Tim Ingold

A Brief History

Lines:

Humanity is at a crossroads. We face mounting inequality, escalating political violence, warring fundamentalisms and an environmental crisis of planetary proportions. How can we fashion a world that has room for everyone, for generations to come? What are the possibilities, in such a world, of collective human life? These are urgent questions, and no discipline is better placed to address them than anthropology. It does so by bringing to bear the wisdom and experience of people everywhere, whatever their backgrounds and walks of life. In this passionately argued book, Tim Ingold relates how a field of study once committed to ideals of progress collapsed amidst the ruins of war and colonialism, only to be reborn as a discipline of hope, destined to take centre stage in debating the most pressing intellectual, ethical and political issues of our time. He shows why anthropology matters to us all. Introducing Polity’s Why It Matters series: In these short and lively books, world-leading thinkers make the case for the importance of their subjects and aim to inspire a new generation of students.

Why It Matters

Anthropology

Making: Anthropology, Archaeology, Art and Architecture

An integrated approach to understanding how people live, learn, work in and perceive their environments.

Essays on Livelihood, Dwelling and Skill

The Perception of the Environment

To live, every being must put out a line, and in life these lines tangle with one another. This book is a study of the life of lines. Following on from Tim Ingold's groundbreaking work Lines: A Brief History, it offers a wholly original series of meditations on life, ground, weather, walking, imagination and what it means to be human. In the first part, Ingold argues that a world of life is woven from knots, and not built from blocks as commonly thought. He shows how the principle of knotting underwrites both the way things join with one another, in walls, buildings and bodies, and the composition of the ground and the knowledge we find there. In the second part, Ingold argues that to study living lines, we must also study the weather. To complement a linealogy that asks what is common to walking, weaving, observing, singing, storytelling and writing, he develops a meteorology that seeks the common denominator of breath, time, mood, sound, memory, colour and the sky. This denominator is the atmosphere. In the third part, Ingold carries the line into the domain of human life. He shows that for life to continue, the things we do must be framed within the lives we undergo. In continually answering to one another, these lives enact a principle of correspondence that is fundamentally social. This compelling volume brings our thinking about the material world refreshingly back to life. While anchored in anthropology, the book ranges widely over an interdisciplinary terrain that includes philosophy, geography, sociology, art and architecture.

The Life of Lines

Siamo linee

Où qu'ils aillent et quoi qu'ils fassent, les hommes tracent des lignes : marcher, écrire, dessiner ou tisser sont des activités où les lignes sont omniprésentes, au même titre que l'usage de la voix, des mains ou des pieds. Dans Une brève histoire des lignes, l'anthropologue anglais Tim Ingold pose les fondements de ce que pourrait être une "anthropologie comparée de la ligne" - et, au-delà, une véritable anthropologie du graphisme. Etayé par de nombreux cas de figure (des pistes chantées des Aborigènes australiens aux routes romaines, de la calligraphie chinoise à l'alphabet imprimé, des tissus amérindiens à l'architecture contemporaine), l'ouvrage analyse la production et l'existence des lignes dans l'activité humaine quotidienne. Tim Ingold divise ces lignes en deux genres - les traces et les fils - avant de montrer que l'un et l'autre peuvent fusionner ou se transformer en surfaces et en motifs. Selon lui, l'Occident a progressivement changé le cours de la ligne, celle-ci perdant peu à peu le lien qui l'unissait au geste et à sa trace pour tendre finalement vers l'idéal de la modernité : la ligne droite. Cet ouvrage s'adresse autant à ceux qui tracent des lignes en travaillant (typographes, architectes, musiciens, cartographes) qu'aux calligraphes et aux marcheurs - eux qui n'en finissent jamais de tracer des lignes car quel que soit l'endroit où l'on va, on peut toujours aller plus loin.

Une brève histoire des lignes

Humanity, Culture and Social Life (Routledge World Reference)

Companion Encyclopedia of Anthropology

Every year, leading social anthropologists meet in Manchester to debate a motion at the heart of current theoretical developments in their subject. Key Debates in Anthropology collects together the first six of these debates, spanning the period from 1988 to 1993. For each debate there are four principal speakers: one to propose the motion, another to oppose it, and two seconders. These debates give unprecedented insight into the process of anthropological theory in the making, as the many contributors both engage with each other's positions and respond to wider intellectual currents of the time. With its unique format, Key Debates in Anthropology addresses issues that are currently at the top of the theoretical agenda, and registers the pulse of contemporary thinking in social anthropology. The presentations, by leading anthropologists of both older and younger generations, are clear, original and provocative.

Key Debates in Anthropology

essays on movement, knowledge and description

Being alive

Grâce à ses expériences de terrain en tant qu'ethnologue des communautés d'éleveurs de rennes de Laponie, et avec l'aide de bon nombre de philosophes et d'anthropologues (Martin Heidegger, Gregory Bateson, Gilles Deleuze, Jakob von Uexküll, James Gibson, Charles Darwin, etc.), Tim Ingold déploie dans cette anthologie les lignes d'une pensée originale délimitant les territoires de l'évolution biologique et culturelle, les environnements humains et non humains, les royaumes de la pensée et de l'action, ainsi que les discours rivaux de l'art et de la science. De la poétique de l'habiter à l'écologie du sensible, Tim Ingold plaide pour une réconciliation entre les projets de la science naturelle et ceux de l'éthique environnementale, pour un retour aux sources de l'anthropologie.

