Tim Leach

A SUNDAY TIMES HISTORICAL NOVEL OF THE YEAR. Tenth-century Iceland. In the midwinter darkness, on the lifeless black soils of a newly settled land, two friends kill a man. Kjaran, an itinerant storyteller, and Gunnar, a once-feared warrior, must make a choice: conceal the deed or confess to it and pay the blood price to the dead man's brothers. For the right reasons, they make the wrong choice. Kjaran and Gunnar's fateful decision will leave them fighting for their lives, fighting to retain their humanity as Iceland's unyielding code of honour ignites a remorseless blood feud that will consume all it touches. 'Smile of the Wolf bares its fangs from the first page. Like a medieval tapestry, the storytelling is rich with imagery. Readers will be lured spellbound into this lyrical and evocative Icelandic saga. It deserves huge success' DAVID GILMAN.

The Smile of the Wolf

The Winter War

Tengo una buena historia que contarte. De duelos y traiciones; de exilio y venganza. Ninguna otra historia importa, si esta se olvida. Una novela de vikingos con la épica y el poder de las historias contadas junto a una hoguera. En un mundo de hielo y nieve, el único código que reina es el del honor y la amistad. Todo empezó una noche de invierno, cuenta el poeta Kirián Sin Tierra. Él y su amigo Gunnar, un granjero con un poco de tierra y un pasado, salieron a acabar con el fantasma que, algunos decían, merodeaba en una granja vecina y acosaba a quienes se acercaban hasta ella. Sin embargo, era un engaño y mataron a un hombre. En la Islandia del siglo X hay delitos que solo pueden lavarse con plata o con sangre. La sonrisa del lobo nos transporta, con la fuerza evocadora y la épica de un relato contado junto a una hoguera, a una tierra dura de inviernos sin días y veranos sin noches. A una tierra de antiguos guerreros vikingos que vararon sus barcos pero todavía dispuestos a empuñar la espada, y de poetas que cambian historias por comida y canciones por un techo. A una tierra de hombres que huyeron de reyes y tiranos para ser libres e iguales, y que no temen apoyar a un amigo cuando lleva las de perder. Una tierra sin reglas salvo el honor y la ley, y donde no hay otro deber que el de la venganza.

La sonrisa del lobo

Eleventh-century Iceland. One night in the darkness of winter, two friends set out on an adventure but end up killing a man. Kjaran, a travelling poet who trades songs for food and shelter, and Gunnar, a feared warrior, must make a choice: conceal the deed or confess to the crime and pay the blood price to the family. For the right reasons, they make the wrong choice. Their fateful decision leads to a brutal feud: one man is outlawed, free to be killed by anyone without consequence; the other remorselessly hunted by the dead man's kin. Set in a world of ice and snow, it is an epic story of exile and revenge, of duels and betrayals, and two friends struggling to survive in a desolate landscape, where honour is the only code that men abide by.

Smile of the Wolf

Ten years after the fall of Babylon, Cyrus's army is on the march again. His slave Croesus, no longer a young man, accompanies him as always, as does the king's son and heir Cambyses, who has inherited none of his father's diplomacy or charisma and all of his vanity and violence. When the warriors of Persia are unexpectedly crushed in battle Cyrus is put to death, and Cambyses assumes the throne. Croesus, once a king himself, is called upon to guide the young man; but the young man cannot be guided, and after taking offence at an insult by an Egyptian ruler, Cambyses takes the full force of his father's empire to Africa for bloody and brutal vengeance...

