Tim Kane

"One century ago, in 1921, as the American colossus was emerging on the world stage, a populist backlash against foreign immigration was reinforced by fears of a global pandemic known as the Spanish flu. The backlash was bipartisan, and "emergency" legislation passed the U.S. Congress overwhelmingly. That decision was strategically myopic, undercutting the source of America's surprisingly sudden strength. Indeed, immigrants and the sons of immigrants filled the ranks of the victorious U.S. Army coming home from Europe after World War One, and it was the sons of immigrants who would fill the ranks in World War Two as well. Only during the Cold War era did America's leaders realize that its isolationist immigration laws were harmful. In 2021, the U.S. is stronger than ever on the world stage, yet ironically finds itself in a situation that mirrors that of 1921: populism combined with a global pandemic. Even as Joe Biden's Democratic Party takes over the reins of the federal government, limits on foreign travel are more extreme than ever. Whole countries are all but blockaded, and the emergency justification for keeping out potentially diseased foreigners in the Covid era will be hard to overcome. People, even enlightened voters in great democracies, are not very good at measuring short-term gains against long-term costs"--

How Brains, Brawn, and Bravery Make America Stronger

The Immigrant Superpower

John Byrne

Joss Whedon

Brian Lynch

David Messina

Franco Urru

Kevin Schmidt

Stephen Mooney

Nick Runge

Fabio Montovani

After The Fall Vol. 1, Premiere Edition

Angel

This book will shape the debate on how to save the military from itself. The first part recognizes, indeed celebrates, what the military has done well in attracting and developing leadership talent. The book then examines the causes and consequences of the modern military's stifling personnel system, with a close look at strategic failures in Iraq and Afghanistan. The book also reports a new survey of active duty officers (done by the author) that reports what is driving the best and brightest to leave the service in frustration. Solutions round out the book, grounded in an economic emphasis on market forces.

How the US Military Mismanages Great Leaders and Why It's Time for a Revolution

Bleeding Talent

An expert on the most popular trucks in the world, monster trucks, Tim Kane revisits the current stars of this family-friendly sport and explores how these racing machines have evolved in the past few years. The bodies of these beasts may have slimmed down, but the tires, springs, and shock absorbers have grown, allowing the trucks to soar over obstacles with more spectacular jumps and at much faster speeds. Monster Mega Trucks documents the acrobatic maneuvers and the breathtaking stunts of these oversized vehicles and the derring-do of the monster truck drivers. Readers will enjoy the photos of all the big crashes and how these trucks jump, fly, and weave, often on only one or two wheels, with 1,500-horsepower racing motors. In addition, Kane explores other real-life Transformers that can walk, fly, crawl, and swim. These are true shape-shifting creatures that travel by air, water, and land and perform important tasks, such as eating litter or sucking up oil after a spill.

. . . And Other Four-Wheeled Creatures

Monster Mega Trucks

Vampires have been a fixture of film since Bela Lugosi brought Bram Stoker’s Dracula to life on the big screen in 1931. Over the decades the genre has been far from static, as vampire narratives changed and evolved with the appetites of their viewing public. First depicted as formally dressed villains, vampires would later be portrayed as supernatural beings with some human characteristics, and still later as sympathetic figures. Focusing on 19 representative films and television productions, this critical study tracks the evolutionary changes of the screen vampire. It explores the factors that cause a genre to change and examines the alternating cycles of audience expectation. The author identifies three distinct modes of depiction: the Malignant Cycle (1931–1948), comprised primarily of the Universal films; the Erotic Cycle (1957–1985), which encompasses Hammer films and popular television shows such as Dark Shadows; and the Sympathetic Cycle (1987–present) including recent offerings such as The Lost Boys, Interview with the Vampire and Buffy the Vampire Slayer. Each film is evaluated in seven key areas including the act of the vampire biting the victim; process of the victim’s infection; physical appearance and demeanor of the vampire and the vampire expert; and the eventual destruction of the vampire. Appendices include a complete filmography of the films examined. Instructors considering this book for use in a course may request an examination copy here.

A Critical Study of the Growth of a Genre

The Changing Vampire of Film and Television

J. Bernlef

roman

Formørkelse

Glenn Hubbard

In this groundbreaking book, two economists explain why economic imbalances cause civil collapse—and why America could be next. From the Ming Dynasty to Ottoman Turkey to Imperial Spain, the Great Powers of the world emerged as the greatest economic, political, and military forces of their time—only to collapse into rubble and memory. What is at the root of their demise—and how can America stop this pattern from happening again? A quarter century after Paul Kennedy's Rise and Fall of the Great Powers, Glenn Hubbard and Tim Kane present a bold, sweeping account of why powerful nations and civilizations break down under the heavy burden of economic imbalance. Introducing a profound new measure of economic power, Balance traces the triumphs and mistakes of imperial Britain, the paradox of superstate California, the long collapse of Rome, and the limits of the Japanese model of growth. Most importantly, Hubbard and Kane compare the twenty-first century United States to the empires of old and challenge Americans to address the real problems of our country’s dysfunctional fiscal imbalance. Without a new economics and politics of balance, they show the inevitable demise ahead.

The Economics of Great Powers from Ancient Rome to Modern America

Balance

A revolutionary look at how the armed forces need to update management policies

Vampires have been a fixture of film since Bela Lugosi brought Bram Stoker's Dracula to life on the big screen in 1931. Over the decades the genre has been far from static, as vampire narratives changed and evolved with the appetites of their viewing public. First depicted as formally dressed villains, vampires would later be portrayed as supernatural beings with some human characteristics, and still later as sympathetic figures. Focusing on 19 representative films and television productions, this critical study tracks the evolutionary changes of the screen vampire. It explores the factors that cause a genre to change and examines the alternating cycles of audience expectation. The author identifies three distinct modes of depiction: the Malignant Cycle (1931-1948), comprised primarily of the Universal films; the Erotic Cycle (1957-1985), which encompasses Hammer films and popular television shows such as Dark Shadows; and the Sympathetic Cycle (1987-present) including recent offerings such as The Lost Boys, Interview with the Vampire and Buffy the Vampire Slayer. Each film is evaluated in seven key areas including the act of the vampire biting the victim; process of the victim's infection; physical appearance and demeanor of the vampire and the vampire expert; and the eventual destruction of the vampire. Appendices include a complete filmography of the films examined.

Tim Kane

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