Marcher avec les dragons

O que andar, tecer, observar, contar histórias, cantar, desenhar e escrever têm em comum? A resposta é que todos eles procedem ao longo de linhas. Neste livro Tim Ingold imagina um mundo no qual tudo consiste em linhas entretecidas e interconectadas e lança os alicerces para uma disciplina completamente nova: a Arqueologia Antropológica das Linhas. O argumento de Ingold nos leva pela música da Grécia antiga e do Japão contemporâneo, pelos labirintos siberianos e pelas estradas romanas, pelos ideogramas chineses e pelo alfabeto impresso, trançando um caminho entre a Antiguidade e o presente. Baseando-se em uma multidão de disciplinas, incluindo Arqueologia, Estudos Clássicos, História da Arte, Linguística, Psicologia, Musicologia, Filosofia e muitas outras, e incluindo diversas ilustrações, este livro é uma jornada intelectual estimulante que mudará a forma que vemos o mundo e como caminhamos por ele.

Uma breve história

Linhas

En La vida de las líneas, Ingold desarrolla una antropología filosófica y ecológica que es a la vez amplia, integradora e inclusiva. Su narrativa es poética y entrelaza cuerpos, mentes, paisajes, topografías y percepciones en un encuentro de líneas. Nos lleva en un viaje a través de movimientos, nudos, climas, atmósferas y superficies guiándonos hacia una conclusión esencial: humanar es un verbo.

La vida de las líneas

Cover -- Title -- Copyright -- Contents -- LIST OF FIGURES -- ACKNOWLEDGEMENTS -- PREFACE TO THE ROUTLEDGE CLASSICS EDITION -- Introduction -- 1 Language, music and notation -- 2 Traces, threads and surfaces -- 3 Up, across and along -- 4 The genealogical line -- 5 Drawing, writing and calligraphy -- 6 How the line became straight -- NOTES -- REFERENCES -- INDEX

Lines

¿En qué se parecen caminar, tejer, observar, narrar, cantar, dibujar y escribir? La repuesta es que, de uno u otro modo, todo lo anterior se lleva a cabo a través de líneas. Visto así, la Historia entera es una línea, compuesta por pequeñas líneas. En este libro Tim Ingold imagina un mundo en el que todos y todo se compone de líneas entrelazadas o in-terconectadas y sienta las bases de una nueva disciplina: la ar-queología antropológica de la línea. El argumento de Ingold nos lleva a través de la música de la antigua Grecia y del Japón contemporáneo, por laberintos de Siberia y vías ro-manas, por la caligrafía china y el alfabeto impreso, tejiendo un camino entre la antigüedad y el presente. Ingold revela cómo nuestra percepción de las líneas ha cambiado en el tiempo, con la modernidad antes de convertirse en recta, la línea es un conjunto de puntos, pero el mundo posmoderno la rompe y fragmenta para estudiarla mejor. Tim Ingold utiliza para su estudio muchas disciplinas, como la Arqueolo-gía, Estudios Clásicos, Historia del Arte, la Lingüística, la Psicología, la Musicología, la Filosofía y muchos otros. Este libro nos lleva por un viaje intelectual estimulante que va a cambiar la manera en que vemos el mundo y la forma en que vamos por el mismo.

Una breve historia

Líneas

Kathleen Rita Gibson

The question addressed by this volume is how human beings have evolved as creatures who can make and use more complex tools, communicate in more complex ways and engage in more complex forms of social life than any other species in the animal kingdom. Leading researchers from fields as diverse as biological and social anthropology, archaeology, linguistics, psychology, neurology and ethology have come together to present a unique interdisciplinary study of this central question in human evolution. The topics explored include the parallels between speech, manual gesture and other modes of communication; comparisons of the tool-using skills and imitative abilities of humans and non-human primates and the neurological links between the cognitive processes involved in language. This important volume will be essential reading for all those interested in human evolution, be they philosophers, humanists or scientists.

Tools, Language, and Cognition in Human Evolution

Kenneth Olwig

Compiling nine authoritative essays spanning an extensive academic career, author Kenneth R. Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective. With influences from art, literature, theatre staging, architecture, and garden design, landscape has come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment. Aimed at students, scholars, and researchers in landscape and beyond, this illustrated volume traces the idea of landscape from the ancient polis and theatre through to the present day.

Essays on Place, Space, Environment and Justice

The Meanings of Landscape

A Debate Held in the Muriel Stott Centre, John Rylands University Library of Manchester on 28th October 1989

The Concept of Society is Theoretically Obsolete

David Riches

James Woodburn

A collection of papers given at a conference in London to mark the 20th anniversary of the Man the Hunter Symposium. The two volumes resulting from this conference present new information on the structure and evolution of hunter-gatherer societies.

Hunters and Gatherers: History, evolution, and social change

Michelle Payne

This book celebrates Nash's year-long exhibition at the Royal Botanic Gardens, Kew. Stunning colour photography documents the exhibition in its entirety, allowing outdoor works to be appreciated against a changing seasonal background and showcasing new works created during the artist's six-month Kew residency. Essays from renowned contributors explore different facets of Nash's art and practice in relation to the Kew exhibition.

Tim Ingold

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