition The Itinerant Languages of Photography, Princeton University Art Museum, September 7, 2013-January 19, 2014"--Title page verso.

The Itinerant Languages of Photography

Werner Hamacher

Neil Hertz

This collection of essays serves as a forum for a broad spectrum of responses to the war-time writing of Paul de Man, responses rarely in agreement and often sharply contradictory, differing in approach, affect, and style. Responses engages in reading de Man’s early articles, in articulating their multiple contexts, then and now, and in opening the limitations imposed by rubrics like “the case of Paul de Man” and “deconstruction politics.” Responses brings together the readings and commentaries of literary critics and historians from the United States and Europe, with their diverse strategies—historical, rhetorical, psychological, political. The primary aims of these essays are reading de Man’s texts, from 1940 to 1983, and assessing them in their political, ideological, and institutional fields. Responses also provides essential historical materials—letters, documents, personal recollections—on Le Soir and Het Vlaamsche Land, on the occupation of Belgium, and on the biography of Paul de Man. An appendix collects the recent reactions of newspapers in the United States and Europe (France, Germany, Switzerland, Sweden, Belgium, and elsewhere) to the discovery of de Man’s wartime writings. Contributors include Yves Bonnefoy, Cynthia Chase, Else de Bens, Ortwin de Graef, Jacques Derrida, Rodolphe Gasche, Gerald Graff, Barbara Johnson, Jeffrey Mehlman, J. Hillis Miller, Edward Said, Marc Shell, Gayatri Spivak, and others. The collection appears under the auspices of the Oxford Literary Review, England’s leading theoretical journal for over a decade.

On Paul de Man's Wartime Journalism

Responses

Diane Dufour

"Images of Conviction" shows, through 11 cases, how the photographic image is constructed to become evidence.From the scientific methods developed by Alphonse Bertillon, a criminologist who worked for the Préfecture de Police de Paris in the late 19th century, to the first aerial images of the front taken by the army during World War I, to the shots allowing the victims of Stalin's Great Purge to be identified--for over 150 years photography has served as proof, testifying to crime and thus seeming to deliver truths. In the 11 cases presented here, each one situated within its historical and political context, the question of the status of images is acutely posed. Whether it be the famous shots of the Shroud of Turin, the images of the Nuremberg trial, the skull of Josef Mengele or photos taken with cell phones recording the damage of drone strikes in Afghanistan and Israel, forensic images are now part of any police or political investigation.

The Construction of Visual Evidence

Images of Conviction

Emmanuel Levinas Professor of Philosophy Werner Hamacher

This collection of essays serves as a forum for a broad spectrum of responses to the war-time writing of Paul de Man, responses rarely in agreement and often sharply contradictory, differing in approach, affect, and style. Responses engages in reading de Man's early articles, in articulating their multiple contexts, then and now, and in opening the limitations imposed by rubrics like “the case of Paul de Man” and “deconstruction politics." Responses brings together the readings and commentaries of literary critics and historians from the United States and Europe, with their diverse strategies—historical, rhetorical, psychological, political. The primary aims of these essays are reading de Man's texts, from 1940 to 1983, and assessing them in their political, ideological, and institutional fields. Responses also provides essential historical materials—letters, documents, personal recollections—on Le Soir and Het Vlaamsche Land, on the occupation of Belgium, and on the biography of Paul de Man. An appendix collects the recent reactions of newspapers in the United States and Europe (France, Germany, Switzerland, Sweden, Belgium, and elsewhere) to the discovery of de Man's wartime writings. Contributors include Yves Bonnefoy, Cynthia Chase, Else de Bens, Ortwin de Graef, Jacques Derrida, Rodolphe Gasche, Gerald Graff, Barbara Johnson, Jeffrey Mehlman, J. Hillis Miller, Edward Said, Marc Shell, Gayatri Spivak, and others. The collection appears under the auspices of the Oxford Literary Review, England's leading theoretical journal for over a decade.

Eyal Weizman

In the aftermath of World War II, two notorious Nazi villains were exposed in different ways. Adolf Eichmann was tried in Jerusalem in 1960, beginning the ''era of the witness'' in the prosecution of human rights abuses. Josef Mengele escaped Germany and lived out his life hidden in Argentina. After Mengele's death in 1985, his body was identified on an examining table in a morgue by a group of forensic scientists in Brazil. This book, based on a presentation by the authors, explores the emergence of the object in human rights, the conditions of its presentation, and the aesthetic operations involved in deciphering the ''speech of things.''

The Advent of a Forensic Aesthetics

Mengele's Skull

Roger Berkowitz

Jeffrey Katz

Hannah Arendt is one of the most important political theorists of the twentieth century. In her works, she grappled with the dark events of that century, probing the nature of power, authority, and evil, and seeking to confront totalitarian horrors on their own terms. This book focuses on how, against the professionalized discourses of theory, Arendt insists on the greater political importance of the ordinary activity of thinking. Indeed, she argues that the activity of thinking is the only reliable protection against the horrors that buffeted the last century. Its essays explore and enact that activity, which Arendt calls the habit of erecting obstacles to oversimplifications, compromises, and conventions. Most of the essays were written for a conference at Bard College celebrating the 100th anniversary of Arendt's birth. Arendt left her personal library and literary effects to Bard, and she is buried in the Bard College cemetery. Material from the Bard archive--such as a postcard to Arendt from Walter Benjamin or her annotation in her copy of Machiavelli's The Prince--and images from her life are interspersed with the essays in this volume. The volume will offer provocations and insights to Arendt scholars, students discovering Arendt's work, and general readers attracted to Arendt's vision of the importance of thinking in our own dark times.

Thomas Keenan

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