The King and the Slave

A disgraced warrior must navigate a course between honour and shame, his people and the Roman Empire, in the first of a new trilogy set in the second century AD, from the author of Smile of the Wolf. AD173. The Danube has frozen. On its far banks gather the clans of Sarmatia. Winter-starved, life ebbing away on a barren plain of ice and snow, to survive they must cross the river's frozen waters. There's just one thing in their way. Petty feuds have been cast aside, six thousand heavy cavalry marshalled. Will it be enough? For across the ice lies the Roman Empire, and deployed in front of them, one of its legions. The Sarmatians are proud, cast as if from the ice itself. After decades of warfare they are the only tribe still fighting the Romans. They have broken legions in battle before. They will do so again. They charge. Sarmatian warrior Kai awakes on a bloodied battlefield, his only company the dead. The disgrace of his defeat compounded by his survival, Kai must now navigate a course between honour and shame, his people and the Empire, for Rome hasn't finished with Kai or the Sarmatians yet. PRAISE FOR SMILE OF THE WOLF: 'Superb... This is a thoughtful, literary take on a world that is more often depicted in a boy's adventure way. The focus in Leach's book is not on the fighting, but on the strange, inescapable logic that makes the fighting inevitable' The Times, Book of the Year 'A poetic, absorbing narrative with many of the same qualities as the medieval Icelandic sagas that it echoes and reimagines' Sunday Times, Book of the Year 'Smile of the Wolf bares its fangs from the first page. Like a medieval tapestry, the storytelling is rich with imagery. Readers will be lured spellbound into this lyrical and evocative Icelandic saga. It deserves huge success' David Gilman

A Winter War

A disgraced warrior must navigate a course between honour and shame, his people and the Roman Empire, in the first of a new trilogy set in the second century AD, from the author of Smile of the Wolf. AD173. The Danube has frozen. On its far banks gather the clans of Sarmatia. Winter-starved, life ebbing away on a barren plain of ice and snow, to survive they must cross the river's frozen waters. There's just one thing in their way. Petty feuds have been cast aside, six thousand heavy cavalry marshalled. Will it be enough? For across the ice lies the Roman Empire, and deployed in front of them, one of its legions. The Sarmatians are proud, cast as if from the ice itself. After decades of warfare they are the only tribe still fighting the Romans. They have broken legions in battle before. They will do so again. They charge. Sarmatian warrior Kai awakes on a bloodied battlefield, his only company the dead. The disgrace of his defeat compounded by his survival, Kai must now navigate a course between honour and shame, his people and the Empire, for Rome hasn't finished with Kai or the Sarmatians yet. PRAISE FOR SMILE OF THE WOLF: 'Superb ... This is a thoughtful, literary take on a world that is more often depicted in a boy's adventure way. The focus in Leach's book is not on the fighting, but on the strange, inescapable logic that makes the fighting inevitable' The Times, Book of the Year 'A poetic, absorbing narrative with many of the same qualities as the medieval Icelandic sagas that it echoes and reimagines' Sunday Times, Book of the Year 'Smile of the Wolf bares its fangs from the first page. Like a medieval tapestry, the storytelling is rich with imagery. Readers will be lured spellbound into this lyrical and evocative Icelandic saga. It deserves huge success' David Gilman

Egels zijn slimme kleine beestjes, die heel goed zijn in het doen van allerlei dingen, maar iedereen weet dat egels niet kunnen vliegen. Dit stopt kleine Toby echter niet! Als je je droom volgt en niet opgeeft, wie weet wat je dan zou kunnen bereiken?

Egels Kunnen Niet Vliegen

A disgraced warrior must navigate a course between honour and shame, his people and the Roman Empire, in the first of a new trilogy set in the second century AD, from the author of Smile of the Wolf.

A brilliant and strikingly original debut novel, The Last King of Lydia imagines the bloody rise and fall of Croesus, 'the richest man on earth', and powerfully shows how happiness, even for those who have everything, is so often elusive. A defeated king stands on top of a pyre. His conqueror, the Persian ruler Cyrus, signals to his guards; they step forward and touch flaming torches to the dry wood. Croesus, once the wealthiest man of the ancient world, is to be burned alive. As he watches the flames catch, Croesus thinks back over his life. He remembers the time he asked the old Athenian philosopher, Solon, who was the happiest man in the world. Croesus used to think it was him. But then all his riches could not remove the spear from his dying elder son's chest; could not bring his mute younger son to speak; could not make him as wise as his own chief slave; could not bring his wife's love back; could not prevent his army from being torn apart and his kingdom lost. As the old philosopher had replied, a man's happiness can only be measured when he is dead. The first coils of smoke wrap around Croesus' neck like a noose...

Tim Leach

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